A Mid-Year Reflection

My plan to write here,  even just a little bit, each day has fallen apart. My biggest explanation as to why is being sheerly overwhelmed by all that has happened. The United States has the most cases of any country in the world, and the highest number of deaths. Our President, who was woefully inadequate before the pandemic, now has shrouded the White House in miles of fencing and barricades to keep the protestors away from him. Protestors by the thousands are peacefully marching, now, after a week of fire and destruction brought on by three incidences of racist police brutality in a row. We are all expected to “go back to normal” despite the knowledge that the pandemic still boils in our communities, and there is a 19% unemployment rate with little being done to help those people who lost their jobs; these are the same people whose lives are impacted most by police brutality and lower-quality schools that lead to lower-paying jobs.

In other words, it is a hot mess express out there.

I don’t have very many words for it all right now, except that it seems so incredibly sad, but also incredibly predictable, that this would happen in the United States after 40 years of destabilizing social programs and a destructive and addictive dependency on capital development over anything else. We have been out of school since mid-March, and all I hope is that we go back in August. No one seems to have a plan or even a specific idea about how to manage this transition, and my explanation is that schools don’t make money so they are not a priority. Isn’t that it?

My garden is beautiful and I have to look at that as an analogy for these frightening times. I have tended my garden well during the pandemic: literally and figuratively. I have spoken to friends, worked on creative projects, continued with graduate school, begun to work on school work for the fall, and stepped outside each day to plant living things. These are the only spaces of control that I have.

I often wonder about how people felt during the last pandemic. There was no information overload. Perhaps they only knew what was happening in their town or on their street. Perhaps they knew much more? I feel that I know nothing, except that my government has lost the last shreds of authority, accountability and usefulness that they had in early 2020.

There is an election in November. Even NPR is talking about the possibility of the President not accepting the results. What happens then? What will happen this week?

Gods help us.

Date: 8 June 2020

Worldwide Cases: 7,049,649

US Cases: 1,946,144

Worldwide Deaths: 409,821

US Deaths: 116,929

Mortality Rate (Worldwide): 5.81%

Mortality Rate (USA): 6.00%

In a Building, on a Mountain, near a Telescope, Hurtling Through Space

 

20180619_173034View of the Davis Mountains

Over the last two days, I have spent my time at the McDonald Observatory, touring telescopes, learning about the origins of the universe, and gazing into the cosmos. I have learned about the age of the universe and cosmic microwave background radiation, and how there is a giant telescope with 91 hexagonal mirrors being built to stare into the heavens 10 billion years back.

20180620_131338

Hobby-Eberly Telescope being prepped for the HEXDET Experiment

Awe is an understatement when one looks through a tiny eyepiece on a 36cm telescope and sees the Cassini Division, or a group of stars that look like someone just dropped diamond dust on a piece of black velvet. The awe extends to the surface of each of those 91 identical mirrors, as you watch a lithe and agile woman scamper and climb underneath them in order to take dirty ones out to be replaced with perfectly clean copies. Awe continues when you see photos of your heroes, Carl Sagan and Jane Goodall, Galileo and Neil deGrasse Tyson decorating the walls and declaring the power of imagination and the drive to determine the beauty and power of a great idea.

20180620_135720

Carl Sagan!!! 

The experience of seeing these giant creations of men and women has been nothing short of stupendous. I have decided, and inwardly declared, that astronomy is this wonderful, magic, perfect-as-is-possible discipline in which people combine science, math, engineering, imagination and art. I have seen a telescope from 1939 paid for by a kindly bachelor banker who owned a car but never drove it, who paid for a beautiful German atomic crystal clock but never saw it, and who bequeathed his books, including “The Social Life of Insects” to an astronomy department that had yet to exist. Today I was able to wander around a larger telescope birthed from the need for better technology and the funding of the space race…it is a giant, a megalith of steel, lead, glass and concrete. In it are 4 or 5 mirrors, depending on what its being used for, that bounce light up and down and back again, into the floor below, to produce spectrographs of distant stars. I listened to two students tell us about how they are looking for evidence of exoplanets using the study of spectroscopy and this giant instrument that literally beams light from distant skies down below their feet.

20180620_192029

Harlan Smith Telescope, McDonald Observatory 

I have learned that there is no center and all positions within the universe are the center, at the same time. I have learned that the universe has some sort of three-dimensional shape but that it exists on a plane of its own creation and has a fourth dimension of time. Is time, then, a construct? Or is it real? What is real?

20180620_200521

The Art in Astronomy is surprising and beautiful 

These last few weeks have been trying, terrible, and emotionally despairing times for many. Seeing, as a part of the 24-hour news cycle, that our civilization is in decline far deeper than perhaps we had thought leaves us feeling fraught and frayed. Seeing our fellow humans in pain and as humans, though, is a powerful driver in helping all of us see our sisters and brothers as just that. I am an optimist, despite the dark that seems all around. I like to think that at least we saw each other in these moments, and we reached out to help, and help we did, though we must continue. I think the power of extending a heart-in-hand, especially to children and their mothers, will never serve us wrong, and perhaps is a step in the journey to what might be right and better for all of us.

20180620_124034

This is our Sun, whose light is passed through and projected on a wall, and refracted using a diffraction grating. Isn’t it gorgeous? 

I generally always feel that I am exactly where I am supposed to be in any given moment. It is a strategy that helps me find gratitude and peace with what is happening. I also have been lucky, thus far, to land on my feet. I have been wondering today, especially tonight, as I sat outside a 36cm telescope and listened to it sing like a humpback whale as it re-calibrated itself, as I stared up at the stars and listened to the funny conversations of colleagues trying to take photos of the moon on their smart phones through the Dobsonian Telescope’s eyepiece, that perhaps I have been here for a few days to remember the greatness of the capacity of human possibility and imagination. There is no greater evidence of that than looking at these telescopes up close and realizing the amount of dedication and dreaming that goes into each one of them. I asked the facilitator what drives the design and fabrication of new telescopes, and she told me, “scientific goals”. I asked her what scientific goals are inspiring the new, almost complete Magellan Telescope and she told me there were so many that it was hard to think of all of them. How wonderful an idea is that? That there are so many dreams that a real expert in her field cannot even think of all of them.

20180619_202308

Struve Telescope, McDonald Observatory 

I love Langston Hughes’ poetry and this one really stands out to me tonight, my last evening in this building, on a mountain, near a telescope, hurtling through space. May it serve you, too. With love and hope, P

 

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

20180619_172618The McDonald Observatory grounds from my southwest-facing window. 

Inspiration

 

20180429_200329

Here, I watch the sunset over the neighbor’s barn 

Over the last month, 29 new people have started following this blog. Since I have not regularly posted to the blog in almost three years, and am rather a fair-weather blog friend these days, I am taking this as a sign from the universe and the second nod of inspiration to get to it again! A few weeks ago, my mother’s best friend Jean also asked me: “what is happening these days with your writing?”.

20180508_174714.jpg

A bridge in Hogeye, Texas…a few miles from my new home

Challenge accepted, and with gratitude, as I have discovered, in the in-between times, that writing is a way that I understand my own experiences, my meandering wander through this game of life, and, most useful, it helps me remember the things that happened. I was happy to hear from a friend yesterday (and she is younger than me!) that she is now depending on her 4 year-old to help her remember new peoples’ names and the details of the day. Memory is funny: it’s like there is only so much space in there and so many little things get deleted. Perhaps it’s a survival skill.

20180413_195506

Chinaberry blossoms: this year, I felt like I had never seen them before. Maybe I hadn’t.

The same friend also inspired me yesterday by carving out a writing nook in her home. My house is quite small, so there is not a space for this as such, but I have taken the “dining room” (sounds quite fancy but it is really just a small, lovely room with two windows that looks out into the garden and is a pass-through to the living room) as the sewing room and so decided, yesterday, that it will also be the “writing nook” starting, well, today. In this room, along with the two lovely windows, is my sewing machine, the sweet hutch my lover surprised me with a while back (it houses all the fabric, the patterns and the sparkly things in the two lighted cabinets), a nice round brown wooden table, two brass candlesticks, four chairs, a wool rug with a hole at one end, and me.

20180412_215848

The sewing/dining room now writing nook

As I look out of the windows, I can see a windy crepe-myrtle tree and in it, a pair of cardinals. Mama usually shows up first and then is quickly chased by her partner, Red Papa. They are very sweet and chubby these days, no doubt from all the birdseed and everything else around the large yard. There are so many trees: trees in trees! In fact, in the center of the crepe myrtle is a small pecan. There is debate in the house about which goes. I vote for the pecan, as I love the crepe myrtles so much and a pecan there is too close to the house. There is also a blue ceramic birdbath that the doves love, and the grackles like to land in and splash everyone else. Beyond this scene is a white driveway shining in the early summer sun (when did it get so HOT?) and beyond that, the ever-expanding garden fence, a greenhouse, vegetable patches, and many flowers just beginning their pretty journey with us here at the new house in Elgin.

20180403_184654

The house with its first flower patch – now teeming with tiny flowers of myriad variety. I am sitting in front of those two full-sized windows near the back of the house in this photo. The small window is the window over the kitchen sink!

Paciencia, Paciencia is starting a new step in the journey it seems! I am leaving my current school in a few weeks and have transferred to the small middle school here in town. I will still teach the same things; the making of things, the drawing of things, the thinking of things, and the feeling better about ourselves way of things, but I will be able to bike to school on my wonderful bicycle, rather than sit on a highway in my wonderful car. My life is circling around me, the wagons of inspiration hugging a bit closer: more time for art, for garden, for writing. Here we are. Thanks for being along.

20180416_191831Is there anything as beautiful as a tomato and pepper patch in the afternoon light?

Uncertainty

This morning, as most of the school was walking to morning assembly, two 8th graders bounced up to me and said: “Ms Blythe!!!! It’s been SO long!” These two were my students when they were 6th and 7th graders, and I came to know them from when they were very small to when they were very awkward to when they were almost teenagers, and now, they are on their way to high school. It is amazing to bear witness to the growth of children, and to be a person they trust with their feelings: both fears and joys.

Lovestamp

Robert Indiana, first day of issue January 26, 1973

One told me about a drama about a friend, a fight, and head lice: the fare of middle school experience and friendship. As we were walking into the gym together, the other one said: “Ms Blythe? If we go to war, will it be like World War III?” I said, “Well. I need you to look at me while I say this.” She said, “ok” and looked directly at me. I put my arm around her and said, “I have absolutely no idea. But if it is, we will go through it together.”

30711_575260117283_33206124_33638130_1081662_n

Ali Cat Leeds of EntangledRoots.com

It’s been ages since I wrote here, and really ages since I documented my last public school teaching experience in inner city Philadelphia. This school year is so trying: the students are dealing with so much stress, and so are the teachers. What is funny (the type of funny that is tragic, not laugh-out-loud) is that, in the public education sphere, or at least my public education sphere, no one is speaking out or with each other about the stress that the outer world is causing in our hearts and minds.

800px-Assistants_and_George_Frederic_Watts_-_Hope_-_Google_Art_Project

Hope by George Frederic Watts, 1886

I taught a professional development yesterday on how to teach good quality projects. At the beginning, I asked teachers to play by working 6 feet of wire into something that represented what was going on with them yesterday morning. Most jumped into the task, a few fought it at first, one point-blank refused and left. After a few minutes, it was fascinating to watch a group of 30 adults playing with wire, bending it, shaping it, talking to their friends, laughing, wondering: bemused at their own inner-workings. A few spoke about their sculptures, but most just left them on a large table, much like children do. I realized during the second session that the vast majority of my adult students were overwhelmed, tired, sad, confused, stressed-out and hollow-eyed. They didn’t know what to do in terms of developing a project. I realized at the end of the first session that we really should have canned it all and done something else, but it was too late, and there was no Plan B.

1

Candles burning in a Buddhist temple: photographer unknown

When that student asked me about World War III earlier today, I almost cried then and there. Later, we had a tornado drill and I envisioned my portable being picked up and carried by a giant tornado that would drop us on our side somewhere down the road.

21415005_10155714624670859_5024672988562878978_o

Teachr, Teach Peace – his Facebook is here

I watched a video by Robert Reich the other day in which he explained that stress, feelings of trauma, dread, despair, are all common-place in our current state of affairs. I think we can see evidence of that from before this president was elected in the opioid epidemic: we are the only country in the world who is dying in huge numbers of hopelessness, sadness, and desperation, however, I will say that those feelings may be experienced currently by more people than pre-election day 2016.

America, poor America! You sick culture of racism and of classism, and of feelings of not being good enough, smart enough, rich enough. As adults, we can try to dismiss those fears or at least cloud them with exercise, working in the garden, cooking, drinking wine,  and eating too much dessert. But our children: my question is, what can they do?

My students are in 7th grade. They were born in the year 2005, four years after 9/11, and after the beginning of what is now America’s longest war. They have never known their country in peace-time. During their lives, America has increased its prison population, and the awareness of the murder of African-Americans by police has become commonplace thanks to social media. Their media life is one of Sandy Hook, Virginia Tech, Paris bombings, Orlando and now Las Vegas shootings. Their governmental life was one of hope with President Obama, shot down by the election of Donald Trump, and colored by his rants about North Korea, Puerto Rico, Mexico, and Iran.

DLELERUW0AA7y9I

Unknown, brilliant Twitter cartoonist

Most of my students are immigrants or children of immigrants. Most of my children are economically classed as “poor”. Most of my children have parents who are working so hard just to give them what society demands is necessary: tiny mega-computers that broadcast this information-propaganda-fear into their pockets, into their living rooms, into their eyes, into their minds at night when they are alone. How frightening is this? How more frightening is it that we, the adults, are so scared that we do not know how to discuss it in a pro-active, assertive, and hopeful way?

rsz_almond-antique-botanical-illustration-from-flora-of-germany-circa-1903

Almond botanical drawing: in the language of flowers, Almond is for Promise

Hugs do a lot, but they do not do enough. As a teacher, as a step-parent to a 7th grade child, it is up to me to shield where I can, but be willing to talk when the questions come up, because the shield that my parents had for me no longer exists. The courage lies in looking into the dark and understanding that we know very little more than we did when we were 7th graders, and the courage comes from the very thing itself: courage to believe, courage to speak, courage to love, courage to hope.

I hope to write more here. I hope to hear from you. With love, P

14516549_332981537048063_1526785607969530251_n

Ali Cat Leeds from EntangledRoots.com

 

Heart Shapes

I have been being a snoop today. I like being a snoop, and am one of those people who is guilty of looking in peoples’ medicine cabinets and awkwardly moving around homes at parties gazing intently at curios and especially, photographs.

vulnerability2

“Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”
Brené Brown

 

This is what I did today; in the somewhat vain attempt at unpacking, I found myself snooping in one of Cody’s boxes that is full of old photo albums. Two baby books filled with sweet notes from his mother and photos in that classic 1970s sienna tone. The photos are of a blonde baby who looks remarkably like two of his nephews, Paul and Dominic. There is also a scrapbook of his first three years, filled with more photos and birthday cards. Then there are a few more photo albums. Two are of old family photos that range from baby Cody to teenage Cody, photos of his parents and grandparents. His mom had brown hair then, blonde now, cut in that poofy 70s/80s style that I think all of our moms wore. There are photos of his father cradling him as a newborn, in the exact same way that he later cradled his own son when River was born in 2004. In those photos, you actually couldn’t tell but for the age of the photographs that the man in the frame is his father and not Cody, for when River was born, Cody cut his hair short and clean in the same style as his father’s when he was born. Little Cody peeks out of photos, holding fish on fishing lines, dressed up in terrible Halloween costumes, sitting next to his father and mother and grandmother, posing on the trunk of a very old, silver Honda Civic. His father so young, and Cody so small: the family resemblance between the two is so strong. They share brows and shoulders, height and lankiness. Later, Teenage Cody begins to look as he does now: very tall, thin, with long-lashed eyes. Those long lashes show up in one photo from when he must have been about two.

There are also photo albums from later life, from when he moved to Austin in 1998. Cody out with friends, on the road to Albuquerque and Amarillo, and photos of the highways in between. Photos of him in Amsterdam with an old girlfriend who looks very sweet and very 90s in her baggy pants and oversized t-shirts. There is a photo of Cody from when he was building his first tattoo shop, when he was 25, and he looks almost exactly as he does today: glasses, beard and mustache, t-shirt, jeans, tattoos from tip to tail.

iStock_000027670147_vulnerability

Living with someone versus dating them and spending nights at each other’s houses is so different: all the cards are out on the table. All of each other’s strange little behaviors are on full display for each other to eke out over time; learn to tolerate, appreciate, and love. Cody puts a paper towel under the french press every morning while he makes coffee and it makes me crazy because it makes no sense. He apologizes almost constantly, seemingly just for moving around. I keep telling him he doesn’t have to do that. I wonder what things he notices about me that bug him, but he appreciates because they are mine, all the same.

In a set of the photographs, I saw the houses he lived in a tpwn in rural Louisiana, when he was learning to tattoo. There are photos of his first tattoo on an orange. There are photos of his Uncle and Aunt’s house, surrounded by potted plants and 5 gallon buckets of soil. This photo shows me why he collects so many plants and 5-gallon buckets of soil. This behavior of his ties back to the past, gives him some sense of continuity of time, perhaps. There is a photo of him in front of the school bus he lived in during his time in Louisiana, dressed up in the same leather coat he wears when it is cold, in front of a cook-fire. Cody loves cooking on an open fire. There are photos of his grandparents camp house in Center, Texas: an old, white trailer with a deck in the front. There are photos of the back porch with his mom and dad and grandmother. Little did I know that by looking at those photos on a quiet, rainy day in July (thanks be for the rain!) that I would learn so much about the man who I thought I knew the most about: the man who has become my best friend and my companion in this life.

c14cce7a7b40e936620bdeb85332a11f

A few years ago, during the time when I was at the beginning of my “nervy b”, as I like to call it, I culled through hundreds of photos, scanning some and throwing away the rest. I used to have two photo albums but I don’t know where they are anymore. In some ways, during that time, I chose, albeit with a frame of mind that had a distinct lack of clarity, to literally throw out much of my past evidence. Today, I realized the sadness in that is that not that the things are gone, and neither the memories, but the signposts are no longer. Perhaps we hold on to objects not just because they are precious but because they help us re-establish that continuity of time in our own lives. Perhaps if I still had those photographs, I could remember better the times in my young life when I was friends with a boy named Eric, son of my mom’s best friend Pat. We used to do things all the time, dress up, ride horses, be really silly. Eric now has schizophrenia and lives in Florida: I wonder if he remembers anything from that time, at all?

I got rid of almost everything I owned, sold it to strangers and left it on a street in Philadelphia to be combed over by neighbors from countries near and far. I used to have a bag of my great-grandmother’s hand-made lace. Where is it now? Not that it matters much, really. I suppose I am mulling over my own rejection of my continuity of time. At that moment, in the years between 2012-2014, I was so ashamed of myself and my decisions that I threw all evidence of it away. No wedding photos, and all evidence of Steve is gone except a box from China his father once gave to me. Even my wedding ring is gone, and I stuffed my wedding dress into a trash can on the back porch of that house in Philadelphia.

Love-Sky

Here I am, today, in 2016, going through boxes of my own and of Cody’s, as we piece together a new life in a funky house in Dripping Springs, Texas. I grew really sad during my perusal of photographs today, realizing that whatever I had that was like these objects before me, I had destroyed in mad, sad intention. It’s true that my parents have a treasure trove of photographs, so I need not really worry about that specifically, but it’s like I am looking back at these last few years and wondering about putting together the events in a chain that makes sense and represents my memories. I suppose that is what this writing project is all about: a memoir, the establishment of the story after many years have passed.

I love Cody for many reasons, but one of the main ones is his ability to recognize his own painful life events and hold on the positives. He has a very good sense of perspective and being present. He isn’t perfect, and neither am I. This morning I hung a bamboo shade of his on the window in the living room. It has a giant batik of butterflies on it, and it used to hang in the front window of his first tattoo shop on Burleson Road in south Austin. I remember staring at it during the hours of talking and tattooing that were the beginning of our long-standing friendship. And now it hangs in our house: the home we are building together, doing our best, muddling through, baring it all to each other, every day, and every night.

“What happens when people open their hearts?”
“They get better.”
Haruki Murakami, Norwegian Wood

heart-1

Stranger in a Strange Land

Quote-7

In life come moments of clarity. This vision is only offered, not commanded. Your choice is to live in a state of grace or continue in normality. No blame. Fear can be an awesome obstacle when a time like this is presented. You will make great advancement and find your truth if you discharge fear and deconstruct your doubts. – the I Ching

The first tincture was of redwood and honey, I think, and the second was a spritz to the face that smelled like roasted poblano and brought me back to San Miguel de Allende’s dusty, windswept streets. In an instant it was changed to a murky, chocolate-flavored stuff that reminded me in some ways of coffee grounds. The last was a smear to the face of something golden from a large jug. This all happened during a story-circle for this month’s Pisces Full Moon: a circle of story-tellers and singers.

Moments of clarity and feelings of grounding have been hard to come by since my return to Austin; I feel like the place that I once called home is physically here, but everything is so different, including myself. Last night I saw old friends who didn’t even know I was back, and it made me realize that I haven’t truly been “living” here but continuing my attitude and behaviors of passing through, of being a drifter in one place or another. This is amplified now by still being separated from many of my belongings who still lie quietly in Maine, waiting for me to bring them here.

Last night’s theme was one of homecoming, and the first storyteller told a tale of being from Austin and just coming back after being a long time away in a very different place. Hers was the desert and mine was a northern island, but the feelings were the same. She said that a place becomes you, and I think she is right: I think I have even written here how I felt that life in Maine made you feel as if you were the environment that surrounded you: everything so interconnected, changeable, beautiful, mysteriously dark. Perhaps she felt the same away about her desert far away.

Homecoming is this idea full of levels of complication that start with the reality that you can never come home again: that home is different and so are its people. In my case, this city has transformed and swelled so that it seems like it is bursting at the seams, liable to just pour outward in a great torrent of people, cars, and buildings. This town, to me, always seemed a little sleepy and slow, not like Bar Harbor of course, but it was a nice feeling to feel at ease in a place all the time. And now the pace seems so fast that it seems likely to get swept up in it and carried along, without knowing which way you want to choose to go.

Is life so full of chapters? Apparently so.

Let’s All Try to Help Each Other Make Decisions

If everything is temporary, then why do we have to make decisions that sometimes negatively effect some while positively effecting others, or the self?

We have to make decisions because the oxygen mask must be placed on our own faces first: without self-love, self-respect, goals, and an attitude of cheerfulness, we are no good to anyone else.

I have a hard time advocating for myself: perhaps some of you share this. I find it difficult because it means confrontation and the risk that someone may be disappointed, hurt, or upset. Pre-recent times, I did a really good job of practicing my strategy of Avoidance. Avoidance is a magical strategy that someone taught me when I was little; they taught be to look calm, speak intelligently, dress nicely, be incredibly selfish, and when backed into a corner, leap out, run away, and disappear. It is a terrible and sad way to go through a life and this is something that I realized about three years ago, when I moved to Maine.

At that time, I had narrowly escaped a very dangerous relationship with another person, with myself, and with a city that seemed to have Bad Luck for Patience written all over it. But even my very presence in that city and the choices that led up to that move were the effects of that age old Strategy of Avoidance, and its brother (in my case), Rushing Through Life at Warp Speed. I had decided that I didn’t want to deal with the repercussions of divorce in Austin, and so I created a path to reinvention that has taken me here, there and everywhere, finally resulting in coming back to Earth and making some hard, but important decisions.

When I returned to Austin, I interviewed for the job that I was just recently offered. I interviewed twice, and was very encouraged by the interviews. I really liked the school and its students and was excited to be part of such a dynamic and forward-thinking place. After I interviewed and was able to substitute teach for a few days, I was confronted with Avoidance again. When Avoidance walks in, the conversation is usually the same. In my mind, Avoidance says, “but what about your freedom? Do you really want this? This is going to be hard.” And I used to say, as long as it was nothing to do with the heart or my personal life, “well yes, I do, and how hard can it be? I am a very capable person who is good at making plans and carrying them out.” In this specific case, Avoidance said: “but you haven’t been a classroom teacher in three years. It’s going to take a lot. And you aren’t even sure if you want this, anyway.” And I said back, “you know….you are right.”

I was filled with doubts: doubts about what I wanted, and what my abilities were. My doubts were confirmed when I did not hear from the school regarding a position for a very, very long time. I remember one evening when Avoidance was pushed aside by Pragmatism and Peace, who both said to me, “you know, if this is what you get to do, then you are doing something right.” And I said back, “you know….you are right.”

And then I sat, and waited. I wrote a couple of emails. I waited. I came to the realization that maybe Avoidance had let me tarry too long and I had done something wrong either in my Life, or in one of the interviews, or that this just wasn’t meant to be. I sat with that for awhile, and eventually learned to let it go. At this time, I was very nervous about jobs and money being that I have been working at a bakery part-time and not making as much jewelry as before. I felt I was losing my way, somehow, and that even though everything felt right and ok, I hadn’t found my place yet and I was worried about that. In ran Rush Through Life and said, “you have to do SOMETHING. This isn’t going to work.” I debated the options, the pros and cons, of what to do: whether to return to Maine and work for the summer, knowing that at least I would have a nest egg of some sort for fall. I thought about leaving Austin just as it was coming to feel normal, and uprooting myself again. I thought about trusting the Universe that the right thing would open up in my heart and hands. I made the decision that Maine at least made sense financially, and that since I had no other options, it was the best one to do: I knew the ins and outs, and could predict (basically) the path of the summer, and that it would be great to see friends and be in the party-party atmosphere of MDI in the summertime. I decided to go, and leave just after my immigration appointment on June 26th.

A few days passed, and I was beginning to plan how to get to Maine, and the plan for returning in the fall with the remainder of my belongings and some cash in my pocket. I realized there were good reasons to go, despite friends and family, and that I could continue to grow my career in the direction of jewelry and jewelry making. I realized that if I were to open my own space here in Austin, that I had more to learn and connections to make. So, I was going, and soon. And then there was a phone call.

The phone call was an apology and a request to come in to meet the following Monday. Early on that Monday morning, I had a conversation with Avoidance and Fear of Commitment. I thought, in that moment, that I was going to be asked to teach an entirely different class, one I was not 100% behind or necessarily skilled to teach. I sat in the parking lot for a minute, thought about going in with confidence and calm and communicating what I felt, and to Sashay Away. It was in this meeting that the administrators of the school offered me my teaching position of my pedagogical dreams: art-science-engineering. I sat in an uncomfortable chair, bewildered and laughing. I asked them if they were really going to hire me to do what I want to do, and what I have wanted to do for years. They said yes.

I realized, over the next few days, that this point in life is not only a turning point, but it is also a new chapter, and that fundamental changes are taking place. Yes, I made the choice to return in those early days of April, but I wouldn’t have guessed the changes that are here, that were here, and that would begin to happen in my own life. I wondered if other people think of their life in terms of chapters, or matrix points on the crazy flowchart of life. I realized that had I not gone to Maine and worked on all the myriad projects I had worked on, that I would not have been offered this opportunity. I realized that it is a priceless one, and that not only its potential but its long-term application was worth more to me than, well, in truth, any other career-related opportunity that I had ever been given. So I smiled and I took it.

Avoidance, though, being a tricky character, came back in and I delayed in sharing the news, due to wishing to not hurt anyone in Maine that I wasn’t going to come back. It took me a long time, too long, to be honest about that, and that is because not only do I care about all my friends and family up on that beautiful island, but it was also the place where I found myself, where I was truer to myself and grew to understand myself in ways I don’t think I ever would had I stayed here all along. I did what I wanted to do when I wanted to do it, and most of the time, was happier for the experience. Occasionally I still felt pent in by my own feelings: especially in the winter. But I worked on understanding the temporary nature of day to day life, I grew to appreciate establishing a sense of calm and equanimity, and I truly began to detach from things and learn to love people and experiences. It is tremendously hard to not go back to Maine for these reasons and others that include comfort and quiet and that special place of peace that we all find on MDI, which is one of the reasons why those of us who know it love it so.

However, I had to make a decision about my Life, and about what was important to me and what would serve me best in the future. I had to acknowledge the changes that were happening and understand their level of gravity and importance. In other words, I had to grow up and learn that I could leave for the summer and let Avoidance take me on another journey, albeit a short-term one, or I could stand on my own two feet, look at the path my life has taken, acknowledge its rewards and its trials, and be here now. I feel like I am being given great gifts at this present moment, and I intend to stay grateful and present with them. I want to not run away from what is scary: commitment, success, long-term friendships, closeness, responsibilities. Despite my fear of that list of Scary Ideas, and I know there are others that I am not including for different reasons, I feel like I am at a time and place in my life to accept my choices, celebrate where I can, and continue to learn from every step along the road that I am lucky enough to pay attention to.

Although it is hard for me to write this, I am very proud of the last few years. Despite the emotional shifts and the intense ups and downs and the instability, the experiences of Philly and Maine made me a stronger, more grounded, and more understanding person of myself. This means that the selfishness is still there, but perhaps that old adage of awareness being half the battle is true. Maybe also is that one about what doesn’t kill you makes you stronger.

Avoidance and Rushing Through Life are still there: perhaps they will be, in some ways, there forever. But part of my subconscious-level new commitments since returning to Austin are to work on those aspects of my life and really try to examine why they are there so that I can be a more content person than I have been. My return to Austin has been full of learning how to commit, be in the present and not the past, and how to share. I feel like it is time to be at home; I don’t want to run away again.

Unknown

Heart Over Head

Spring solstice arrives
Lighting the flames of true love
While Pelicans dive

From the I Ching Weekly — reading for the week of March 16th, 2015

photo 5

It has been a narrow passage
All is opening
Spirit hails love
A joyous returning

photo 2

When a wound has become infected it will not heal unless the poison is removed. This is your condition now. You have been in battle and now you are returning. A bit battered and deeply tired but you are returning and are mostly in tact.  It is your ego that has taken the hits and is feeling the wounding. The ego would have you retreat and be with shame…don’t go for it….there is no shame and no blame, you are human after all and this is part of the process to wholeness and light.

On this return it is simplicity that will salve the wounds and heal the spirit. Old relationships too are being made ready to be healed as you come back to the source, the primal mind, made free of a troubled ego.

It is as if the tides have changed and the tide of change that washed away what you built, desired and cared for is now bringing back the very things you thought were lost. This is a joyous time and a time to celebrate in humility and grace.

These are the winds of change you have felt would come, they have. This time the winds carry no danger, they carry promise; the promise of love, abundance and stability.

photo 1

The great forces of Gaia can at one-minute blow winds that devastate the landscape, feed fires that blacken the earth, then comes stillness wherein there is the miraculous returning of life. These are of the universal laws of life and death, leaving and returning.  All is in natural order. You stand now at the point of the freshness of return while behind you lies old useless patterns of behavior and convoluted associations that have been fraught with difficulties.

photo 3

Thinking and analyzing will not have summer return in winter; now it is to either trust the energy of returning or get embroiled in an unpopular and unsolvable puzzle of obstacles on a road leading nowhere. So it is with your situation now. Don’t think it through, this is not the time to analyze your situation, you have done that and you are exhausted from it. Give yourself, and those around you, a break.

There is occurring not only a return to clarity of thought and vision it is also a return to innocence; time when what is now returned to your field of energy will inspire creativity and confidence.

Surrender; let this cycle of gradual progress toward love and success happen with no thinking. Know that the coming tide moving you inevitably forward is unstoppable. Let it happen. Allow yourself to ride this wave to the shore, arriving refreshed and rested, not tired and weak from effort. It is your choice., it has always been about choice.

The necessary re-birth will be realized not by pushing forward through the jungle of old patterns and promises. The energy will be found by returning, by following the breadcrumbs left on the path so you could find your way back to from whence you came. In you was a knowing that seated somewhere in the recesses of your monkey mind, the primitive sense of wisdom, where you knew this time would come.

photo 4

Your ever so gentle and intuitive primal mind swathed in innocence will guide you back to where success and abundance is waiting for you. When you get there it will feel familiar like remembering some lines from a poem you read or was read to you as a child. It is in that light of innocence where you will find the power of the creative and the strength to bring to completion and welcome that which you most desire.

Don’t be surprised when you find members of your tribe coming your way to fill the gap of aloneness that you have been feeling. They could not find you before; you were behind a wall of self-involvement and judgment that obscured your authentic self. Open your heart and minds ear to the returning souls and beloved ideals; talk story with the tribe; let yourself be loved. You have been so damn good at giving and fixing; now is the time to LISTEN and to receive.

Your mind has been busy and noisy not able to hear or see which way to turn, where to seek the knowledge necessary to extricate yourself from the hold the ego had on you. Now in this returning you are being shown promising bypaths to where self-knowledge will be found and it is this self-knowledge that holds the key to your freedom. Freedom to love and be loved, speak and be heard and the gift of coming to stillness where you can listen…fully listen to the coded sounds of nature as she speaks to you through the perfumes of nature, the calling birds song, the flowing waters and the beating of your true loving heart all in harmony with the sentient beings of this, your home planet, Earth held in the loving grace of Gaia.

Take to heart these words this week:
Be love and teach peace

photo 2

When Things Get Weird

woodland-prayer-1915

I wrote this text earlier to a friend of mine, and it was about socks. I said something to the effect of “don’t make me come over there and throw them all around to show you to appreciate what you have!”. After texting that little gem over, I realized something, which was that I needed to read that statement as much as I snarkily needed to send it.

tumblr_ms9u68fbZF1sutckqo1_500

This post is not about socks, obviously, although I am a huge collector of socks and really, really appreciate them, especially on days when it is hovering around 0 degrees. Right now, as I write this, I am wearing two pairs of socks, thigh highs and silk tights, a wool cardigan and a wool hat that was almost snaked off my head last night by an unmentionable character. But that is another story.

conversion-1912

I have been thinking about winter, about things getting weird, about analogies like sharks and minnows. In short, winter is beginning and so are the deep thoughts: the thoughts that cover things like: what am I doing? How am I doing it? Am I doing it well enough? What do others think of what I am doing? What do I think of others? What is the meaning of all of it? Is it temporary or is it really a giant game of dominoes, sometimes cascading quickly and sometimes piece by piece?

bare-tree-behind-a-fence-1912

It is January 6th, 2015. On January 6th, 2010, I was living in a small house with white walls in Hyde Park in Central Austin. On January 6th, 2005, I was living in a small apartment with orange walls in San Miguel de Allende, Guanajuato, Mexico. On January 6th, 2000 I was living in a terrible but cheap apartment with tapestries on the walls in South Austin. On January 6th, 1995 I was a freshman in high school in Conroe, Texas, and was learning alot about people. I had met my first love and was tossing around the idea of having a boyfriend for the first time, not yet knowing that I had met my first love because at that time, we just shared Capri Suns and tangerines at debate tournaments.

Lovers-Man-and-Woman-1-Egon-Schiele-1914

I was just reading another blog by a very talented flower artist, Sarah of SAIPUA, and she mentioned the self-indulgent nature of end of the year wrap-ups and instead focused on goals and hopes for the new year. I am hoping (ha!) to do the same as her: instead of focusing on what happened, because holy hell what a year, I am looking ahead knowing what is behind. She made a statement in her year-end review to the effect of hoping that she keeps doing what she is doing with love and intention, and that it doesn’t get weird, and neither does she. Her quote “…I hope I don’t get weird. Because that shit happens in the creative world, you and I both know it” really hit me, because “getting weird” is something I do think about in terms of being an artist. In myself, I know myself to be an ethically conservative, politically liberal person who looks to outside observers, probably, like a tattered bouquet or a well-traveled moth: many colors thrown together, prints, patterns, textures, all topped with wild and crazy curly dark hair and eyes that are green-blue-grey, irises ringed in dark. I am distinctly black Irish in appearance, in my face: in my clothes, I am a walking ad for loud prints that somehow complement each other most of the time.

egon-schiele4

I am getting off topic. Things Getting Weird — whether this is with self, with space, or with vocation, it is something that I worry about. I am embarking on this life that very much evolves every day, in the sense that there is no outside structure that I am working within anymore, like I did when I was teaching in the public schools. Now I am inventing the structure, embarking on what I hope will be a huge adventure that sustains me emotionally, spiritually and financially as well as providing space and skills to others who wish to hone them. At this point, after these last two years, my contention is that artistic expression and care for yourself and others is THE answer to THE question of Why. We are here for each other, we are here to create beauty, we are here to make the world a more beautiful place, a better place.

egon-schiele-edge-of-town-22149

I know that artists, typically, see the world through a more colorful lens than other people. I only know how I see the world, being that I am only privy to my own experience. I know that I have always seen the world my way and have sought to express my feelings within it by making things for as long as I can remember. When I was five I was carving stamps out of linoleum and trying to watercolor clouds on blue sky backgrounds. Soon after, I learned to sew. Later, I learned how to bead, and then to make jewelry. Somewhere in the middle there I started making the boxes that are my favorite things to make, the assemblage sculptures as they are technically described.

fuchsia-1910

I also know that artists are regarded with a bit of chagrin from the general public: our passion and our emotions are regarded as questionable in a sense, despite the fact that the general public benefits from our ideas as they are constructed through physical objects like paintings or clothing or jewelry or sculptures. I know that our strong connection to our emotional selves can sometimes be overwhelming, although I suspect that all people, even hedge fund managers, get overwhelmed by emotions some of the time. Sometimes artists are regarded as lazy or flaky, and while our behaviors may dictate those judgements (mine definitely do), it is often that our thought processes, our spinning wheels if you will, are diving into the Weird, into the Dark, into the Heart of the matters of our lives. Without those dives, nothing we would create would have the meaning to ourselves or to those who consume our artworks. Oftentimes, I find that people find meaning in small elements, in the minutiae, and that in my creations, people will see things entirely different than what was my intention or my take away from a creation. I like the personal and the profundity of objects: our markers of our time on the Earth. Many artists, I know, fall from time to time into what I call the Deep Well: the mental cage of fragility and doubt and loneliness that can cloud and confuse our judgement of others and of ourselves.

Egon_Schiele_-_Self-Portrait_with_Physalis_-_Google_Art_Project

So, when things get weird in the creative world, as they are bound to do, how do we communicate out of those spaces so that the weird doesn’t become crippling, or that we truly distance ourselves from everyone, regardless of their merit? In other words, how do we maintain the creativity as a positive force, and not just a vomitous outpouring of emotion and insecurity? How do we maintain and function despite the delicate ins and outs of our conscious and subconscious beings? As I continue along this path that I have taken, a path to create a school and opportunities for more artistic resources in this community, I have to consistently take stock of how my own worries about how others see me is really not a part of the project as a whole. What I make is my own, what I do is my own, what others take away from it is theirs. Lately, I have been working hard on understanding that I have to have the confidence to do what I believe in, and that everyone may not like me or understand my choices along this path, but that if I am true to my heart, then that is what is most important.

tumblr_m1yytnms4L1rn6sipo1_1280

This is rather a lengthy and rambling treatise of fear of the unknown and expectations of a new year; I need to stop for a moment and remember that the fear of failure, or fear of disappointment, is illogical and also immaterial. It doesn’t matter. What does matter is what I do on the Earth, because for my own experience, my own self worth, is predicated by decisions that I make for myself.

Egon Schiele - Autumn Tree

What is the takeaway here? What do I mean: what do I want to say? Little else than I am trying to look forward and spend less time in the far ago. I am going to try to be more emotionally available, finally, and this means that I am also becoming more responsible and less selfish. I am going to try to be more comfortable in my colorful skin: to connect the pieces of myself within myself and not doubt it all so much. I am going to have more fun.  I am trying to stay true to my beliefs and be okay with being a little bit odd, but not become “too weird”, because you and I both know that shit can happen. Art and the business of art is a beautiful way to live in and create a world, one for yourself and one for others.

Maybe I am the shark, and maybe I am the minnow. Maybe I am both.

{…all paintings in this post are by Egon Schiele}

Full of Grace

“All the natural movements of the soul are controlled by laws analogous to those of physical gravity. Grace is the only exception. Grace fills empty spaces, but it can only enter where there is a void to receive it, and it is grace itself which makes this void. The imagination is continually at work filling up all the fissures through which grace might pass.”

Simone Weil

3124320

Let us talk about grace, and about cultivating grace. Grace, to me, implies a feeling of wafting oneself through an empty room, early in the morning alone, or late at night in a party of people, carrying yourself as if you alight on tiny clouds of air instead of treading upon the solid earth that all must walk upon.

00001528

Grace implies taking breaths and steps back from awkward or uncomfortable moments: in other words, taking pause. Grace, to me, is colored green like the wings of a luna moth: a creature which, in essence, is the emblem of impermanence and fleeting time.

eyesmiter-220371_577x280

Grace makes me think of gazing with eyes wide open, with a heart that is full and only opens greater despite past hurt or breakages of trust. Grace is hope. Grace is love and a desire for others to find their own path in this world, whatever series of mud puddles they stumble into along the way. Grace is acknowledging that everyday you too step in those mud puddles, land with egg on your face, stand up with skinned knees and sore palms and just keep going.

posture-queen

Grace is standing up straight even if you feel self conscious. Grace is squeezing someone’s hand, or wrapping your arms around someone’s neck in the darkness of a bedroom on a gloomy Tuesday. Grace is relishing moments. In times when there are more unknowns than knowns, when the future is uncertain yet faith remains, grace is catching oneself while stumbling, playing pretend on an imaginary highwire, knowing that, after all, there IS a net. The net is you and yours: present, past and future.

3386233_orig