An Aside

I woke up late today; it is raining, and I always oversleep on rainy days.

I went outside to take the puppy out and check on the bees. I gathered their sugar syrup feeder jars and chatted with them, noticing that they were irritated this morning and kept flying at my head, buzzing away. I assume they were annoyed with me sleeping in and annoyed that today will be cold and rainy, again.

I walked back to the house and noticed that some of the sunflowers are about to bloom. I noticed a mockingbird scraping her bill on an old piece of oak from the post oak that we took down last year. I heard birds sing and watched them balance on the power lines. The wind lightly blew, and it was cool, but not cold.

I smiled, realizing that if there wasn’t a global pandemic that threatens not only health, but economy and democracy, this morning would be have been purely gorgeous. And it is, of course, actually that.

I wish there was more information, anecdotal or otherwise, from the Spanish Flu Pandemic. I would like to read peoples’ stories and learn how the process developed, what turns the pandemic took, how people responded, and then how it ended. Perhaps I should go to the library…oh, wait.

I was really down yesterday: worried about everything. I was sad and angry and wistful and full of grief, all at the same time. It lifted sometime in the evening when I started sewing, so that is a lesson in an of itself.

This morning, this perfect morning, I will make some toast and get back to it. I am sitting at my table looking at my favorite Mola that I brought back from my zany trip to Panama 5 years ago, I am drinking tea, I am listening to the neighbor’s rooster crow from his little cell. The puppy is sniffing and snuffling around. Cody is sleeping. I can see the roses through the front windows, and the blooms of the Jerusalem Sage as well, and beyond that, the neighbor’s giant red barn.

There is peace in these moments; in this time, many gifts.

Date: 18 April 2020

Cases: 2,273,986

United States: 706,832

Deaths: 156,076

Mortality Rate: 6.683%

 

 

 

The Year of Magical Thinking

I just started reading this book, by Joan Didion. She physically (and, as I read, emotionally/spiritually/whatever) reminds me of my friend Meredith, who I lost almost nine years ago. I was inspired to write to her, as I do often talk to her, in the garden, on the patio, gazing up at the stars and the clouds of Milky Way on dark, dark nights. Please bear with me as I write to her here, and no doubt jettison us off somewhere.

I was thinking about you just now, as I was reading the second chapter of “The Year of Magical Thinking”; have you read it? When I think of you, and of Joan Didion, I think of women very physically similar: tiny, thin like birds, blonde hair, great style, strong wit, indefatigable intelligence. But you were you and she is Joan Didion: after all, there is a Netflix biography on her, when, sadly, there is not one on Meredith Farmer. If I were to see Joan Didion at the supermarket, if I didn’t already know who she was, I would see someone like you: a middle-aged lady with simple elegance, beautifully-colored hair, probably looking with disdain at something in produce, ever in judgement of all the “normal” things.

You’ve been gone almost nine years, and life has ebbed and flowed and changed, moved around, wiggled, metamorphosized a wee bit (as my grandma would have said: she now gone 15 years, and that, another story). Ultimately, though, life is still the same: I am just more skilled at handling its curve balls due to experience and therapy and probably, my friendship with you.

There was a night about  6 years ago when I chatted with you off my front porch in Northeast Harbor, Maine, when I lived in the Dollhouse (or the Fishbowl, depending on who you asked) : the tiny house on the town parking lot in which my comings and goings were very public knowledge and everything in the house was so small. My closet was a pole that hung at the end of the bed, and the shower felt like I was hosing myself off on a dock somewhere with hot water. But, it was $650 a month and the landlords were dolls and I walked to work and to get breakfast sandwiches at Ben’s, and I had a wonderful, small garden of unruly morning glories that threatened to take over the house! I had many memorable conversations on that porch, on the picnic table that I stole from someone’s trash and Dan Bondo‘d so that it would survive, and I painted Seal Harbor Green after JRa and I put in the new path up to the front door, made from stone dust that we bought mostly drunk one day from the quarry in Trenton. That was where you and I talked, formally, the last time. Informally in between, many times. I don’t know what we talked about, but I am sure that I asked you questions and you laughed at me, in a loving way.

I remember, at your funeral, there was a slideshow of pictures of you. My favorite was a photo of you in college, cigarette in your right hand and an ERA button on your left lapel. Your hair was strawberry blonde and you looked so damned engaged. I feel, I wonder, do we lose those feelings as we get older? Do we blame husbands/partners/kids and is that bullshit? Is it just projecting like everything else: an excuse to disengage, to check out? What do you think?

I see you smiling. I feel like you are at the pool right now, but perhaps that’s just because I read a chapter in which Joan Didion describes her newly dead husband as having a daily routine of reading in the pool (reading “Sophie’s Choice“, no less) while she gardened, and of course that made me think of my small 8 foot cattle waterer pool that I bought after doing some work for the old lady next door and now I share with Cody almost every day, sometimes several times a day, despite his almost constant chagrin with me about how I let the leaves and flowers and bugs in, and he doesn’t.

Such is married life, to someone I am actually married to, rather than the first one, that you bore witness to, or to your 2nd, as I bore witness to. Marriages, men, children, time: rental houses and the houses we “own”. All the stuff within those houses, the boxes, the moving, the priority of sorting out the kitchen, the living room, the bedrooms. The conversations about Mama and Daddy and who built Mansfield Dam, what the role of all the boyfriends and husbands actually were. I look at your Carnival Glass dish, blue with a sheen of multi-color on it, as if it is coated with oil, all the time: I think of you wryly smiling at me, or of that day we went fishing on the dock of my neighbor’s house on the Croton River, when Steve and I lived with Brien and you came to visit and told me I was a witch because my garden grew so well!

I think, in the end, that the boyfriends and husbands are not as important as the memories of people as unique entities in and of themselves. I remember you as such: and think of you this way often. I find it funny, sweet, sad and ultimately, joyful, that you still are such a part of me: that we still talk. I wish you could see where I am now, as it is a very nice place (and the pool is pretty nice, too) and you would like Cody a lot. You would laugh at both of us, in a loving way.

Rest in peace: I miss you. Love, Patience

Inspiration

 

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Here, I watch the sunset over the neighbor’s barn 

Over the last month, 29 new people have started following this blog. Since I have not regularly posted to the blog in almost three years, and am rather a fair-weather blog friend these days, I am taking this as a sign from the universe and the second nod of inspiration to get to it again! A few weeks ago, my mother’s best friend Jean also asked me: “what is happening these days with your writing?”.

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A bridge in Hogeye, Texas…a few miles from my new home

Challenge accepted, and with gratitude, as I have discovered, in the in-between times, that writing is a way that I understand my own experiences, my meandering wander through this game of life, and, most useful, it helps me remember the things that happened. I was happy to hear from a friend yesterday (and she is younger than me!) that she is now depending on her 4 year-old to help her remember new peoples’ names and the details of the day. Memory is funny: it’s like there is only so much space in there and so many little things get deleted. Perhaps it’s a survival skill.

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Chinaberry blossoms: this year, I felt like I had never seen them before. Maybe I hadn’t.

The same friend also inspired me yesterday by carving out a writing nook in her home. My house is quite small, so there is not a space for this as such, but I have taken the “dining room” (sounds quite fancy but it is really just a small, lovely room with two windows that looks out into the garden and is a pass-through to the living room) as the sewing room and so decided, yesterday, that it will also be the “writing nook” starting, well, today. In this room, along with the two lovely windows, is my sewing machine, the sweet hutch my lover surprised me with a while back (it houses all the fabric, the patterns and the sparkly things in the two lighted cabinets), a nice round brown wooden table, two brass candlesticks, four chairs, a wool rug with a hole at one end, and me.

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The sewing/dining room now writing nook

As I look out of the windows, I can see a windy crepe-myrtle tree and in it, a pair of cardinals. Mama usually shows up first and then is quickly chased by her partner, Red Papa. They are very sweet and chubby these days, no doubt from all the birdseed and everything else around the large yard. There are so many trees: trees in trees! In fact, in the center of the crepe myrtle is a small pecan. There is debate in the house about which goes. I vote for the pecan, as I love the crepe myrtles so much and a pecan there is too close to the house. There is also a blue ceramic birdbath that the doves love, and the grackles like to land in and splash everyone else. Beyond this scene is a white driveway shining in the early summer sun (when did it get so HOT?) and beyond that, the ever-expanding garden fence, a greenhouse, vegetable patches, and many flowers just beginning their pretty journey with us here at the new house in Elgin.

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The house with its first flower patch – now teeming with tiny flowers of myriad variety. I am sitting in front of those two full-sized windows near the back of the house in this photo. The small window is the window over the kitchen sink!

Paciencia, Paciencia is starting a new step in the journey it seems! I am leaving my current school in a few weeks and have transferred to the small middle school here in town. I will still teach the same things; the making of things, the drawing of things, the thinking of things, and the feeling better about ourselves way of things, but I will be able to bike to school on my wonderful bicycle, rather than sit on a highway in my wonderful car. My life is circling around me, the wagons of inspiration hugging a bit closer: more time for art, for garden, for writing. Here we are. Thanks for being along.

20180416_191831Is there anything as beautiful as a tomato and pepper patch in the afternoon light?

An Ode to Termites: or, the Flexibility of Dreams

Dreams are funny things: moments of memory that catch in your heart, propelling you through time, or perhaps, fantasy. It’s hard to say.

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Ever since I was a little girl, or perhaps ever since I was about 10 or 12, I have wanted the same thing. I have wanted a small house in the country with enough land to have a few alpacas and a couple of sheep. Long ago I decided if I was a very rich lady, I would have one house here in Texas for the winter, and one house in Maine for the summer. One can’t, after all, limit one’s dreams! What would be the point?

The crazy realization came a few days ago when I realized that I am in the process of buying a small house in the country with enough land to have a few alpacas and a couple of sheep. It is a small house in Elgin, and it is made of many bricks and tiles. So many bricks and tiles, as a matter of fact, that it strikes the beholder as a bit mystifying. I don’t really know how all of this happened, being that at this time last month, I was swallowing the bitter pills of attachment, loss, and grief. This month, November, came with a house for me, and……a new studio!!! Who’s to say what turn in the road is ahead; I suppose it is only true that we must continue to walk it.

The house that I am trying to buy is not mine yet, and today I had a very interesting inspection with a wonderful inspector named Travis. Maude from The Big Lebowski kept popping into my mind while I was waiting for him in the backyard, after I had tired of walking around behind him, going “oh my god!!!” after a very significant discovery was made: I kept hearing her say, “he’s a good man, and thorough.” Travis took the full three hours to finish the inspection of this old brick house. He discovered, to our mutual dismay, a crazy amount of termite damage.

That sounds scary, until I tell you the magic and mystery of the Brick House. It is about 98% brick, concrete, and tile. Barely a smidgen of it is made of wood. Unfortunately, we discovered today, that all of that wood has to be replaced. I was a little upset for awhile and even chatted with my partner, Cody, about possible solutions and almost killed him when he suggested welding I-beams together to make frames for windows. I lost my mind when I asked him when the last time he welded was, and he said 1998. It turns out that what Cody was trying to say, in his somewhat mysterious and indecipherable (sometimes) love language, is that he wanted to help me make a beautiful house. When he finally said that, I forgave him and we realized what to do.

Remove the wood! What? You can’t just REMOVE THE WOOD!?!? Oh, but we think that you can, because, as I said above, the house is 98% concrete, brick and tile. It has no wood framing, but is made entirely of bricks and concrete bricks. It has a concrete ceiling for crying out loud. The only wood in this house is in the trim work: the door frames, the window-frames, and the doors. No big deal. Our idea was borne from beautiful homes with arches like these ones (yes I realize these homes have wood in them):

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The above three images from the wonderful Instagram – Gold Dust Collective

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Concrete art by David Seils 

And we soon realized that all was not lost, and just because you can pull apart the door jambs in this house with a set of, I don’t know, tweezers, hope springs eternal in the creative brain. The plan is to pull all of the wood out, and re-sculpt the trim areas with concrete stucco, a la Southwestern houses shown in many stunning architectural magazines. After all, who says that all door frames have to be rectangular?

Tuesday I have another inspector coming, an engineer this time, and the, ahem, termite guy. If the engineer gives me the go ahead, and that we have structural integrity despite the efforts of termites, I will move ahead into the land of alpacas, sheep, stucco and a giant garden with lots of flowers. I have decided that the owners have to pay to drop a termite treatment of sizeable proportions onto the house before I will buy it. After all, I can’t be *that* crazy.

November: your soil is a-turning and what it is releasing is very interesting. In the back of the property today, in the overgrown back-40 that I learned used to be a horse pasture, we found an old tractor. Turning the soil, indeed.

Heart Shapes

I have been being a snoop today. I like being a snoop, and am one of those people who is guilty of looking in peoples’ medicine cabinets and awkwardly moving around homes at parties gazing intently at curios and especially, photographs.

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“Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”
Brené Brown

 

This is what I did today; in the somewhat vain attempt at unpacking, I found myself snooping in one of Cody’s boxes that is full of old photo albums. Two baby books filled with sweet notes from his mother and photos in that classic 1970s sienna tone. The photos are of a blonde baby who looks remarkably like two of his nephews, Paul and Dominic. There is also a scrapbook of his first three years, filled with more photos and birthday cards. Then there are a few more photo albums. Two are of old family photos that range from baby Cody to teenage Cody, photos of his parents and grandparents. His mom had brown hair then, blonde now, cut in that poofy 70s/80s style that I think all of our moms wore. There are photos of his father cradling him as a newborn, in the exact same way that he later cradled his own son when River was born in 2004. In those photos, you actually couldn’t tell but for the age of the photographs that the man in the frame is his father and not Cody, for when River was born, Cody cut his hair short and clean in the same style as his father’s when he was born. Little Cody peeks out of photos, holding fish on fishing lines, dressed up in terrible Halloween costumes, sitting next to his father and mother and grandmother, posing on the trunk of a very old, silver Honda Civic. His father so young, and Cody so small: the family resemblance between the two is so strong. They share brows and shoulders, height and lankiness. Later, Teenage Cody begins to look as he does now: very tall, thin, with long-lashed eyes. Those long lashes show up in one photo from when he must have been about two.

There are also photo albums from later life, from when he moved to Austin in 1998. Cody out with friends, on the road to Albuquerque and Amarillo, and photos of the highways in between. Photos of him in Amsterdam with an old girlfriend who looks very sweet and very 90s in her baggy pants and oversized t-shirts. There is a photo of Cody from when he was building his first tattoo shop, when he was 25, and he looks almost exactly as he does today: glasses, beard and mustache, t-shirt, jeans, tattoos from tip to tail.

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Living with someone versus dating them and spending nights at each other’s houses is so different: all the cards are out on the table. All of each other’s strange little behaviors are on full display for each other to eke out over time; learn to tolerate, appreciate, and love. Cody puts a paper towel under the french press every morning while he makes coffee and it makes me crazy because it makes no sense. He apologizes almost constantly, seemingly just for moving around. I keep telling him he doesn’t have to do that. I wonder what things he notices about me that bug him, but he appreciates because they are mine, all the same.

In a set of the photographs, I saw the houses he lived in a tpwn in rural Louisiana, when he was learning to tattoo. There are photos of his first tattoo on an orange. There are photos of his Uncle and Aunt’s house, surrounded by potted plants and 5 gallon buckets of soil. This photo shows me why he collects so many plants and 5-gallon buckets of soil. This behavior of his ties back to the past, gives him some sense of continuity of time, perhaps. There is a photo of him in front of the school bus he lived in during his time in Louisiana, dressed up in the same leather coat he wears when it is cold, in front of a cook-fire. Cody loves cooking on an open fire. There are photos of his grandparents camp house in Center, Texas: an old, white trailer with a deck in the front. There are photos of the back porch with his mom and dad and grandmother. Little did I know that by looking at those photos on a quiet, rainy day in July (thanks be for the rain!) that I would learn so much about the man who I thought I knew the most about: the man who has become my best friend and my companion in this life.

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A few years ago, during the time when I was at the beginning of my “nervy b”, as I like to call it, I culled through hundreds of photos, scanning some and throwing away the rest. I used to have two photo albums but I don’t know where they are anymore. In some ways, during that time, I chose, albeit with a frame of mind that had a distinct lack of clarity, to literally throw out much of my past evidence. Today, I realized the sadness in that is that not that the things are gone, and neither the memories, but the signposts are no longer. Perhaps we hold on to objects not just because they are precious but because they help us re-establish that continuity of time in our own lives. Perhaps if I still had those photographs, I could remember better the times in my young life when I was friends with a boy named Eric, son of my mom’s best friend Pat. We used to do things all the time, dress up, ride horses, be really silly. Eric now has schizophrenia and lives in Florida: I wonder if he remembers anything from that time, at all?

I got rid of almost everything I owned, sold it to strangers and left it on a street in Philadelphia to be combed over by neighbors from countries near and far. I used to have a bag of my great-grandmother’s hand-made lace. Where is it now? Not that it matters much, really. I suppose I am mulling over my own rejection of my continuity of time. At that moment, in the years between 2012-2014, I was so ashamed of myself and my decisions that I threw all evidence of it away. No wedding photos, and all evidence of Steve is gone except a box from China his father once gave to me. Even my wedding ring is gone, and I stuffed my wedding dress into a trash can on the back porch of that house in Philadelphia.

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Here I am, today, in 2016, going through boxes of my own and of Cody’s, as we piece together a new life in a funky house in Dripping Springs, Texas. I grew really sad during my perusal of photographs today, realizing that whatever I had that was like these objects before me, I had destroyed in mad, sad intention. It’s true that my parents have a treasure trove of photographs, so I need not really worry about that specifically, but it’s like I am looking back at these last few years and wondering about putting together the events in a chain that makes sense and represents my memories. I suppose that is what this writing project is all about: a memoir, the establishment of the story after many years have passed.

I love Cody for many reasons, but one of the main ones is his ability to recognize his own painful life events and hold on the positives. He has a very good sense of perspective and being present. He isn’t perfect, and neither am I. This morning I hung a bamboo shade of his on the window in the living room. It has a giant batik of butterflies on it, and it used to hang in the front window of his first tattoo shop on Burleson Road in south Austin. I remember staring at it during the hours of talking and tattooing that were the beginning of our long-standing friendship. And now it hangs in our house: the home we are building together, doing our best, muddling through, baring it all to each other, every day, and every night.

“What happens when people open their hearts?”
“They get better.”
Haruki Murakami, Norwegian Wood

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Stranger in a Strange Land

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In life come moments of clarity. This vision is only offered, not commanded. Your choice is to live in a state of grace or continue in normality. No blame. Fear can be an awesome obstacle when a time like this is presented. You will make great advancement and find your truth if you discharge fear and deconstruct your doubts. – the I Ching

The first tincture was of redwood and honey, I think, and the second was a spritz to the face that smelled like roasted poblano and brought me back to San Miguel de Allende’s dusty, windswept streets. In an instant it was changed to a murky, chocolate-flavored stuff that reminded me in some ways of coffee grounds. The last was a smear to the face of something golden from a large jug. This all happened during a story-circle for this month’s Pisces Full Moon: a circle of story-tellers and singers.

Moments of clarity and feelings of grounding have been hard to come by since my return to Austin; I feel like the place that I once called home is physically here, but everything is so different, including myself. Last night I saw old friends who didn’t even know I was back, and it made me realize that I haven’t truly been “living” here but continuing my attitude and behaviors of passing through, of being a drifter in one place or another. This is amplified now by still being separated from many of my belongings who still lie quietly in Maine, waiting for me to bring them here.

Last night’s theme was one of homecoming, and the first storyteller told a tale of being from Austin and just coming back after being a long time away in a very different place. Hers was the desert and mine was a northern island, but the feelings were the same. She said that a place becomes you, and I think she is right: I think I have even written here how I felt that life in Maine made you feel as if you were the environment that surrounded you: everything so interconnected, changeable, beautiful, mysteriously dark. Perhaps she felt the same away about her desert far away.

Homecoming is this idea full of levels of complication that start with the reality that you can never come home again: that home is different and so are its people. In my case, this city has transformed and swelled so that it seems like it is bursting at the seams, liable to just pour outward in a great torrent of people, cars, and buildings. This town, to me, always seemed a little sleepy and slow, not like Bar Harbor of course, but it was a nice feeling to feel at ease in a place all the time. And now the pace seems so fast that it seems likely to get swept up in it and carried along, without knowing which way you want to choose to go.

Is life so full of chapters? Apparently so.

Let’s All Try to Help Each Other Make Decisions

If everything is temporary, then why do we have to make decisions that sometimes negatively effect some while positively effecting others, or the self?

We have to make decisions because the oxygen mask must be placed on our own faces first: without self-love, self-respect, goals, and an attitude of cheerfulness, we are no good to anyone else.

I have a hard time advocating for myself: perhaps some of you share this. I find it difficult because it means confrontation and the risk that someone may be disappointed, hurt, or upset. Pre-recent times, I did a really good job of practicing my strategy of Avoidance. Avoidance is a magical strategy that someone taught me when I was little; they taught be to look calm, speak intelligently, dress nicely, be incredibly selfish, and when backed into a corner, leap out, run away, and disappear. It is a terrible and sad way to go through a life and this is something that I realized about three years ago, when I moved to Maine.

At that time, I had narrowly escaped a very dangerous relationship with another person, with myself, and with a city that seemed to have Bad Luck for Patience written all over it. But even my very presence in that city and the choices that led up to that move were the effects of that age old Strategy of Avoidance, and its brother (in my case), Rushing Through Life at Warp Speed. I had decided that I didn’t want to deal with the repercussions of divorce in Austin, and so I created a path to reinvention that has taken me here, there and everywhere, finally resulting in coming back to Earth and making some hard, but important decisions.

When I returned to Austin, I interviewed for the job that I was just recently offered. I interviewed twice, and was very encouraged by the interviews. I really liked the school and its students and was excited to be part of such a dynamic and forward-thinking place. After I interviewed and was able to substitute teach for a few days, I was confronted with Avoidance again. When Avoidance walks in, the conversation is usually the same. In my mind, Avoidance says, “but what about your freedom? Do you really want this? This is going to be hard.” And I used to say, as long as it was nothing to do with the heart or my personal life, “well yes, I do, and how hard can it be? I am a very capable person who is good at making plans and carrying them out.” In this specific case, Avoidance said: “but you haven’t been a classroom teacher in three years. It’s going to take a lot. And you aren’t even sure if you want this, anyway.” And I said back, “you know….you are right.”

I was filled with doubts: doubts about what I wanted, and what my abilities were. My doubts were confirmed when I did not hear from the school regarding a position for a very, very long time. I remember one evening when Avoidance was pushed aside by Pragmatism and Peace, who both said to me, “you know, if this is what you get to do, then you are doing something right.” And I said back, “you know….you are right.”

And then I sat, and waited. I wrote a couple of emails. I waited. I came to the realization that maybe Avoidance had let me tarry too long and I had done something wrong either in my Life, or in one of the interviews, or that this just wasn’t meant to be. I sat with that for awhile, and eventually learned to let it go. At this time, I was very nervous about jobs and money being that I have been working at a bakery part-time and not making as much jewelry as before. I felt I was losing my way, somehow, and that even though everything felt right and ok, I hadn’t found my place yet and I was worried about that. In ran Rush Through Life and said, “you have to do SOMETHING. This isn’t going to work.” I debated the options, the pros and cons, of what to do: whether to return to Maine and work for the summer, knowing that at least I would have a nest egg of some sort for fall. I thought about leaving Austin just as it was coming to feel normal, and uprooting myself again. I thought about trusting the Universe that the right thing would open up in my heart and hands. I made the decision that Maine at least made sense financially, and that since I had no other options, it was the best one to do: I knew the ins and outs, and could predict (basically) the path of the summer, and that it would be great to see friends and be in the party-party atmosphere of MDI in the summertime. I decided to go, and leave just after my immigration appointment on June 26th.

A few days passed, and I was beginning to plan how to get to Maine, and the plan for returning in the fall with the remainder of my belongings and some cash in my pocket. I realized there were good reasons to go, despite friends and family, and that I could continue to grow my career in the direction of jewelry and jewelry making. I realized that if I were to open my own space here in Austin, that I had more to learn and connections to make. So, I was going, and soon. And then there was a phone call.

The phone call was an apology and a request to come in to meet the following Monday. Early on that Monday morning, I had a conversation with Avoidance and Fear of Commitment. I thought, in that moment, that I was going to be asked to teach an entirely different class, one I was not 100% behind or necessarily skilled to teach. I sat in the parking lot for a minute, thought about going in with confidence and calm and communicating what I felt, and to Sashay Away. It was in this meeting that the administrators of the school offered me my teaching position of my pedagogical dreams: art-science-engineering. I sat in an uncomfortable chair, bewildered and laughing. I asked them if they were really going to hire me to do what I want to do, and what I have wanted to do for years. They said yes.

I realized, over the next few days, that this point in life is not only a turning point, but it is also a new chapter, and that fundamental changes are taking place. Yes, I made the choice to return in those early days of April, but I wouldn’t have guessed the changes that are here, that were here, and that would begin to happen in my own life. I wondered if other people think of their life in terms of chapters, or matrix points on the crazy flowchart of life. I realized that had I not gone to Maine and worked on all the myriad projects I had worked on, that I would not have been offered this opportunity. I realized that it is a priceless one, and that not only its potential but its long-term application was worth more to me than, well, in truth, any other career-related opportunity that I had ever been given. So I smiled and I took it.

Avoidance, though, being a tricky character, came back in and I delayed in sharing the news, due to wishing to not hurt anyone in Maine that I wasn’t going to come back. It took me a long time, too long, to be honest about that, and that is because not only do I care about all my friends and family up on that beautiful island, but it was also the place where I found myself, where I was truer to myself and grew to understand myself in ways I don’t think I ever would had I stayed here all along. I did what I wanted to do when I wanted to do it, and most of the time, was happier for the experience. Occasionally I still felt pent in by my own feelings: especially in the winter. But I worked on understanding the temporary nature of day to day life, I grew to appreciate establishing a sense of calm and equanimity, and I truly began to detach from things and learn to love people and experiences. It is tremendously hard to not go back to Maine for these reasons and others that include comfort and quiet and that special place of peace that we all find on MDI, which is one of the reasons why those of us who know it love it so.

However, I had to make a decision about my Life, and about what was important to me and what would serve me best in the future. I had to acknowledge the changes that were happening and understand their level of gravity and importance. In other words, I had to grow up and learn that I could leave for the summer and let Avoidance take me on another journey, albeit a short-term one, or I could stand on my own two feet, look at the path my life has taken, acknowledge its rewards and its trials, and be here now. I feel like I am being given great gifts at this present moment, and I intend to stay grateful and present with them. I want to not run away from what is scary: commitment, success, long-term friendships, closeness, responsibilities. Despite my fear of that list of Scary Ideas, and I know there are others that I am not including for different reasons, I feel like I am at a time and place in my life to accept my choices, celebrate where I can, and continue to learn from every step along the road that I am lucky enough to pay attention to.

Although it is hard for me to write this, I am very proud of the last few years. Despite the emotional shifts and the intense ups and downs and the instability, the experiences of Philly and Maine made me a stronger, more grounded, and more understanding person of myself. This means that the selfishness is still there, but perhaps that old adage of awareness being half the battle is true. Maybe also is that one about what doesn’t kill you makes you stronger.

Avoidance and Rushing Through Life are still there: perhaps they will be, in some ways, there forever. But part of my subconscious-level new commitments since returning to Austin are to work on those aspects of my life and really try to examine why they are there so that I can be a more content person than I have been. My return to Austin has been full of learning how to commit, be in the present and not the past, and how to share. I feel like it is time to be at home; I don’t want to run away again.

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In Moments

Last night, I was sitting on a small bed in the lamplight and I was brushing my teeth. It was midnight and I was staring at my lover sitting at the opposite end of the room, staring off into space. He seemed to be thinking deeply about something, occasionally shifting his head and nodding, sometimes stroking his beard with his right hand. Distractedly, I moved my gaze to the ceiling, to a wreath I had made yesterday out of mustang grape vines and spent poppy pods. Feeling something, I looked back, and noticed him looking at me and smiling.

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Sunset thunderstorm with rainbow…yes, it was actually this color

On Sunday, I took a walk with a small and young friend who is new to me, despite having known him since he was about three. We watched pond skimmers on the surface of a tannin-stained creek and then threw rocks of increasing size into it, creating cannonball-like effects upon its surface. We moved on after the largest one created waves so large they spread almost instantly across the creek bed. Later, we were walking along a country lane and came upon a large field with a tilled-up bed on its left. The earth was black and stood up in perfect rows and the rest of the landscape was that early spring green that is so electric it seems colored in with a pencil rather than created through chlorophyll and sunlight. As we stood there, my young friend said, “don’t you want to own a bunch of land someday and have half of it fenced off so all you could do is ride a horse all around it?”. I smiled and said yes.

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Ireland’s fuchsia bells interpreted in textured sterling silver

Last night, my jewelry teacher of ten years, Bob, walked up to me and hugged me so close and laughingly asked, “are you suffering some culture shock? Hmmmmmmmm?”

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Good morning poppy forest

Last week, my best friend and I walked through my old and her current neighborhood, gazing at fancy houses and drinking iced coffees on a late spring afternoon. She tricked me, you see, into a false sense of strolling, because all of a sudden, we turned down an alley and before us was a house with four wooden tall birdhouses and a field of poppies. Rather like somewhere in Europe, but actually in Austin, Texas, the poppy flowers were suspended on their stalks and in the air at the same time, moving lightly and liltingly in the breeze. Someone else was on the other side of the field: we watched each other til we realized he was taking photos, so we moved out of his way.

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Sunlight at the Barton Creek Greenbelt

When we were driving back from Houston via Route 71, meandering toward Bastrop on rainy but sunny Saturday afternoon, two weeks ago?, on the right side there was a large field populated by beautiful black cows. The cows were that perfect, deep, midnight black that seems to pull all light into it. Some were standing, some walking, some laying down with babies beside them. The field, normally green and grassy, was overwhelmed with thousands, millions maybe, of pink buttercups, a wildflower that some call primroses but children of Houston seem to know them as buttercups, from the years of balancing them on our noses and holding them up to reflect their bright yellow pollen color onto our necks. The field was filled from highway to horizon with nothing but pink flowers and black cows. In the background was a bright blue sky, dotted ever so perfectly with white clouds.

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Maidenhair ferns on limestone

The other night, I drove home through a huge thunderstorm, in which my car was buffeted around by winds that reminded me of blizzard wind. Across the sky in front of me stretched a flash of white lightning on black sky so large it seemed to span miles.

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Look up!

On Monday I sat on a cool concrete patio of an old hotel-house with one of my best friends: someone I hadn’t seen for three and a half years. We drank Arnold Palmers and beers and went for a walk and looked at photos and laughed and confirmed our mutual doubts that we really don’t know anything.

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Top secret phone-call-making spot behind an ol’ oak tree

Being back in Texas is beautiful and overwhelming and friendly and strange all at the same time. Last night I skipped through the halls of an antique shop and spoke in silly Russian accents with another old friend…”you are soooooo prettttyyyyyyyy” we said. “No, you are sooooo prettyyyyyyy….your mama, she did goooood.”

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Branching

A Vintage Valentine

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“Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.” 
― Bob Marley

New Beginnings

“THAT crazed girl improvising her music.
Her poetry, dancing upon the shore,

Her soul in division from itself
Climbing, falling She knew not where,
Hiding amid the cargo of a steamship,
Her knee-cap broken, that girl I declare
A beautiful lofty thing, or a thing
Heroically lost, heroically found.

No matter what disaster occurred
She stood in desperate music wound,
Wound, wound, and she made in her triumph
Where the bales and the baskets lay
No common intelligible sound
But sang, ‘O sea-starved, hungry sea” 

W. B. Yeats

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Late Autumn via Skylight: Degregoire Park, Mount Desert Island

So here we are, on the first day of a new year: 2015! How did we make it here, marching through the muddy cloudiness of life, keeping feet forward and a sense of hope in our ragged hearts? Magically, almost, the universe ushered in a new year last night late on a cold January evening; ours was marked with fireworks and fire and friends, and it was good to kiss a new year on the cheek, welcoming in the wishes of another turn around the Sun.

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Treasure from the River’s Bottom: Lincoln, Maine

This is the third January 1st that I have ushered in this cold and magical place where the ground is covered with moss and crinkles when you walk upon it on a cold winter’s morning. This afternoon, as I moved armload after armload of freshly chainsawed wood to its winter home of pallets set in the side yard, I watched the sunset over two mountains in the distance: it was colored pink and peach and seemed to be held interminably above the ridge of those mountains, clouding them in rose and salmon and magenta. I remarked to the neighbor who was helping me chainsaw piles of birch timber how lucky we are, and he remarked how everyone watches the sunset in different parts of the world, everyday. I disagreed and still feel that today was special.

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Sargent Drive in Snow: Northeast Harbor, Maine

So what does a new year mean, in its essence, in its whole, in the grand scheme of things? It is hard to posit meaning in and of itself; only to say that we are welcomed with opportunities and responsibilities in each moment, really, but especially in the birth of a new year, another transit around our central star, a time to reflect and plan and foresee, as best as we can, what is to come.

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Ice in the Driveway: at the Tool Barn, Hulls Cove, Maine

I have spent my year of 2014 in quiet and not so quiet contemplation of how I got here: how I came to be in this peaceful and quiet place, surrounded by misfits and oddballs, a kinfolk for sure of people who seek meaning in the everyday, who try to make it despite the natural adversities of life here. Here is a place you have to consciously commit to, as the way of life is so different, so difficult, even, and yet, so soothing and comforting and welcoming and warm. As I sit here in my new house, my home I hope to say, I am listening to and watching the fire burn, staring at old brass lamps that are glowing in the darkness. I type on a table that has been in my family since I was a small child, transplanted from England to Texas. This small pine table sat in many kitchens of ours; we moved many times within the same corporate-created borough of north Houston. We, an immigrant family seeking place and meaning in a foreign environment, created ourselves, as we all do, as products of our environment, our family and our friends. Today, that old table is covered with an antique quilt top gifted to me by Angel many years ago, one night during jewelry class. I always meant to make it in to a quilt, but haven’t so yet, and so it has become a beautiful tablecloth, covering a cheap heirloom of sorts, providing a grounding force in this new home.

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Treasures Hidden Inside an Antique Piano: Bar Harbor, Maine

Each morning, I look out my kitchen window at Champlain and Gorham mountains while I drink coffee. When I venture outside to grab more wood or make the move to my car to go to work, I gaze upon the notch between Dorr and Cadillac. At all houses here, previous to this one, I gazed upon the ocean. Here I look at the mountains, and the metaphor is clear: no longer a time of intense reflection, this time is for grounding and building, embracing this place and finding a spot in this community, continuing to build upon my projects, create more beauty, more artwork, in these awe inspiring, and at this time of year, rather desolate surroundings.

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The Cusp of December: Belt Buckle in Copper, Bronze & Milky Opal, 2014

I have found that it takes a certain person to make life work here: there is an intention within those who choose to be here to live and work and make a life despite adverse circumstances that are mostly based on a seasonal economy and general lack of orientation around money. Money here is not a driver, but experience is, peace is, serenity is, building things that will stay becomes a sort of guiding force for all of us. Once you have found it, you want to hold on to it. I remember discussing with a friend how he felt about his first stone wall, and how he went to check on it regularly over its first few years. I asked him if he was afraid it would have fallen down, but no, that wasn’t it: he wanted to see how it was standing, how it was living as a piece in a grander landscape. I suppose that is how all of us are here, there, and everywhere.

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The Flower Tower: a Memorial for Eden, Bar Harbor, Maine

My hopes for 2015 are for more creativity and more communication and for connecting the dots between how I see myself and how others see me. I wish to become more present, more available, less of a mystery and more a citizen of this place. For the past two years, I have waffled back and forth about staying and going, whether to commit, or not. In reality, I haven’t committed to anything in five years, until right now. I moved into this beautiful little house (photos forthcoming) a bit less than a month ago, and have found, after all the ups and downs of recent times, of the discoveries, enlightenments, experiences, sadnesses and true joys, have found a home.

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A Helping Hand: Davistown Museum Sculpture Garden, Hulls Cove, Maine

Thank you for reading. It is the winter, truly, now, and I look forward to writing more about how it unfolds here, sharing my thoughts with you and yours. It is time for a celebration of a sort: as a friend told me the other night, how amazing is it to be 34 years old? Or however old you are. Enjoy it.

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At the Tool Barn, Autumn 2014 – photography by George Soules