In Moments

Last night, I was sitting on a small bed in the lamplight and I was brushing my teeth. It was midnight and I was staring at my lover sitting at the opposite end of the room, staring off into space. He seemed to be thinking deeply about something, occasionally shifting his head and nodding, sometimes stroking his beard with his right hand. Distractedly, I moved my gaze to the ceiling, to a wreath I had made yesterday out of mustang grape vines and spent poppy pods. Feeling something, I looked back, and noticed him looking at me and smiling.

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Sunset thunderstorm with rainbow…yes, it was actually this color

On Sunday, I took a walk with a small and young friend who is new to me, despite having known him since he was about three. We watched pond skimmers on the surface of a tannin-stained creek and then threw rocks of increasing size into it, creating cannonball-like effects upon its surface. We moved on after the largest one created waves so large they spread almost instantly across the creek bed. Later, we were walking along a country lane and came upon a large field with a tilled-up bed on its left. The earth was black and stood up in perfect rows and the rest of the landscape was that early spring green that is so electric it seems colored in with a pencil rather than created through chlorophyll and sunlight. As we stood there, my young friend said, “don’t you want to own a bunch of land someday and have half of it fenced off so all you could do is ride a horse all around it?”. I smiled and said yes.

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Ireland’s fuchsia bells interpreted in textured sterling silver

Last night, my jewelry teacher of ten years, Bob, walked up to me and hugged me so close and laughingly asked, “are you suffering some culture shock? Hmmmmmmmm?”

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Good morning poppy forest

Last week, my best friend and I walked through my old and her current neighborhood, gazing at fancy houses and drinking iced coffees on a late spring afternoon. She tricked me, you see, into a false sense of strolling, because all of a sudden, we turned down an alley and before us was a house with four wooden tall birdhouses and a field of poppies. Rather like somewhere in Europe, but actually in Austin, Texas, the poppy flowers were suspended on their stalks and in the air at the same time, moving lightly and liltingly in the breeze. Someone else was on the other side of the field: we watched each other til we realized he was taking photos, so we moved out of his way.

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Sunlight at the Barton Creek Greenbelt

When we were driving back from Houston via Route 71, meandering toward Bastrop on rainy but sunny Saturday afternoon, two weeks ago?, on the right side there was a large field populated by beautiful black cows. The cows were that perfect, deep, midnight black that seems to pull all light into it. Some were standing, some walking, some laying down with babies beside them. The field, normally green and grassy, was overwhelmed with thousands, millions maybe, of pink buttercups, a wildflower that some call primroses but children of Houston seem to know them as buttercups, from the years of balancing them on our noses and holding them up to reflect their bright yellow pollen color onto our necks. The field was filled from highway to horizon with nothing but pink flowers and black cows. In the background was a bright blue sky, dotted ever so perfectly with white clouds.

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Maidenhair ferns on limestone

The other night, I drove home through a huge thunderstorm, in which my car was buffeted around by winds that reminded me of blizzard wind. Across the sky in front of me stretched a flash of white lightning on black sky so large it seemed to span miles.

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Look up!

On Monday I sat on a cool concrete patio of an old hotel-house with one of my best friends: someone I hadn’t seen for three and a half years. We drank Arnold Palmers and beers and went for a walk and looked at photos and laughed and confirmed our mutual doubts that we really don’t know anything.

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Top secret phone-call-making spot behind an ol’ oak tree

Being back in Texas is beautiful and overwhelming and friendly and strange all at the same time. Last night I skipped through the halls of an antique shop and spoke in silly Russian accents with another old friend…”you are soooooo prettttyyyyyyyy” we said. “No, you are sooooo prettyyyyyyy….your mama, she did goooood.”

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Branching

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Heart Over Head

Spring solstice arrives
Lighting the flames of true love
While Pelicans dive

From the I Ching Weekly — reading for the week of March 16th, 2015

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It has been a narrow passage
All is opening
Spirit hails love
A joyous returning

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When a wound has become infected it will not heal unless the poison is removed. This is your condition now. You have been in battle and now you are returning. A bit battered and deeply tired but you are returning and are mostly in tact.  It is your ego that has taken the hits and is feeling the wounding. The ego would have you retreat and be with shame…don’t go for it….there is no shame and no blame, you are human after all and this is part of the process to wholeness and light.

On this return it is simplicity that will salve the wounds and heal the spirit. Old relationships too are being made ready to be healed as you come back to the source, the primal mind, made free of a troubled ego.

It is as if the tides have changed and the tide of change that washed away what you built, desired and cared for is now bringing back the very things you thought were lost. This is a joyous time and a time to celebrate in humility and grace.

These are the winds of change you have felt would come, they have. This time the winds carry no danger, they carry promise; the promise of love, abundance and stability.

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The great forces of Gaia can at one-minute blow winds that devastate the landscape, feed fires that blacken the earth, then comes stillness wherein there is the miraculous returning of life. These are of the universal laws of life and death, leaving and returning.  All is in natural order. You stand now at the point of the freshness of return while behind you lies old useless patterns of behavior and convoluted associations that have been fraught with difficulties.

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Thinking and analyzing will not have summer return in winter; now it is to either trust the energy of returning or get embroiled in an unpopular and unsolvable puzzle of obstacles on a road leading nowhere. So it is with your situation now. Don’t think it through, this is not the time to analyze your situation, you have done that and you are exhausted from it. Give yourself, and those around you, a break.

There is occurring not only a return to clarity of thought and vision it is also a return to innocence; time when what is now returned to your field of energy will inspire creativity and confidence.

Surrender; let this cycle of gradual progress toward love and success happen with no thinking. Know that the coming tide moving you inevitably forward is unstoppable. Let it happen. Allow yourself to ride this wave to the shore, arriving refreshed and rested, not tired and weak from effort. It is your choice., it has always been about choice.

The necessary re-birth will be realized not by pushing forward through the jungle of old patterns and promises. The energy will be found by returning, by following the breadcrumbs left on the path so you could find your way back to from whence you came. In you was a knowing that seated somewhere in the recesses of your monkey mind, the primitive sense of wisdom, where you knew this time would come.

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Your ever so gentle and intuitive primal mind swathed in innocence will guide you back to where success and abundance is waiting for you. When you get there it will feel familiar like remembering some lines from a poem you read or was read to you as a child. It is in that light of innocence where you will find the power of the creative and the strength to bring to completion and welcome that which you most desire.

Don’t be surprised when you find members of your tribe coming your way to fill the gap of aloneness that you have been feeling. They could not find you before; you were behind a wall of self-involvement and judgment that obscured your authentic self. Open your heart and minds ear to the returning souls and beloved ideals; talk story with the tribe; let yourself be loved. You have been so damn good at giving and fixing; now is the time to LISTEN and to receive.

Your mind has been busy and noisy not able to hear or see which way to turn, where to seek the knowledge necessary to extricate yourself from the hold the ego had on you. Now in this returning you are being shown promising bypaths to where self-knowledge will be found and it is this self-knowledge that holds the key to your freedom. Freedom to love and be loved, speak and be heard and the gift of coming to stillness where you can listen…fully listen to the coded sounds of nature as she speaks to you through the perfumes of nature, the calling birds song, the flowing waters and the beating of your true loving heart all in harmony with the sentient beings of this, your home planet, Earth held in the loving grace of Gaia.

Take to heart these words this week:
Be love and teach peace

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The Veil

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It was a pack of cards with optical illusions printed on both sides, it was a stamp of a skeleton, it was a book about a mysterious girl with a colorful cover, it was a gilded leather jewelry box. It was memories: the memories of times gone past, of another life, of being oh so much younger. Held onto for years, they were tucked in the corners of old trunks and the shelves of bookcases.

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Moving, packing, sorting, organizing: de-possessing. Communing with all of the things in this cabin in the woods: holding each item in my hand and examining where it came from, who brought it, what it meant over the passing of time and asking myself, honestly, whether it had a place in the house anymore. For most things, surprisingly, the answer was yes. Over the past few years, I have done a really good job of shedding the errata, the flotsam of life defined as possessions.

What does it mean to let it go? It is a phrase that we often utter ourselves or hear others utter in terms of life and its myriad experiences. Let it go, we say, not really knowing what that may mean to others or to ourselves. This week is the beginning of spring, although you wouldn’t know it here on the coast of Maine where snow seems firmly planted in our landscape everywhere you look, but nonetheless, Friday is the spring equinox and the beginning of the sun’s warmth beckoning the living things back out from under the ground, under the snow. Shortly, Persephone returns to us and her mother will celebrate by giving us flowers and leaves again. Shortly, the days will become much longer and we will be able to celebrate the feeling of the warm air on our shoulders.

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Let it go….let go all of the stuff that is holding growth, feeling, evolution back. That pack of cards went into the fire, that stamp went to the growing free pile, the book went to the library. Such magpies are we: holding on to shiny objects, putting them up on shelves or in drawers to be gazed upon during the dark moments. What does it mean to really glean from our lives those items that have meaning and purpose, and to slough off that which doesn’t? Does it mean we are losing or gaining ourselves? Does it mean that we are better at the growth, or worse at the remembering? Does it mean we shall find ourselves at some future date wondering where that bit or bob went? Possibly, but after all, it is just stuff. You can’t take it with you, as the other popular saying says.

Spring is a natural time of cleaning, sorting, and developing better habits for the warmer days. It is a time of reckoning with oneself and with the earth as we witness the huge shift that is happening beneath our feet and around our heads. It is an antsy time: a time of intense preparation, hesitation, and promise.

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Where are we all going on this tiny blue planet hurtling through space? What will happen to us in this new year, after the beginnings of it have been so slow and so cold and so dark? The only thing I know is that I don’t know: I feel like I know less as I learn more about this game of life we all are lucky enough to play.

Lately, I have been trying to appreciate something about the place in which I live each day: mostly I notice the mountains that I can see from my front garden: the dooryard, as it is called here. In front of me each morning is a line of graceful, arced mountains that are dotted with trees that appear black and stand out of a uniform field of white. Behind them, during the day, the sky is either white with snow or blue with sun. At sunset, the sky transforms into a pink-purple-salmon wonderland that casts the roll of those mountaintops in beautiful relief. The lake at their base is beginning to melt: the ice is going out, again, as they say here.

As we all make this grand transition, again, as our axis posits us in greater exposure to our central star, my goal is to remember something simple, something about being in the present moment, something that goes something like this:

“Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.”

Frida Kahlo

Otoño y La Gracia

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This morning, it was autumn. I woke up at sunrise to the sounds of the street sweepers and noticed a copper light cast across the tops of the buildings and caught in the leaves of the trees. Cadillac Mountain, standing so stately at the end of the street, was highlighted by a glimmering sheath of coppery-gold-red-and-yellow very early this morning. The slant, or angle, of the light is so sharp now as the Sun’s light is bending around the curves of Earth! Take heed for soon it shall start to slip away…and away…and away.

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This is my bedroom, or at least, a part of it. I have spent some hours over the last few weeks decorating its nooks and crannies for winter. I have added tropical plants and candles and nicely smelling things. I have stared out the windows, wondering how it will change. I have thought about my own feelings of this house’s temporary feel: never have I felt that I will stay here for long.

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I ended up here on Saturday night: a club called the Oak and Ax in Biddeford, Maine. I watched some friends perform beautifully, and I watched a couple in paisley and beige dance. I watched young people dressed like the Beastie Boys sing space trip-hop. I spoke to a girl wearing a white polyester dress she had bought at the Goodwill-by-the-pound in Gorham. I smoked a cigarette with a man who sang like Stevie Wonder backed by synth beats. I danced, and was happy, because, beside my friends who I was attending the show with, I knew no one and was happy in a brief moment of true anonymity.

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Out beyond ideas

of wrongdoing and right doing,

there is a field.

I’lll meet you there.

Rumi

Fall is a season of overturning: of watching the colors of our landscape change before our eyes. We can feel the energy drain from the surface of the Earth to its undercarriage: the Sun begins to wane and the light disappears, the leaves turn red-orange-yellow-brown, and the wind becomes sharper and colder. We ourselves learn to spend moments feeling the cool wind blow on our faces and the warm sun shining on our backs for just a little while more. We can watch the clouds move in the blustery wind and hear it shake our windowpanes as the cold blows in off the water, and down from the North.

One of the themes of late, for me, is a feeling of letting go, of accepting new beginnings whatever they may be, and to try to say goodbye to a feeling of fighting for fighting’s sake. It is time to transition and to take off the battle garb: to look into your lover’s eyes late at night and see light flash and listen to your souls laughing. It is time to feel one another’s skin between sheets and hold another’s head in your hands: appreciating in moments the beauty of hair and skin and bone. It is time to hold hands while sleeping, and to be tender in whatever moments you are lucky enough to express it.

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“I do not understand the mystery of grace, only that it meets us where we are and does not leave us where it found us.”

Anne Lamott

Another Rainy Day…

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“If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.”

Daphne du Maurier in Rebecca

Let’s talk about rain; Maine is truly a rainy state. After spending most of my adult life in Austin, Texas, land of almost desert-like plants and a serious lack of rain due to a ten year drought, when I moved away from Texas and to Philadelphia I had forgotten that these things called umbrellas existed. The first few times it rained, I was trapped outside sans-protection, and became soaked. Since living in Philly, I’ve adjusted and now have my own umbrella, striped with color, naturally, that, hopefully, travels with me on rainy days, protecting my head.

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I moved to Maine almost a year ago, in the midst of a bold and warm and sunny summer. I lived in a giant tent built in the basement of my parents’ house and spent most of my days there as I was very ill with shingles. Sometimes, I ventured out into the garden or down the road to the lake to swim. The summer was golden and light and even the breeze off the ocean was warm.

This year, however, is a rather wet year. As I sit here, at this moment, in the morning, having finished one cup of coffee and needing to get to work, I am listening to the rain fall, again, on the deck, off the picnic table, off the eaves. I am wondering if my plants will ever grow big and bushy with all this rain, all this lack of sunshine. I have to say that the consistent rain, interrupted here and there by sun, is rather similar to the wintertime darkness and absence of my favorite star.

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People say here that you must take Vitamin D to deal with the lack of light, and I think they are right. It is hard for me to understand how the sun can come out so few and far between; this is a place in which you feel so lucky and excited about sunny days that it’s as if everyone is outside all day long, soaking in sunshine with the knowledge that tomorrow, it may be grey and windy, rainy and cool again. Like today.

Yesterday was one of those days and I spent the whole day outside building a fence of peabrush. I am in the midst of a garden transformation, taking the blank slate which is the yard of my little house, and building an outdoor sitting space and green screens and veggie patches and flowerbeds. After all day in the sunshine, my shoulders and back were bright red and warm, I felt the strange chill of sunburn, I sat outside on the deck at night and looked at the few stars peeking through the thin, wispy nighttime clouds.

The parking lot next to my house is large and full of spaces demarcated by white lines. There is a yellow painted path, newly dubbed the Yellow Brick Road, that shows you how to walk down the steps to the water. At night, there are no streetlights and if you stand in the middle of the lot, staring upward through the power lines and beyond the trees, a whole world, a patchwork quilt of stars opens up before your eyes, each and every night. To the Northeast are mountains, silhouetted slightly against the nighttime sky, and everywhere you turn your head are more stars, clustered together and far apart, shining, twinkling brightly. Over the ocean rises the Moon, when we are lucky enough to have her, and she sits happily in the eastern sky as the nighttime passes.

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Last night, I lay about in my bed, curled up under a down comforter, flannel sheets and a woolen blanket, reading Daphne du Maurier’s Rebecca, and imagining the scene set in the book, the scene of Manderley and its grounds and its epic loneliness, emptiness, romantic desolation, as set here, in Northeast Harbor, amidst the mansions of old wealthy families, the cold hallways set with beautiful artworks and conservative wooden furniture upholstered in salmon and off white silk, the kitchens larger than most houses I have lived in, empty for months, populated only for weeks. In the winter, I can pretend they are mine, or partly mine, anyway, and now have to realize that, just as the de Winters in the book, in the summer, the houses, and their ghosts, must awake. Are there creatures like Mrs Danvers in the houses in Northeast Harbor? Are there skeletons in closets and banshees wailing at the gates? As old rock walls begin to pitch and break apart, as pink paint peels off walls and old sinks rust, what happens to the families within? The people…who knows all the stories?

Such a spookiness and a subtle fascination, this rainy place full, now, almost, of its summer population, its summer people, summer not residents. Soon, the streets will be filled with people, Billionaire’s Island in full swing, mostly hidden behind heavy wooden doors, and behind leaded glass windows. Sometimes, I can see a glimpse of this old-fashioned life out of a mid-century novel, by catering parties in those beautiful kitchens, holding delicate antique china, staring out at the ocean from the patio, but most of the time, the wonder comes at night, under the covers, thinking about what it would be like to really live in a house like Manderley.

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The Enormity of Spaces

next servicesWhen I was 19 or 20, I have forgotten which, I went on a long road trip with a college boyfriend out west, from Austin all the way to Washington state and back. We traveled through New Mexico, Arizona, Utah, Nevada, California, Oregon, Washington, Wyoming, Montana, Idaho, and Colorado all in a blue Ford Taurus that looked a little more worse for wear when we returned two months after we had left.

A highlight of this trip was our stop at the Grand Canyon. Previous to a random stop in Pecos, Arizona, town of art and college students, we were, like everyone else, going to stop at the South Rim of the Grand Canyon, walk along the plexiglass bridge and marvel at the sights alongside throngs of other tourists. In Pecos, we stopped in a cooperative art gallery and I started chatting with the man working the gallery that day and he told us we should go to the Toruweap entrance instead, and so, we did.

painted desertThe Painted Desert, on the way to Toruweap

Toruweap is a hidden entrance to the Grand Canyon, one accessed by driving up into Mormon country and knowing where you are going because no one will give you directions. After a few turns here and there, you end up at the bottom of a valley with a very large sign at your right telling you the road ahead is 65 miles long and only suitable for all wheel drive vehicles. We pressed on in the Taurus, and two and a half hours later, arrived at a ranger station. We were allowed in and proceeded to drive along huge, flat slabs of limestone on our way to the rim of the canyon, at which point we parked and set up our tent, and walked to the edge of the canyon, realizing that we were the only ones there.

One of my first memories of the Grand Canyon campsite was looking around and noticing the largeness of that place. Later in the day, I walked through rattlesnake infested terrain, over rocks, and sat on the edge of the Grand Canyon, looking down. At that time, only the two of us were there and we were able to experience the Canyon in a way that most people do not: it was immense, many-layered, radiating with heat in the summer sunshine. I sat there a long while pondering how deep it really was, and how I could get down there, and what would happen if I were to fall?

That night we lit a campfire and stared at the stars, thinking about the monstrously huge cliff’s edge only a few feet from where we sat. In the morning, we woke up and went walking around, looking for strange rocks and plants, narrowly missing a rattlesnake, until we saw a small, white Toyota truck with a Utah license plate parked next to one of the picnic tables.

Walking up to the truck (we had already learned to just say hello to other folks on similar journeys to ours), we saw an old man with a long white beard, eating cantaloupe and drinking black coffee, reading Harry Potter and the Sorcerer’s Stone. Now here was an interesting character, who we learned had driven in late last night for the evening and was about to head home. We sat and shared cantaloupe and coffee, and talked about the world, and traveling, and quickly said goodbye to take off to our next stop: Arches National Park in Utah.

barn windowSalsbury Cove Barn Window

That trip was many years ago now, in fact it was something like twelve summers ago. If I look outside my window today, I see fog and dreariness: the markers of Maine spring. When I was a child, we would arrive in Maine every May and every time we pulled up the driveway of our camp house, with a grocery bag of chicken pot pies, tea, and who knows what else, it was always raining. My memories of Maine in late spring always involve fog, cold, and greyness.

sculptureSculpture and steps outside the jewelry studio at Haystack

It was been awhile since I have written here: too long, as life is passing me by quickly and the events that necessitate recording are piling up inside my mind. I haven’t written since just before leaving for my Haystack weekend, and suffice it to say, I am more than thrilled that I went and had that experience. I met many incredible people, made many things, learned how to be a baby blacksmith, drank a lot of bourbon, and didn’t really sleep for three days. Not sleeping turned out to be a bad decision as it left my body quite empty and shaken up for almost two weeks!!! No longer am I a woman who can party all night and stay up all day the next day…

early morning coffee cupsEarly morning light, many coffee cups…

At Haystack, also, the Maine spring was in full force and it was foggy and cold and clammy almost every day, culminating with our last day being downright soggy, slippery, and windy-cold. There are two bridges to Deer Isle: one is a green metal suspension bridge reminiscent of something you’d find in New York, and the other is a low stone bridge made of white stones that stand out in stark contrast to the grey and brown pebble beaches, the amber and golden seaweed, the green fir trees, the blue water, the white boats.

Haystack is a crafts school that was build in 1961 outside the village of Deer Isle, Maine, and sits on the edge of the ocean, on a small bay that is dotted with the fir covered islands so common to Downeast Maine. If you walk down to the bottom of the steps that run the length of the studios, and lean against the railing, you will see birds fishing and swimming in the water before you, some moorings, some lobster buoys, a large island draped with golden and amber seaweed, and many smaller islands laying long and flat along the horizon. If you sit down there at night when the wind is blowing, you will hear the banging of the cleats of the flag against the metal flagpole, and hear loons call their eerie song to you. You will see the nightlights passing through the wooden slats that make up the deck and stairs, and perfectly frame a pair of windy, Arthur Rackham trees that grow up out of the beach and against the bottom railing of the deck. These are the trees that became part of the top of the box that I worked on most of the weekend. The box is made of copper and bronze and a 100 year old lockset with key, copper rivets, and epoxy that covers a piece of paper from an old newspaper, asking the question: what shall we do with our daughters? What shall we, indeed?

treesInspirational Trees

box topDo you see them?

Haystack helped me understand something about myself: that I crave the night spaces, the dark times, and that I like to work uninterrupted by others. I can work with others, as long as do not have to interact with them very much. The first night at Haystack I experimented with tools like the hydraulic press and their very fancy rolling mill and their many daps and dapping stumps and made a really beautiful, tiny vessel that looks, almost, like an autumn leaf.

vesselLate night fold forming experiment

The night spaces at Haystack are what are special: the coolness of nighttime, the sounds of the wind rustling the trees, the glow of orange and white lights out of studio windows. The sound that the sliding door made when I opened and shut it, knowing no one else was there, was immeasurably gratifying. Opening the studio door early in the morning and seeing the blue morning light cascading through large windows, casting the anvils, the tables, the lights, the walls in an eerie, silvery light. The smell of that studio reminded me of my old studio in Austin, but much, much colder, as if the environment that surrounded us on all four sides penetrated the walls, becoming part of the building itself.

studio instagramLate night, empty studio

haystack benchWork space

heat patinasExperimental heat patinas on paper-thin copper

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etchingsExperimenting with salt water etching

And that is, of course, my experience of life in Maine, that we are literally drawn into and become part of the landscape, and it of us. It is impossible to not be affected by and to effect the landscape, whether it be your footprints on old leaves whilst walking in the woods on a rainy day, or whether it simply be the memory of the way the birch trees with their white and black trunks look in contrast to their lime green new leaves. The landscape is burned into your mind, your heart, your soul, and becomes tied to its ever changing daily face, no two days the same, just like us.

When Haystack Weekend was over, and I was left completely exhausted after not sleeping the last night at all: I was blacksmithing til dawn and then just powered through to work on the box until crashing for about ten minutes at 9:30, my friend and I drove home along the windy roads of Downeast Maine, in the rain, talking about people, laughing about the weekend: making a wrong turn at one point, we ended up almost in Penobscot. The roads from Blue Hill to Deer Isle wind and wind, twist and turn around houses old and new, showing bushes bursting forth with spring color, lobster traps, old cars, hidden in the woods sometimes are even older houses, stone walls, and other mysteries that stay half hidden as the seasons keep rolling by.

It is hard for me to understand that in a few short days it will be the 1st of June, and that I have lived in Maine now for almost one year. I started writing here at the end of August of last year, and have watched the seasons change from summer to fall to winter to spring and soon, it will be summer again. Time keeps marching by, keeping its own pace, and we are simply swimming through, bearing witness to all the changes, small and large, planned and surprising.

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An Exhalation…

“Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.”

– Anais Nin

schieleLandscape – Egon Schiele 1913

IMG_2342Spring Shadows at Compass Harbor, Acadia National Park

“O thou with dewy locks, who lookest down
Thro’ the clear windows of the morning, turn
Thine angel eyes upon our western isle,
Which in full choir hails thy approach, O Spring!

reflectionReflections, Northeast Harbor

IMG_2330Tools and Toys from the Tool Barn, Hulls Cove

IMG_2336Beech Tree in Early Spring, Compass Harbor

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“The hills tell each other, and the listening
Valleys hear; all our longing eyes are turned
Up to thy bright pavilions: issue forth,
And let thy holy feet visit our clime.

benchTools for Creativity

ideasIdeas

chainChain, Northeast Harbor

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“Come o’er the eastern hills, and let our winds
Kiss thy perfumed garments; let us taste
Thy morn and evening breath; scatter thy pearls
Upon our love-sick land that mourns for thee.

harborNortheast Harbor in April

IMG_2334A Dream, disguised

IMG_2337Birch Bark

rocksRocks, Northeast Harbor

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“O deck her forth with thy fair fingers; pour
Thy soft kisses on her bosom; and put
Thy golden crown upon her languished head,
Whose modest tresses were bound up for thee.”

– To Spring – William Blake

duskDusk, Northeast Harbor

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“It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.”

– Anais Nin