A Clear Eye and a Full Purse

“Being solitary is being alone well: being alone luxuriously immersed in the doings of your own choice, aware of the fullness of your one presence rather than the absence of others. Because solitude is an achievement.”

Alice Koller

I spent this evening relaxing and redecorating my bedroom. Earlier today, I took all the objets d’art from above the bed and installed them in a shop window as part of the installation for the holidays. When I came home tonight, my bedroom looked remarkably naked, so instead of passing out on the bed (which is what, for a moment or two,  I wanted to do), I dug into bags and boxes, pulled out all the mussels from a mussel-hunting day last week, and…

I made my bedroom new, again.

Using mussel shells, periwinkles, flickering candles, antique wooden boxes, a branch that fell into the garden of one of the summer mansions, sea urchin skeletons, and dried hydrangeas, I re-made the bedroom. As a friend of mine said a few days ago, “everything is artistic“…

After finishing the re-decoration, I read some more about Alice Koller. It always makes me laugh with wonder and a sense of bewilderment how sometimes things or ideas are thrust into your path to make you take a moment and reflect on what is happening. I stumbled across Alice Koller tonight when I was looking for thoughts about solitude. I found the quote above in my search, and then began looking for deeply for information about her.

Lately, I have spent a lot of my time on the phone with friends; this is because I spend the majority of my time here alone, and seek connection with my friend-family who are far away. This solitude is a first for me; I have always been a decidedly social person prior to my incarnation as the lady in cowboy boots who walks through Northeast Harbor, Maine.

It turns out that Alice Koller, at one point in her life, moved from the city to the country, to Nantucket. She moved with a puppy, while my animal companions are the crows, blue jays, and doves that fly outside my windows and in the garden below. Animal friends who I don’t have to own: the best kind of animals. Here is what Alice said, in 1983, about her short life in a small, small New England town, on her lonesome:

My urgent need was to find out what I believed and wanted and felt independently of what anyone else believed or felt or wanted me to believe or feel. Two factors were working for me. First, I knew how to think: I knew what should count as the statement of a problem; what evidence was persuasive and what inadequate; what a pointed question was and what was mere idleness; what fit well with matters whose outlines were already in hand and what conflicted outright with some other view of the facts so that one or the other had to be discarded (but which?). I subjected everything I had done that I could remember to that kind of thinking and I placed every conclusion I reached alongside one single question, “But is it true?”. I kept raising that question hour after hour, even though I had no criterion for what true would mark out until I was about halfway through my task.

The other factor was that I was at the same time learning what the shape and texture and focus of my daily life had to be. I was living in the country for the first time, and although Nantucket can scarcely be called a wilderness, Siasconset bestowed upon me great spreads of space and silence. To be outside I had only to open my door and take one step. With no people to have to thread my way around, my personal living space was without boundaries. I could go out into the low flat landscape and let the night display the patterns of the stars. At the edge of the moor no artificial lights illuminated the night, and I, a city girl, was astonished to discover that objects are cleanly visible under the light of the full moon. The beach, accessible to me on foot extended for two miles; there only Logos chased the gulls who dared to land, and only I walked. I acquired a taste for wildness and silence almost immediately.

By having removed all socially imposed regulations of my activities, I began to notice the natural rhythm of my day. I was changing almost imperceptibly each day, and I’d suddenly realize that the small increments had coalesced into something wholly new. Although I could not have given voice to it at the time, I was providing myself with the context in which I most naturally flourish…

I was then free to resolve that each moment of each day had to be lived in whatever way my then very weak understanding grasped as being right for me. I would not let it matter whether anyone else agreed with any of my decisions: I alone would judge the fittingness of everything I did. When any action I was considering or belief I was entertaining threatened to conflict with my most basic sense of what was right for me, I would do what I understood in the light of what I saw, no matter what the consequences were. It is a way to learn to consider consequences broadly and carefully so that you don’t unnecessarily visit harm upon yourself or others. But it’s also a way to teach yourself what you can and are willing to endure in the name of your sense of appropriateness.” [New York Times, 1983]

Fishermen here call sea urchins Whore’s Eggs – I have a few spines embedded in my thumb tonight

A New Bookshelf

 

There are few things in life that make me feel more at home than seeing my books on a bookshelf. It wasn’t until tonight, almost 5 weeks after moving in to this little place, that I was gifted a beautiful bookshelf and was able to bring my books home. And here they are….home! Seeing them there makes me feel that this place is home, after all. So many memories, so much time is wrapped up in those books. There are 20 years of journals on one shelf, and on others are books I have had since childhood, since high school, since college, and some, of course, are new.

Tonight I spent time reconnecting with my books, saying hello to all the scraps of paper that I have held on to for all these years, carefully shoving them between book covers. I looked through some of those old journals, and found some old photographs and stacked them carefully. I noticed that they are beginning to stick together in some places.

After the bookshelf was finished and home felt like home, finally, I started making 6 geese a-laying and began to darn an old sweater, made by a grandmother years ago. I marveled at her technique, at the ease I was having in darning the holes and following the stitches she made probably 30 years ago. Holding the sweater up to my face to examine those old, tiny stitches, I caught the smell of lanolin, and wood, and wood-smoke, of linseed oil and varnish, of sawdust, and I was reminded of why my sense of smell is something I appreciate so much: the olfactory remembrance of a friend, held in his sweater.

Christmas Window Wunderkammer

Wunderkammer above my bed — the place of inspiration for this project

I did tests on small stones before collecting and committing myself to larger ones.

Andy Goldsworthy

 

I wrote about the project a few days ago, but…I am in the process of designing and making the parts to create a Christmas window at a shop-gallery in Bar Harbor, Maine. I install on Monday, and it is shaping up nicely. Today is Thanksgiving, but our family is celebrating tomorrow and so today is a giant work day — long and delicious.

In the vein of long, delicious work days, I have started my day by watching the sunrise (it was another beautiful one), reflecting on my amazing road trip from yesterday (still working on writing about that one), and designing a giant Wunderkammer that is three windows large for the holiday window project.

 

Silhouettes — Partridge in a Pear Tree and Two Turtle Doves

 

Here are some links pour vous….perhaps you will like them and they will help you (and I) understand what I am doing….

Why is a Wunderkammer kitsch? from La Rocaille — one of my new favorite blogs.

Andre Breton’s interactive Wunderkammer

and just in case you need a refresher on who Andre Breton was….

The Joseph Cornell Box – I am trying to justify buying this book right now…Joseph Cornell is a huge inspiration on all of my artworks and projects…

Joseph Cornell Collection at the Guggenheim

Rosamond Purcell at the Big Town Gallery, her books at Amazon.com and her  website.

This is a great blog dedicated to window displays in London, and it is WONDERFUL!!! I am very sad to be missing the windows in New York City this year. But, as they say, if you build it, they will come! (Or something…) Here’s to a day of creativity, art-making, inspiration, walking, listening and looking!!!

 

A day of composing is a day well spent…

Sunrise

Autumn Hydrangea, Northeast Harbor

In the coziness of bed, with cotton blankets, a down comforter and a wool throw layered over me as my head lay nestled amidst a pile of feather pillows, my eyes opened lazily and I looked out the window at the sunrise.

Angel Place, Sydney, Australia (this is causing barn daydreams)

Over the roofs of houses came pink and orange light and horizontal bands of white and blue clouds. The roofs themselves were white with the thick coating of frost that stretched from edge to peak. As I lay there, gazing out at the sunrise, the orange changed all to pink and the clouds became white and larger. I looked at a thermometer: 28 degrees outside while I remained warm and comforted in my bed. Slowly, as the sun came up, over the horizon of Frenchman’s Bay,  just down the street from me, the stretch of water that I have come to truly love and try to visit at least once a day, the light became golden and then white with the clarity of a new day. The sun stretched up up up and over the roofs of the houses, causing the frost to quickly evaporate and then, disappear. Now, when I look out that same window, I see the shadows of tree limbs reflected onto the white clapboards of houses as the early morning light peels and paints itself over the day.

Lichen and Moss, Northeast Harbor

A grey-blue light, this morning time. The trees are all but naked: all the leaves have fallen over the last couple of weeks. People keep telling me winter is coming, and I know it to be true. I feel it. Late at night, the sky is so clear and the stars so bright it’s as if you could reach up and grab them, or perhaps take flight and travel up so far and never be able to reach them. The night sky seems endless, and I suppose, it is.

Schoolhouse Ledge, Northeast Harbor

There is a golden tranquility at this time of day — the quiet time before anyone else is awake and on the street (not that there are many people even at the busy time). Right now, we are losing somewhere between three-and-a-half and five minutes of daylight each day as we approach the solstice on December 21st, as we approach my birthday. It is hard to imagine the darkness that I will experience on those few days, before we begin to march toward the light again.

Shelf Fungi, Schoolhouse Ledge, Northeast Harbor

I think I will start getting up much earlier, so as to experience this beauty and joy each day. As I look to the right, golden sunlight is pouring in the window of my apartment whose windowsill is decorated with elephants. There is a white pine shingled shed in the back garden, with a green door.

Elephants Marching at Sunrise

Vasilissa The Beautiful — A Holiday Window Shadowpuppet Story

On our small island, there is a new arts organization called 545 & Co. This organization is “building a collaborative culture with artists and our communities through outreach and exposure” on Mount Desert Island, and are doing a holiday project with businesses in Bar Harbor. I am one of the lucky artists who has been invited to participate in building a 3-D art installation in the front windows of a local business. I am thrilled to have a challenge before me that I have not really attempted before, and have chosen to retell an old European fairy story (no surprise there) with a twist of Victorian-strange-old-things…

The story that I have chosen to depict with objets d’art, antique bottles and tins, old lace, Sunprints, shadowpuppets, and the objects that the store owners would like to use, is the story of Vasilissa The Beautiful, a Russian fairy tale about a scorned young girl, Vasilissa, her evil stepmother and stepsisters, and Baba Yaga. Here is the story for your perusal, albeit a bit abridged for length.

From Russian Wonder Tales by Post Wheeler, 1912.

IN a certain Tsardom, across three times nine kingdoms, beyond high mountain chains, there once lived a merchant. He had been married for twelve years, but in that time there had been born to him only one child, a daughter, who from her cradle was called Vasilissa the Beautiful. When the little girl was eight years old the mother fell ill, and before many days it was plain to be seen that she must die. So she called her little daughter to her, and taking a tiny wooden doll from under the blanket of the bed, put it into her hands and said:

“My little Vasilissa, my dear daughter, listen to what I say, remember well my last words and fail not to carry out my wishes. I am dying, and with my blessing, I leave to thee this little doll. It is very precious for there is no other like it in the whole world. Carry it always about with thee in thy pocket and never show it to anyone. When evil threatens thee or sorrow befalls thee, go into a corner, take it from thy pocket and give it something to eat and drink. It will eat and drink a little, and then thou mayest tell it thy trouble and ask its advice, and it will tell thee how to act in thy time of need.” So saying, she kissed her little daughter on the forehead, blessed her, and shortly after died.

Little Vasilissa grieved greatly for her mother, and her sorrow was so deep that when the dark night came, she lay in her bed and wept and did not sleep. At length she be thought herself of the tiny doll, so she rose and took it from the pocket of her gown and finding a piece of wheat bread and a cup of kvass, she set them before it, and said: “There, my little doll, take it. Eat a little, and drink a little, and listen to my grief. My dear mother is dead and I am lonely for her.”

Then the doll’s eyes began to shine like fireflies, and suddenly it became alive. It ate a morsel of the bread and took a sip of the kvass, and when it had eaten and drunk, it said:

“Don’t weep, little Vasilissa. Grief is worst at night. Lie down, shut thine eyes, comfort thyself and go to sleep. The morning is wiser than the evening.” So Vasilissa the Beautiful lay down, comforted herself and went to sleep, and the next day her grieving was not so deep and her tears were less bitter.

Now after the death of his wife, the merchant sorrowed for many days as was right, but at the end of that time he began to desire to marry again and to look about him for a suitable wife. This was not difficult to find, for he had a fine house, with a stable of swift horses, besides being a good man who gave much to the poor. Of all the women he saw, however, the one who, to his mind, suited him best of all, was a widow of about his own age with two daughters of her own, and she, he thought, besides being a good housekeeper, would be a kind foster mother to his little Vasilissa.

So the merchant married the widow and brought her home as his wife, but the little girl soon found that her foster mother was very far from being what her father had thought. She was a cold, cruel woman, who had desired the merchant for the sake of his wealth, and had no love for his daughter. Vasilissa was the greatest beauty in the whole village, while her own daughters were as spare and homely as two crows, and because of this all three envied and hated her. They gave her all sorts of errands to run and difficult tasks to perform, in order that the toil might make her thin and worn and that her face might grow brown from sun and wind, and they treated her so cruelly as to leave few joys in life for her. But all this the little Vasilissa endured without complaint, and while the stepmother’s two daughters grew always thinner and uglier, in spite of the fact that they had no hard tasks to do, never went out in cold or rain, and sat always with their arms folded like ladies of a Court, she herself had cheeks like blood and milk and grew every day more and more beautiful.

Now the reason for this was the tiny doll, without whose help little Vasilissa could never have managed to do all the work that was laid upon her. Each night, when everyone else was sound asleep, she would get up from her bed, take the doll into a closet, and locking the door, give it something to eat and drink, and say: “There, my little doll, take it. Eat a little, drink a little, and listen to my grief. I live in my father’s house, but my spiteful stepmother wishes to drive me out of the white world. Tell me! How shall I act, and what shall I do?”

Then the little doll’s eyes would begin to shine like glow- worms, and it would become alive. It would eat a little food, and sip a little drink, and then it would comfort her and tell her how to act. While Vasilissa slept, it would get ready all her work for the next day, so that she had only to rest in the shade and gather flowers, for the doll would have the kitchen garden weeded, and the beds of cabbage watered, and plenty of fresh water brought from the well, and the stoves heated exactly right. And, besides this, the little doll told her how to make, from a certain herb, an ointment which prevented her from ever being sunburnt. So all the joy in life that came to Vasilissa came to her through the tiny doll that she always carried in her pocket.

Years passed, till Vasilissa grew up and became of an age when it is good to marry. All the young men in the village, high and low, rich and poor, asked for her hand, while not one of them stopped even to look at the stepmother’s two daughters, so ill-favored were they. This angered their mother still more against Vasilissa; she answered every gallant who came with the same words: “Never shall the younger be wed before the older ones!” and each time, when she had let a suitor out of the door, she would soothe her anger and hatred by beating her stepdaughter. So while Vasilissa grew each day more lovely and graceful, she was often miserable, and but for the little doll in her pocket, would have longed to leave the white world.

Now there came a time when it became necessary for the merchant to leave his home and to travel to a distant Tsardom. He bade farewell to his wife and her two daughters, kissed Vasilissa and gave her his blessing and departed, bidding them say a prayer each day for his safe return. Scarce was he out of sight of the village, however, when his wife sold his house, packed all his goods and moved with them to another dwelling far from the town, in a gloomy neighborhood on the edge of a wild forest. Here every day, while her two daughters were working indoors, the merchant’s wife would send Vasilissa on one errand or other into the forest, either to find a branch of a certain rare bush or to bring her flowers or berries.

Now deep in this forest, as the stepmother well knew, there was a green lawn and on the lawn stood a miserable little hut on hens’ legs, where lived a certain Baba Yaga, an old witch grandmother. She lived alone and none dared go near the hut, for she ate people as one eats chickens. The merchant’s wife sent Vasilissa into the forest each day, hoping she might meet the old witch and be devoured; but al ways the girl came home safe and sound, because the little doll showed her where the bush, the flowers and the berries grew, and did not let her go near the hut that stood on hens’ legs. And each time the stepmother hated her more and more because she came to no harm.

One autumn evening the merchant’s wife called the three girls to her and gave them each a task. One of her daughters she bade make a piece of lace, the other to knit a pair of hose, and to Vasilissa she gave a basket of flax to be spun. She bade each finish a certain amount. Then she put out all the fires in the house, leaving only a single candle lighted in the room where the three girls worked, and she herself went to sleep.

They worked an hour, they worked two hours, they worked three hours, when one of the elder daughters took up the tongs to straighten the wick of the candle. She pre tended to do this awkwardly (as her mother had bidden her) and put the candle out, as if by accident.

“What are we to do now?” asked her sister. “The fires are all out, there is no other light in all the house, and our tasks are not done.”

“We must go and fetch fire,” said the first. “The only house near is a hut in the forest, where a Baba Yaga lives. One of us must go and borrow fire from her.”

“I have enough light from my steel pins,” said the one who was making the lace, “and I will not go.”

“And I have plenty of light from my silver needles,” said the other, who was knitting the hose, “and I will not go.

“Thou, Vasilissa,” they both said, “shalt go and fetch the fire, for thou hast neither steel pins nor silver needles and cannot see to spin thy flax!” They both rose up, pushed Vasilissa out of the house and locked the door, crying:

“Thou shalt not come in till thou hast fetched the fire.”

Vasilissa sat down on the doorstep, took the tiny doll from one pocket and from another the supper she had ready for it, put the food before it and said: “There, my little doll, take it. Eat a little and listen to my sorrow. I must go to the hut of the old Baba Yaga in the dark forest to borrow some fire and I fear she will eat me. Tell me! What shall I do?”

Then the doll’s eyes began to shine like two stars and it became alive. It ate a little and said: “Do not fear, little Vasilissa. Go where thou hast been sent. While I am with thee no harm shall come to thee from the old witch.” So Vasilissa put the doll back into her pocket, crossed herself and started out into the dark, wild forest.

Whether she walked a short way or a long way the telling is easy, but the journey was hard. The wood was very dark, and she could not help trembling from fear. Suddenly she heard the sound of a horse’s hoofs and a man on horseback galloped past her. He was dressed all in white, the horse under him was milk-white and the harness was white, and just as he passed her it became twilight.

She went a little further and again she heard the sound of a horse’s hoofs and there came another man on horseback galloping past her. He was dressed all in red, and the horse under him was blood-red and its harness was red, and just as he passed her the sun rose.

That whole day Vasilissa walked, for she had lost her way. She could find no path at all in the dark wood and she had no food to set before the little doll to make it alive.

But at evening she came all at once to the green lawn where the wretched little hut stood on its hens’ legs. The wall around the hut was made of human bones and on its top were skulls. There was a gate in the wall, whose hinges were the bones of human feet and whose locks were jaw- bones set with sharp teeth. The sight filled Vasilissa with horror and she stopped as still as a post buried in the ground.

As she stood there a third man on horseback came galloping up. His face was black, he was dressed all in black, and the horse he rode was coal-black. He galloped up to the gate of the hut and disappeared there as if he had sunk through the ground and at that moment the night came and the forest grew dark.

But it was not dark on the green lawn, for instantly the eyes of all the skulls on the wall were lighted up and shone till the place was as bright as day. When she saw this Vasilissa trembled so with fear that she could not run away.

Then suddenly the wood became full of a terrible noise; the trees began to groan, the branches to creak and the dry leaves to rustle, and the Baba Yaga came flying from the forest. She was riding in a great iron mortar and driving it with the pestle, and as she came she swept away her trail behind her with a kitchen broom.

She rode up to the gate and stopping, said:

Little House, little House, Stand the way thy mother placed thee, Turn thy back to the forest and thy face to me!

And the little hut turned facing her and stood still. Then smelling all around her, she cried: “Foo! Foo! I smell a smell that is Russian. Who is here?”

Vasilissa, in great fright, came nearer to the old woman and bowing very low, said: “It is only Vasilissa, grand mother. My stepmother’s daughters sent me to thee to borrow some fire.”

“Well,” said the old witch, “I know them. But if I give thee the fire thou shalt stay with me some time and do some work to pay for it. If not, thou shalt be eaten for my supper.” Then she turned to the gate and shouted: “Ho! Ye, my solid locks, unlock! Thou, my stout gate, open!” Instantly the locks unlocked, the gate opened of itself, and the Baba Yaga rode in whistling. Vasilissa entered behind her and immediately the gate shut again and the locks snapped tight.

When they had entered the hut the old witch threw her self down on the stove, stretched out her bony legs and said:

“Come, fetch and put on the table at once everything that is in the oven. I am hungry.”…

When her hunger was satisfied, the old witch, growing drowsy, lay down on the stove and said: “Listen to me well, and do what I bid thee. Tomorrow when I drive away, do thou clean the yard, sweep the floors and cook my supper. Then take a quarter of a measure of wheat from my store house and pick out of it all the black grains and the wild peas. Mind thou dost all that I have bade; if not, thou shalt be eaten for my supper.”

Presently the Baba Yaga turned toward the wall and began to snore and Vasilissa knew that she was fast asleep. Then she went into the corner, took the tiny doll from her pocket, put before it a bit of bread and a little cabbage soup that she had saved, burst into tears and said: “There, my little doll, take it. Eat a little, drink a little, and listen to my grief. Here I am in the house of the old witch and the gate in the wall is locked and I am afraid. She has given me a difficult task and if I do not do all she has bade, she will eat me tomorrow. Tell me: What shall I do?”

Then the eyes of the little doll began to shine like two candles. It ate a little of the bread and drank a little of the soup and said: “Do not be afraid, Vasilissa the Beautiful. Be comforted. Say thy prayers, and go to sleep. The morning is wiser than the evening.” So Vasilissa trusted the little doll and was comforted. She said her prayers, lay down on the floor and went fast asleep.

When she woke next morning, very early, it was still dark. She rose and looked out of the window, and she saw that the eyes of the skulls on the wall were growing dim…

When Vasilissa found herself left alone, she examined the hut, wondering to find it filled with such an abundance of everything. Then she stood still, remembering all the work that she had been bidden to do and wondering what to begin first. But as she looked she rubbed her eyes, for the yard was already neatly cleaned and the floors were nicely swept, and the little doll was sitting in the storehouse picking the last black grains and wild peas out of the quarter- measure of wheat.

Vasilissa ran and took the little doll in her arms. “My dearest little doll!” she cried. “Thou hast saved me from my trouble! Now I have only to cook the Baba Yaga’s sup per, since all the rest of the tasks are done!”

“Cook it, with God’s help,” said the doll, “and then rest, and may the cooking of it make thee healthy!” And so saying it crept into her pocket and became again only a little wooden doll.

So Vasilissa rested all day and was refreshed; and when it grew toward evening she laid the table for the old witch’s supper, and sat looking out of the window, waiting for her coming…Then all at once the trees of the forest began to creak and groan and the leaves and the bushes to moan and sigh, and the Baba Yaga came riding out of the dark wood in the huge iron mortar, driving with the pestle and sweeping out the trail behind her with the kitchen broom.

“Well, hast thou done perfectly all the tasks I gave thee to do, or am I to eat thee for my supper?”

“Be so good as to look for thyself, grandmother,” answered Vasilissa.

The Baba Yaga went all about the place, tapping with her iron pestle, and carefully examining everything. But so well had the little doll done its work that, try as hard as she might, she could not find anything to complain of. There was not a weed left in the yard, nor a speck of dust on the floors, nor a single black grain or wild pea in the wheat.

The old witch was greatly angered, but was obliged to pretend to be pleased. “Well,” she said, “thou hast done all well.” …

The Baba Yaga sat down to supper, and Vasilissa put before her all the food from the oven…“Tomorrow do as thou hast done today, and besides these tasks take from my storehouse a half-measure of poppy seeds and clean them one by one. Someone has mixed earth with them to do me a mischief and to anger me, and I will have them made perfectly clean.” So saying she turned to the wall and soon began to snore.

When she was fast asleep Vasilissa went into the corner, took the little doll from her pocket, set before it a part of the food that was left and asked its advice. And the doll, when it had become alive, and eaten a little food and sipped a little drink, said: “Don’t worry, beautiful Vasilissa! Be comforted. Do as thou didst last night: say thy prayers and go to sleep.”…

As it had happened on the first morning, so it happened now. When Vasilissa looked she found that the little doll had finished all the tasks excepting the cooking of the sup per. The yard was swept and in order, the floors were as clean as new wood, and there was not a grain of earth left in the half-measure of poppy seeds. She rested and refreshed herself till the afternoon, when she cooked the supper, and when evening came she laid the table and sat down to wait for the old witch’s coming.

Soon the man in black, on the coal-black horse, galloped up to the gate, and the dark fell and the eyes of the skulls began to shine like day; then the ground began to quake, and the trees of the forest began to creak and the dry leaves to rustle, and the Baba Yaga came riding in her iron mortar, driving with her pestle and sweeping away her path with her broom.

When she came in she smelled around her and went all about the hut, tapping with the pestle; but pry and examine as she might, again she could see no reason to find fault and was angrier than ever…

Presently the old witch sat down to supper…The Baba Yaga ate and drank it all, every morsel, leaving not so much as a crumb of bread; then she said snappishly: “Well, why dost thou say nothing, but stand there as if thou wast dumb?”

“I spoke not,” Vasilissa answered, “because I dared not. But if thou wilt allow me, grandmother, I wish to ask thee some questions.”

“Well,” said the old witch, “only remember that every question does not lead to good. If thou knowest overmuch, thou wilt grow old too soon. What wilt thou ask?”

“I would ask thee,” said Vasilissa, “of the men on horse back. When I came to thy hut, a rider passed me. He was dressed all in white and he rode a milk-white horse. Who was he?”

“That was my white, bright day,” answered the Baba Yaga angrily. “He is a servant of mine, but he cannot hurt thee. Ask me more.”

“Afterwards,” said Vasilissa, “a second rider overtook me. He was dressed in red and the horse he rode was blood- red. Who was he?”

“That was my servant, the round, red sun,” answered the Baba Yaga, “and he, too, cannot injure thee,” and she ground her teeth. “Ask me more.”

“A third rider,” said Vasilissa, “came galloping up to the gate. He was black, his clothes were black and the horse was coal-black. Who was he?”

“That was my servant, the black, dark night,” answered the old witch furiously; “but he also cannot harm thee. Ask me more.”

But Vasilissa, remembering what the Baba Yaga had said, that not every question led to good, was silent.

Said the Baba Yaga,”Now I would ask a question in my turn: How is it that thou hast been able, in a little time, to do perfectly all the tasks I gave thee? Tell me!”

Vasilissa was so frightened to see how the old witch ground her teeth that she almost told her of the little doll; but she bethought herself just in time, and answered: “The blessing of my dead mother helps me.”

Then the Baba Yaga sprang up in a fury. “Get thee out of my house this moment!” she shrieked. “I want no one who bears a blessing to cross my threshold! Get thee gone!”

Vasilissa ran to the yard, and behind her she heard the old witch shouting to the locks and the gate. The locks opened, the gate swung wide, and she ran out on to the lawn. The Baba Yaga seized from the wall one of the skulls with burning eyes and flung it after her. “There,” she howled, “is the fire for thy stepmother’s daughters. Take it. That is what they sent thee here for, and may they have joy of it!”

Vasilissa put the skull on the end of a stick and darted away through the forest, running as fast as she could, finding her path by the skull’s glowing eyes which went out only when morning came.

Whether she ran a long way or a short way, and whether the road was smooth or rough, towards evening of the next day, when the eyes in the skull were beginning to glimmer, she came out of the dark, wild forest to her stepmother’s house.

When she came near to the gate, she thought, “Surely, by this time they will have found some fire,” and threw the skull into the hedge; but it spoke to her, and said: “Do not throw me away, beautiful Vasilissa; bring me to thy step mother.” So, looking at the house and seeing no spark of light in any of the windows, she took up the skull again and carried it with her.

Now since Vasilissa had gone, the stepmother and her two daughters had had neither fire nor light in all the house. When they struck flint and steel the tinder would not catch. and the fire they brought from the neighbors would go out immediately as soon as they carried it over the threshold, so that they had been unable to light or warm themselves or to cook food to eat. Therefore now, for the first time in her life, Vasilissa found herself welcomed. They opened the door to her and the merchant’s wife was greatly rejoiced to find that the light in the skull did not go out as soon as it was brought in. “Maybe the witch’s fire will stay,” she said, and took the skull into the best room, set it on a candlestick and called her two daughters to admire it.

But the eyes of the skull suddenly began to glimmer and to glow like red coals, and wherever the three turned or ran the eyes followed them, growing larger and brighter till they flamed like two furnaces, and hotter and hotter till the merchant’s wife and her two wicked daughters took fire and were burned to ashes. Only Vasilissa the Beautiful was not touched.

In the morning Vasilissa dug a deep hole in the ground and buried the skull. Then she locked the house and set out to the village, where she went to live with an old woman who was poor and childless, and so she remained for many days, waiting for her father’s return from the far-distant Tsardom.

But, sitting lonely, time soon began to hang heavy on her hands. One day she said to the old woman: “It is dull for me, grandmother, to sit idly hour by hour. My hands want work to do. Go, therefore, and buy me some flax, the best and finest to be found anywhere, and at least I can spin.”

She wove one month, she wove two months-all the winter Vasilissa sat weaving, weaving her fine thread, till the whole piece of linen was done, of a texture so fine that it could be passed, like thread, through the eye of a needle. When the spring came she bleached it, so white that no snow could be compared with it. Then she said to the old woman: “Take thou the linen to the market, grandmothers and sell it, and the money shall suffice to pay for my food and lodging.” When the old woman examined the linen, however, she said:

“Never will I sell such cloth in the market place; no one should wear it except it be the Tsar himself, and tomorrow I shall carry it to the Palace.”

Next day, accordingly, the old woman went to the Tsar’s splendid Palace and fell to walking up and down before the windows. The servants came to ask her her errand but she answered them nothing, and kept walking up and down. At length the Tsar opened his window, and asked: “What dost thou want, old woman, that thou walkest here?”

“O Tsar’s Majesty” the old woman answered, “I have with me a marvelous piece of linen stuff, so wondrously woven that I will show it to none but thee.”

The Tsar bade them bring her before him and when he saw the linen he was struck with astonishment at its fineness and beauty. “What wilt thou take for it, old woman?” he asked.

“There is no price that can buy it, Little Father Tsar,” she answered; “but I have brought it to thee as a gift.” The Tsar could not thank the old woman enough. He took the linen and sent her to her house with many rich presents.

Seamstresses were called to make shirts for him out of the cloth; but when it had been cut up, so fine was it that no one of them was deft and skillful enough to sew it. The best seamstresses in all the Tsardom were summoned but none dared undertake it. So at last the Tsar sent for the old woman and said: “If thou didst know how to spin such thread and weave such linen, thou must also know how to sew me shirts from it.”

And the old woman answered: “O Tsar’s Majesty, it was not I who wove the linen; it is the work of my adopted daughter.”

“Take it, then,” the Tsar said, “and bid her do it for me.” The old woman brought the linen home and told Vasilissa the Tsar’s command: “Well I knew that the work would needs be done by my own hands,” said Vasilissa, and, locking herself in her own room, began to make the shirts. So fast and well did she work that soon a dozen were ready. Then the old woman carried them to the Tsar, while Vasilissa washed her face, dressed her hair, put on her best gown and sat down at the window to see what would happen. And presently a servant in the livery of the Palace came to the house and entering, said: “The Tsar, our lord, desires himself to see the clever needlewoman who has made his shirts and to reward her with his own hands.”

Vasilissa rose and went at once to the Palace, and as soon as the Tsar saw her, he fell in love with her with all his soul. He took her by her white hand and made her sit beside him. “Beautiful maiden,” he said, “never will I part from thee and thou shalt be my wife.”

So the Tsar and Vasilissa the Beautiful were married, and her father returned from the far-distant Tsardom, and he and the old woman lived always with her in the splendid Palace, in all joy and contentment. And as for the little wooden doll, she carried it about with her in her pocket all her life long.

 

A perfect tale to be told across some windows, no?

 

In The Dark

“When things fall apart, consider the possibility that life knocked it down on purpose. Not to bully you, or to punish you, but to prompt you to build something that better suits your personality and your purpose. Sometimes things fall apart so better things can fall together.”

-Sandra King

Mid-tide at Clifton Dock, Northeast Harbor

There is a quiet in the air here, a solace of a sort. A feeling in the wind, especially at night, that soothes the soul after another day. The air is close but comforting, cold as it wraps around your face and body as you walk home. The stars, glimmering above, ever slightly changing with each passing day, twinkle down on a bewildered face each night as I stroll.

Seven Moons Passing – Susan Seddon-Boulet

When I first moved here, all three weeks ago, the quiet was an intimidating force. There was a huge part of me who, having spent my whole adult life in cities, was used to the white noise hum of cars passing by, of planes flying over, of doors closing and opening, of people talking and yelling to each other. I was used to the comforting noises of a city: the noises that let you know that the city is humming along to itself, the subway running beneath your feet as buses stop at bus stops, people getting off and on.

The first night I was here I noticed the quiet, and I noticed it even more as each day passed. During the first two weeks that I lived here, I suffered the feelings of loneliness and isolation quite intensely. Not knowing what to do, I took walks and made phone calls, sat in my house and knit shawls and gloves. I sat here, and wrote my thoughts down on digital paper. I looked out the windows at the quiet street, at the glowing windows of neighbors’ houses, and wondered….

Could I do this? Or shall I turn back?

A week ago at night, I left the studio when it had just become dark and walked to my favorite perch: Clifton Dock. I sat on the gang plank and watched tiny snowflakes fall around my face, the first of the year. The tiniest flakes, so soft in air so warm that they melted before they hit the ground, but yet, were there, swirling around my face tilted up toward the sky.

Walking through these quiet streets, especially at night, when I am alone and left to my own devices, has become a source of incredible, almost indescribable joy to me. When I walk up South Shore Road from Clifton Dock and pass all the beautiful, old summer houses that remind me of the houses in “The Great Gatsby” or “Sabrina”, and I look at their darkened windows and wonder where their owners are and what they are doing, I can dance, skip and spin down their road and no one can see me but the birds, the houses, and the trees.

I have never felt this sense of peace before in my life: my sense of self has always been full of many stressful emotions, at least as long as I can remember, anyway. I feel things very deeply, hence the large tattoo of an anatomical heart on my left arm declares to the world that I am one delicate, sensitive soul.

But once the loneliness faded, which it did, sometime last week, the sense of peace swooped in and took over. I spoke with a friend last night who is, hopefully, embarking on the next phase of her life in another, very different part of our country from where we grew from girls into the women we are now, and she made me laugh because she realized that her new town only has one coffee shop. I laughed because my town has no coffee shop, even though sometimes I wish that we did. Sometimes I wish we had a diner here, just a place to have food if you felt like going, a place like The Brick in Northern Exposure. But I digress….

One of my favorite teachers, who taught me my first skills in jewelry making, all those years ago, in San Miguel de Allende, Mexico, when I was fresh out of university and freshly married, twenty three years old and knew nothing, told me once that “perfection is a glorious accident”, so this morning, when I read the quote above, I realized, of course, that he was right.

Is this place perfect? No, of course not, but it is so close. Granted, I have no car right now, so that is a challenge. Granted, the winter has not really started and I have no idea what is heading toward me. Granted, I have been here for only three weeks, and your feelings on a place ebb and flow just like the tides that come in and out down at the dock. But…..

Lately, I have been surrounding myself with nature and with art. Without my daily walks, my days feel strangely off, as if something is missing. During these daily walks, I look at things and take photographs. Yesterday, I took this one…

Inspiration comes from the strangest places…..

Last night, I was working on earrings that were inspired by my walk down Sargent Drive the other day: one is inspired by lichen on rocks and the other by grasses growing along granite boulders. Today I will go in and start making some bracelets inspired by the shapes of the pilings in the photograph above. I have my first show in two weeks and am aiming to be ready….it is difficult to look forward and realize that this is what I want to do with my time, all the time, that there is nothing that has made me happier than the process of finding a voice in metals that has come over the last few weeks, in the dark, in the solitary time.

Northeast Harbor Fleet in Autumn