In Moments

Last night, I was sitting on a small bed in the lamplight and I was brushing my teeth. It was midnight and I was staring at my lover sitting at the opposite end of the room, staring off into space. He seemed to be thinking deeply about something, occasionally shifting his head and nodding, sometimes stroking his beard with his right hand. Distractedly, I moved my gaze to the ceiling, to a wreath I had made yesterday out of mustang grape vines and spent poppy pods. Feeling something, I looked back, and noticed him looking at me and smiling.

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Sunset thunderstorm with rainbow…yes, it was actually this color

On Sunday, I took a walk with a small and young friend who is new to me, despite having known him since he was about three. We watched pond skimmers on the surface of a tannin-stained creek and then threw rocks of increasing size into it, creating cannonball-like effects upon its surface. We moved on after the largest one created waves so large they spread almost instantly across the creek bed. Later, we were walking along a country lane and came upon a large field with a tilled-up bed on its left. The earth was black and stood up in perfect rows and the rest of the landscape was that early spring green that is so electric it seems colored in with a pencil rather than created through chlorophyll and sunlight. As we stood there, my young friend said, “don’t you want to own a bunch of land someday and have half of it fenced off so all you could do is ride a horse all around it?”. I smiled and said yes.

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Ireland’s fuchsia bells interpreted in textured sterling silver

Last night, my jewelry teacher of ten years, Bob, walked up to me and hugged me so close and laughingly asked, “are you suffering some culture shock? Hmmmmmmmm?”

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Good morning poppy forest

Last week, my best friend and I walked through my old and her current neighborhood, gazing at fancy houses and drinking iced coffees on a late spring afternoon. She tricked me, you see, into a false sense of strolling, because all of a sudden, we turned down an alley and before us was a house with four wooden tall birdhouses and a field of poppies. Rather like somewhere in Europe, but actually in Austin, Texas, the poppy flowers were suspended on their stalks and in the air at the same time, moving lightly and liltingly in the breeze. Someone else was on the other side of the field: we watched each other til we realized he was taking photos, so we moved out of his way.

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Sunlight at the Barton Creek Greenbelt

When we were driving back from Houston via Route 71, meandering toward Bastrop on rainy but sunny Saturday afternoon, two weeks ago?, on the right side there was a large field populated by beautiful black cows. The cows were that perfect, deep, midnight black that seems to pull all light into it. Some were standing, some walking, some laying down with babies beside them. The field, normally green and grassy, was overwhelmed with thousands, millions maybe, of pink buttercups, a wildflower that some call primroses but children of Houston seem to know them as buttercups, from the years of balancing them on our noses and holding them up to reflect their bright yellow pollen color onto our necks. The field was filled from highway to horizon with nothing but pink flowers and black cows. In the background was a bright blue sky, dotted ever so perfectly with white clouds.

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Maidenhair ferns on limestone

The other night, I drove home through a huge thunderstorm, in which my car was buffeted around by winds that reminded me of blizzard wind. Across the sky in front of me stretched a flash of white lightning on black sky so large it seemed to span miles.

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Look up!

On Monday I sat on a cool concrete patio of an old hotel-house with one of my best friends: someone I hadn’t seen for three and a half years. We drank Arnold Palmers and beers and went for a walk and looked at photos and laughed and confirmed our mutual doubts that we really don’t know anything.

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Top secret phone-call-making spot behind an ol’ oak tree

Being back in Texas is beautiful and overwhelming and friendly and strange all at the same time. Last night I skipped through the halls of an antique shop and spoke in silly Russian accents with another old friend…”you are soooooo prettttyyyyyyyy” we said. “No, you are sooooo prettyyyyyyy….your mama, she did goooood.”

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Branching

Eaten By Wolves

 

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Today I went on a sunset walk with a friend. As we walked, the light changed from gold to blue and then became complete darkness, lit by a gibbous moon that rose quickly over our heads, to hang in the sky, over the path, back to a bridge over rushing, snow-melt water.

She joked that if we were caught in the dark that we would be eaten by wolves, and just after the sun disappeared, we heard their calls just off to our right, in the woods. Yipping and howling together, it was no doubt a group of coyotes living large in the forest. Their calls waffled between high-pitched, human-like screams and howls, and seemed to be very close to us.

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She grabbed a large stick from the side of the path and we formulated plans including climbing trees and calling for help and standing on the bridge and making ourselves larger than life. The moon, luckily, lit our way with its white light: shining down on snow and ice.

As we walked, a bit faster now, we saw the first one as it leapt across the path in front of us: a black streak with a long tail. We stopped, dead in our tracks, not knowing what to do as coyotes will circle people and dogs in the woods. It was then that we saw the second coyote run across the path, just a bit farther down than the first one.

Grasping each other and the stick, we forged on, beginning to yell at the coyotes to scare them off and looking back to see if we were being followed, but we weren’t. They simply were there when we were, and we were lucky enough to not be very interesting to them.

As we reached the stone bridge, the one that we had crossed earlier while staring down at the stream, full of roiling waters and lined with rocks, we breathed a sigh of relief; we were within eye shot of the car, and therefore, far enough away from the coyotes in the forest.

It is a magical and sometimes unnerving thing to live in nature; this place has very little separation between the wild and the domestic, outside and inside. In the times when the light fades, at the end of another winter’s day, and you find yourself in the woods, walking along with a friend, it feels better to walk softly and carry a big stick.

“In every walk with nature one receives far more than he seeks.”

John Muir

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Waiting

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Pieter Bruegel the Elder – A Winter Scene, 1562

What do I think of when I am lying there?: on my stomach, propped up on my elbows, leafing through art books on Toulouse Lautrec and Pieter Bruegel and Peter Beard; gazing upon the paintings in the collection of the Mauritshuis Museum.

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Dulle Griet by Pieter Bruegel the Elder

Pressed into the floor, feeling the coarse plastic fibers of commercial carpet dig into my elbows, through the fabric of my light shirt, I catch myself looking around. Behind me is a pool table, under which stand two polar bears, staring out at me. Above me are deeply pocked marks of pool cues’ chalk, all over the ceiling. To my left are giraffes and hyenas, and up above the window, the skeleton of a sea turtle, many years gone from this world. To my right is my dearest friend here, lost in his own thoughts.

Before me is an off-white enameled Jotul wood stove, with a front window already stained with soot. Through the soot shadow, one can depict the licking of bright orange flames made amber as they filter through the dirty shade. The flames grow and gather, spewing up and across the ceiling of the stove, recirculating.

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I am thinking about birds’ wings and the lips of Nepenthes plants. I am thinking about patches of snow on the surface of Little Long Pond, and of playing Pac Man on the table consoles at Pizza Hut in the ’80s. I am thinking about the tea that I am drinking, about artificial, non-dairy creamer: the stuff you can light on fire if you sprinkle it onto a candle’s flame. I am thinking about scent, about wood shavings, about ice melting, about the songs of the birds that just recently reappeared.

I am thinking about change.

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We all know that birds’ bones are hollow so that their bodies and wings are lighter than ours: this is one of the reasons that they can fly and we are glued to the Earth. Each morning I watch five crows flit around from tree to tree along my street. They break into peoples’ garbage seeking treasure. They yammer at the the doves and the blue jays yammer back at them. They swoop and dive, and turn their heads to look at each other, and to me, as I stare at them. They pretend to be scared of me, when I know better. They were here before me.

Yesterday I went skating, maybe for the last time, and played an age-old game on ice skates. Pretending that the patches of snow were obstacles, were pools of lava, my friend and I skated round and round them, ever tightening our circles in between and through them, forming curly-cues and slashes and ellipses and circles in skate marks between the snow patches. The snow patches, large and small, close together and far apart, became deadly territory that would turn you into a ghost if you touched them, and provided fodder for chasing each other, not too quickly, between them in a game of ghost tag. Ghost tag, so much like Pac Man, making me think of the way the crust crunched at Pizza Hut when I was a child: how greasy it was, and how all the windows were made of diamond shaped stained glass in clear and red. How we sat at booths together but snuck off to play video games at those strangely stalwart video game tables.

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These are the thoughts that cross my mind in mid-winter, in February, as the ice and snow melt outside, again. I learned my lesson last week, when a short February thaw had me convinced I’d be in sundresses in no time, only to be blasted by a fierce winter storm once more.

After the snow came roaring through, again, a few days ago, my friend and I drove down to Jordan Pond to assess the likelihood of skating. As we clambered over a snowbank, carrying skates down the path to the water, we crossed another, larger snowbank and were hit, full force, full frontal with 55 mph gusts of blowing snow. Wind so fierce that it blew ice crystals into your eyes. Wind so strong you couldn’t even look into it. Wind so loud it howled around and through your ears. Wind so tough that we both laughed and walked back to the truck; recognizing when to go home is a skill one learns during winter in Maine.

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Winter is drawing to a close: you can feel it in the air. There is a lightness to the sky, as if the sun is coming back. The birds are calling. The days are full of sunshine, when for so long, they have been so dark. There is a sadness in this: a loss. The darker times when all that is before you is you and your work, you and the tiny world that surrounds you, when the sun sets before 4 and all you can think to do is create; well that time is shifting and going away. The light is returning, flooding us with the recognition that soon, buds will burst open on tree limbs, grass will grow, crocus will appear in front of our eyes. Soon, the light will return and the sunsets will change, the water colour will, too, and people will return to this place that has been so quiet and lovely for so long. Flowers will grow, shoulders will be bared, times will change. People will change.

People already are changing: a nervousness is invading every cell of every person, causing each of us angst and anxiety, expressed in unique ways. Peoples’ eyes flit back and forth, as if they are watching for something. Some people draw back, into themselves, away from those that they have held dear during the darker months. Some people are planning, some people are counting down the days, some people are thankful for the retreat of the ice and snow.

Some people are waiting; listening for the ice to crack.

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Photodiary — Snowshoeing on Jordan Pond

“Well, I know now. I know a little more how much a simple thing like a snowfall can mean to a person.”

Sylvia Plath

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Last week we had a huge snowstorm here. Nemo, we were warned, was the storm of the century, but it turned out just to be about two feet of snow and lots of wind. The wind woke me up that night because it shook the house. I dislike sleeping on the second floor of buildings: I am more comfortable on the first floor, and this apartment is very high off the ground. At some points it felt as if the whole building was twisting around its center point, and I remembered how, in the old days here, they used to bolt the houses into the ground using ropes and later, cables, that were driven into the bedrock to stop the houses from blowing away during the gales. The coast of Maine: so wild, so windy, with its daily changing weather and unpredictable light, dark, air, stars, water. Last week, during the storm, the seas were up to 30 foot swells and the boats stayed in the harbor, lashed down to the docks with nylon ropes. The sea roiled and boiled and changed color to a darker winter green as it swooped all around our island. A storm surge of 2 feet covered the rocks and froze the grasses at water’s edge.

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After the storm had passed, and I had dug myself out of the driveway, I went snowshoeing for the first time, down at Jordan Pond, my favorite skating spot that was now covered in snow.

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This place is a winter wonderland, and now that I am no longer scared of winter, and know what it is, and how long it lasts and how different it makes you feel, so reflective, I love to go outside and explore how it changes from day to day. Each day is distinct: as if the environment switches, late at night, when we are asleep, like the screens in that story The Veldt. Each morning when I wake up I see differences in the snow, in the ice, in the light; I hear different bird calls and the shadows on the rocks have changed. The idea of Earth as Dynamic is nowhere more true than here: where you can watch the landscape change almost before your eyes.

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Here I am, just past the point of no return for winter, when the first hints of spring are peeping in the tips of oak trees in the forests….when the birds are singing more than they have for three months. In other places, plants are bursting forth, but for us, we have a while yet to wait.

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While snowshoeing, I paid attention to the snow, and noticed how much it looked like sandstone in the desert. The wind had licked layers of ice crystals and made beautiful dunes that reminded me of being at the beach in England, or in the desert of California.

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After snowshoeing on top of the frozen lake, on top of the powdery snow, I took a moment to snowshoe into the woods at pond’s edge and look at the trees. So much like the setting of a fairy story, this wintertime; I am constantly on the lookout for wolves, or harpies, or secret, magic people dressed in capes, or….something. Mostly, though, I see no one at all.

snowshoeing16snowshoeing15snowshoeing17“The clearest way into the Universe is through a forest wilderness.”

John Muir

Photodiary – A Foggy Day in January

This morning, the second day of warmer temperatures caused most of the snow to sublimate to its gaseous state of fog. (This was my first experience with sublimation, and as an ex-middle school science teacher, it was really exciting.) Thick, pouring fog descended down from heaven and up from the roiling surface of the ocean and filled our tiny town with beautiful whiteness. White fog on top of white snow creates an incredible environment full of silhouettes: trees turn from three dimensional forms to black two-dimensional forms set upon the landscape.

Early this morning, I took a walk down to the water.

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By the end of the day, the fog had completely burned away and the sunshine returned.

At dusk, the sunset was colored a bright marigold orange, smooth bands of color stretched horizontally out across the horizon. The ocean water was a continuous, deep blue, textured only with the bands of waves as the light wind played across its surface. The islands and trees were once again transformed into black two dimensional silhouettes, stark against the orange and deep blue. Standing on the deck of one of the Rockefeller’s summer houses, my boots deep in the remnants of snow, waiting only a moment lest I be caught, I watched the sun retreat below the horizon as one more day passed by.

Winter Begins

Marie Sioux – Flowers and Blood

“We take from life one little share,
And say that this shall be
A space, redeemed from toil and care,
From tears and sadness free.”

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I came here in June, sick and tired. I came here late at night, with a headache splitting my head in two: it felt as if an axe blade was lodged in the left side of my skull. My car was packed with belongings and I drove, forward, through the black night, past houses and the ocean streamed at my right side. That night I cried, cried, cried, and continued through days and nights as my head hurt and my heart ached at realizing I had made it away from a place of so much pain. After re-decorating that basement space that was mine, for a time, I stayed in bed for weeks, while shingles wracked my body, erupting on my face and eyelids and scalp, causing pain and burning and itching. As it healed and the nerves reconnected, I had a hard time sleeping because it felt like electricity was running through my skin. There were days when I would venture out to swim or to bike ride, and feel as if I almost had to crawl back inside the house, into bed, because I was so tired.

“And, haply, Death unstrings his bow,
And Sorrow stands apart,
And, for a little while, we know
The sunshine of the heart.”

Time passed, and I began to feel better. In time, I ventured out more often, and was able to plant plants in the ground again, and be in the sunshine, take walks, swim across the lakes. Late in the summer, after a confusing but exciting trip to the Yucatan, during which I learned how to make pie crust in the tropics, became a certified scuba diver, watched a hurricane pass by, and learned that a special someone was not who I thought he was, I worked in a large, open barn with wooden sculptures everywhere. I started the day by weeding the granite paths in a flower garden, and passed the day helping children paint boards and wooden fish, and painted my own things, too. There was a moment on the third or fourth day when my head came back — my mind came back to my body and I felt reconnected again. It had been months since I had felt that way.

“Existence seems a summer eve,
Warm, soft, and full of peace,
Our free, unfettered feelings give
The soul its full release.”

Time passed, and the fall began. I continued to work in the garden, weeding cosmos flowers and beets and kale and onions. I watched pumpkin vines grow in compost piles, and planted evergreens on a steep hillside and pondered how quickly lavender will grow in a place with such a short summer. I took drives in a 1970s Porsche into the hills of this island, and looked at fancy houses and ocean views. I housesat in a little house in Seal Harbor, where I had to walk one mile to the beach to use my cell phone and reconnect with those people in my life who felt, at that time, so far away. One afternoon, one of those days of golden light and warmth, I was standing on a roof deck of a beautiful wooden summer house on the top of a hill and looked out at the trees that grew all over the mountaintops, at the water of Somes Sound, and decided to stay.

“A moment, then, it takes the power
To call up thoughts that throw
Around that charmed and hallowed hour,
This life’s divinest glow.”

Staying is hard for me. I am more apt to run: I am the world’s most skilled runner. Adaptable to any situation, a great and hard worker, friendly, I can fit in anywhere. I can come and go, and do, quite often, if I am unhappy. I find ways to escape: I am an artist that way. I am the Queen of leaving. Committing to anything is, well, plainly terrifying to me, and the decision to stay here, while I knew it was the right thing to do (I had originally planned to be in Mexico and had sold everything I owned toward that purpose), was scary. I felt I had to hide a little bit, hole up and re-evaluate, re-group. I rented a beautiful apartment, and then left on a huge trip across the country to see everyone that I loved. I documented that trip here, detailing all the themes that appeared in my mind and my life along the way.

“But Time, though viewlessly it flies,
And slowly, will not stay;
Alike, through clear and clouded skies,
It cleaves its silent way.”

I came back, and fall passed quickly. The light changed, and faded away. It became dark, and cold. I spent much time walking and looking, looking and listening, writing and sitting. I made a lot of jewelry and tried to stay quiet. Christmas came and went, as did the New Year. Emotions ran the rainbow of possibilities: I felt happy, then sad, then elated, then scared, then passionate. Then suddenly, the miasma of the holidays, the painful memories and the excitement at that season, passed, and it was winter.

“Alike the bitter cup of grief,
Alike the draught of bliss,
Its progress leaves but moment brief
For baffled lips to kiss”

Winter is a new experience for me. I have no frame of reference for this season. Yes, we all have experienced “winter” wherever we live as a cooling of temperatures and changes in light, but Maine winter is different. Maine winter is quiet. Maine winter is empty: you know the people are here, but you don’t see them. You see evidence of them in the glow of windows, and the sounds of snow plow trucks trundling past your house. Maine winter is three feet of snow that sits for weeks. Maine winter is going ice skating on a lake that a month ago was liquid water; now you can skate across the surface almost silently, watching ice fishermen wait for their orange flags to bob down letting them know they have caught a fish. Maine winter is watching people in canvas tents in the woods, nestled around woodstoves, escaping their daily lives for a day or so. Maine winter is cold, and the cold is biting. It freezes your toes and feet, and your hands. The wind whips around your face and stings your eyes and lips and nose. Maine winter steals heat from your body as you walk, sucking it out of the top of your head if you, stupidly, go without a hat. Maine winter is long, and it just began in earnest.

“The sparkling draught is dried away,
The hour of rest is gone,
And urgent voices, round us, say,
“’Ho, lingerer, hasten on!””

For the last week or so, I have been taking an informal survey on “What Winter Means”. I have asked everyone that I know who has lived here for a while the same few questions: Why is it so different? Why do people go kooky after New Years? and Is it true that everyone will go nuts in February?

“And has the soul, then, only gained,
From this brief time of ease,
A moment’s rest, when overstrained,
One hurried glimpse of peace?”

I can tell you that winter is a lonely time, if one is alone. It is cold, and you want to cozy up next to someone to get warm. Winter’s coldness is felt inside your body, down to your bones and further inside. Winter is scary because, in January, you realize that it will be like this until March or April, but most likely, April. Winter draws out before you with the promise of ice and snow and bright sunny days and deep cloudy ones. Winter causes you to question yourself, and realize that you do not know exactly what will happen to you in a place of this much cold, this few people, this slow of a pace.

“No; while the sun shone kindly o’er us,
And flowers bloomed round our feet,—
While many a bud of joy before us
Unclosed its petals sweet,—”

On Monday, I rode in a small steel boat to the outer islands to interview to become a substitute teacher in a two-room schoolhouse for 9 students. The ride out was cold, but it had the hopefulness of morning, and the water was deep blue and turquoise green and the smell of diesel is comforting, in its own way. People kept busy reading their mail, playing games; I spent the time knitting and chatting when I could. First we stopped at Great Cranberry, and I looked at the pileons all covered with bronze seaweed and barnacles. We pulled away and across the straight to Islesford, where I embarked and walked up a narrow road, perfectly snowplowed. Snow two feet deep was on either side of me, and most of the houses, summer places, were empty. The field that, last summer, I used to play volleyball with two friends from Philly lay vacant, vast, white and empty. Everything was silent with the empty echo of winter: the sound of silence and of hunkering down. This is survival time. I spent the day in the school, visiting with children and adults and a dog named Ruby, and then took the same steel boat back to Northeast Harbor. The sun set over the mountains as we rode in, all orange and red and salmon pink over deep blue mountains. It was cold, colder than cold on that boat, and everyone seemed to be adjusting to it well but me. I walked up the gangplank to the harbor area and felt colder than I have ever felt. Walking into town, I began to panic thinking I would never get warm, or I would get sick again, or both. I slipped on ice and sank into snow, feeling colder by the minute. In that cold, your head hurts with the cold air, your eyes water, your hands and feet ache despite boots and gloves.

“An unseen work within was plying;
Like honey-seeking bee,
From flower to flower, unwearied, flying,
Laboured one faculty,—”

I went to a friend’s house then and bemoaned the cold and he laughed and said he was at least happy that I understood that he wasn’t kidding when he said the cold was serious. I sat, practically hugged, the woodstove, took off my shoes and socks and he handed me steaming hot coffee and eventually, my warmth came back and I stopped panicking about the winter, about the cold.

“Thoughtful for Winter’s future sorrow,
Its gloom and scarcity;
Prescient to-day, of want to-morrow,
Toiled quiet Memory.”

And just like that, the deep cold left us that very next day. The next day, the sun shone on our town and the snow began to melt and temperatures that were in single digits and teens all of a sudden were almost to 40. The snow melted into water and dripped off the eaves of buildings into the street, making slick patches of clear  ice, impossible to see but easy to slip on, and catch yourself before a fall.

“’Tis she that from each transient pleasure
Extracts a lasting good;
’Tis she that finds, in summer, treasure
To serve for winter’s food.”

Despite our warmer week, the winter’s chill has taken hold and taken effect on people. People are changing. I wish to record these feelings here so that I remember them in a month, when winter is really in full swing, and in its depth of experience. People are spending less and less time out, more and more time in their homes. I, too, feel the desire to curl up inside and surround myself with blankets and fabrics and sewing projects, and other creations of comfort. I seek to design and build things that reflect those aspects of life that I miss: warmth, light, plants, flowers. I dreamt the other day of a place where the plants are still growing, where leaves are unfurling and flowers are in bloom. I remembered the pink oleander in front of my old house in Austin that still grew and even bloomed, sometimes, in the winter of central Texas.

“And when Youth’s summer day is vanished,
And Age brings Winter’s stress,
Her stores, with hoarded sweets replenished,
Life’s evening hours will bless.”

So what will Winter bring? I have no idea what is coming toward me, except a distinct sense that my perception and interaction with my environment will become even smaller than it is now. It is hard to imagine that a year ago I was living in a large American city, and now my world has shrunken so. In the cold, even though the light is returning to us, I envision a time of watching, and waiting. My new motto is “don’t think, don’t feel, any more than you can help, don’t conclude or decide — don’t do anything but wait.” Henry James must have spent a winter in Maine as an outsider, and spent much of his time just watching how people’s restlessness magnified, how all people turned inward to the coziness of houses and hearths.

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***The poem cited here is Winter Stores by Charlotte Bronte,

a woman who knew the isolation of winter better than most.”

Two Thoughts

 

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Patience is not sitting and waiting, it is foreseeing. It is looking at the thorn and seeing the rose, looking at the night and seeing the day. Lovers are patient and know that the moon needs time to become full.

Shams Tabrizi

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TWENTY-NINE

Do you think you can take over the universe and improve it?

I do not believe it can be done.

The universe is sacred.

You cannot improve it.

If you try to change it, you will ruin it.

If you try to hold it, you will lose it.

So sometimes things are ahead and sometimes they are behind;

Sometimes breathing is hard; sometimes it comes easily;

Sometimes there is strength and sometimes weakness;

Sometimes one is up and sometimes down.

Therefore the sage avoids extremes, excesses, and complacency.

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In The Dark

“When things fall apart, consider the possibility that life knocked it down on purpose. Not to bully you, or to punish you, but to prompt you to build something that better suits your personality and your purpose. Sometimes things fall apart so better things can fall together.”

-Sandra King

Mid-tide at Clifton Dock, Northeast Harbor

There is a quiet in the air here, a solace of a sort. A feeling in the wind, especially at night, that soothes the soul after another day. The air is close but comforting, cold as it wraps around your face and body as you walk home. The stars, glimmering above, ever slightly changing with each passing day, twinkle down on a bewildered face each night as I stroll.

Seven Moons Passing – Susan Seddon-Boulet

When I first moved here, all three weeks ago, the quiet was an intimidating force. There was a huge part of me who, having spent my whole adult life in cities, was used to the white noise hum of cars passing by, of planes flying over, of doors closing and opening, of people talking and yelling to each other. I was used to the comforting noises of a city: the noises that let you know that the city is humming along to itself, the subway running beneath your feet as buses stop at bus stops, people getting off and on.

The first night I was here I noticed the quiet, and I noticed it even more as each day passed. During the first two weeks that I lived here, I suffered the feelings of loneliness and isolation quite intensely. Not knowing what to do, I took walks and made phone calls, sat in my house and knit shawls and gloves. I sat here, and wrote my thoughts down on digital paper. I looked out the windows at the quiet street, at the glowing windows of neighbors’ houses, and wondered….

Could I do this? Or shall I turn back?

A week ago at night, I left the studio when it had just become dark and walked to my favorite perch: Clifton Dock. I sat on the gang plank and watched tiny snowflakes fall around my face, the first of the year. The tiniest flakes, so soft in air so warm that they melted before they hit the ground, but yet, were there, swirling around my face tilted up toward the sky.

Walking through these quiet streets, especially at night, when I am alone and left to my own devices, has become a source of incredible, almost indescribable joy to me. When I walk up South Shore Road from Clifton Dock and pass all the beautiful, old summer houses that remind me of the houses in “The Great Gatsby” or “Sabrina”, and I look at their darkened windows and wonder where their owners are and what they are doing, I can dance, skip and spin down their road and no one can see me but the birds, the houses, and the trees.

I have never felt this sense of peace before in my life: my sense of self has always been full of many stressful emotions, at least as long as I can remember, anyway. I feel things very deeply, hence the large tattoo of an anatomical heart on my left arm declares to the world that I am one delicate, sensitive soul.

But once the loneliness faded, which it did, sometime last week, the sense of peace swooped in and took over. I spoke with a friend last night who is, hopefully, embarking on the next phase of her life in another, very different part of our country from where we grew from girls into the women we are now, and she made me laugh because she realized that her new town only has one coffee shop. I laughed because my town has no coffee shop, even though sometimes I wish that we did. Sometimes I wish we had a diner here, just a place to have food if you felt like going, a place like The Brick in Northern Exposure. But I digress….

One of my favorite teachers, who taught me my first skills in jewelry making, all those years ago, in San Miguel de Allende, Mexico, when I was fresh out of university and freshly married, twenty three years old and knew nothing, told me once that “perfection is a glorious accident”, so this morning, when I read the quote above, I realized, of course, that he was right.

Is this place perfect? No, of course not, but it is so close. Granted, I have no car right now, so that is a challenge. Granted, the winter has not really started and I have no idea what is heading toward me. Granted, I have been here for only three weeks, and your feelings on a place ebb and flow just like the tides that come in and out down at the dock. But…..

Lately, I have been surrounding myself with nature and with art. Without my daily walks, my days feel strangely off, as if something is missing. During these daily walks, I look at things and take photographs. Yesterday, I took this one…

Inspiration comes from the strangest places…..

Last night, I was working on earrings that were inspired by my walk down Sargent Drive the other day: one is inspired by lichen on rocks and the other by grasses growing along granite boulders. Today I will go in and start making some bracelets inspired by the shapes of the pilings in the photograph above. I have my first show in two weeks and am aiming to be ready….it is difficult to look forward and realize that this is what I want to do with my time, all the time, that there is nothing that has made me happier than the process of finding a voice in metals that has come over the last few weeks, in the dark, in the solitary time.

Northeast Harbor Fleet in Autumn

Photodiary – Sargent Drive

Sargent Drive is a scenic byway on Mount Desert Island. It is one way to get from the main road to my little town of Northeast Harbor, and, to me, is the most beautiful road on the island. It is one of the reasons that I wanted to live in this town: so that I could drive up and down this road every day if I wanted to.

Where does inspiration come from?

The other morning, Monday I think it was, I awoke and it was a bright, autumn day and I dedicated the day to art. I walked the two miles to Sargent Drive and sat on a cold, granite boulder on the edge of Somes Sound for an hour or so, drawing and waving to cars as they drove by. At the end of my time there, I decided to take photos as I walked back home. All in all, 4 and a half miles, almost three hours of time, lots of great songs and wonderful photos that inspired me, tonight, finally,  to create beautiful pieces of jewelry that come from the natural beauty of this island….

Tall and Quiet

Atlas Sound is winter storm music to me….

“With all her worldly possessions in one small pack, the Fool travels she knows not where. So filled with visions, questions, wonder and excitement is she, that she doesn’t see the cliff she is likely to fall over. At her heel a small dog harries her (or tries to warn her of a possible mis-step). Will the Fool learn to pay attention to where she’s going before it’s too late?”

Picture this….the first winter snowstorm hits at about 8 o’ clock last evening, and a certain burgeoning artist has just come up with a beautiful design for earrings patterned with dried hydrangea leaves, made in silver and gold. All is well, music is playing…she steps out of the studio door at about 10 and everywhere is covered with the fine, dusty snow of late autumn, about a half inch or so covers every surface, step, car. She steps out wearing her trusty black cowboy boots, patterned brown tights, a new-to-her pink-and-black wool skirt, scarf, coat, and hat, while clutching a giant potted fern that was gifted to her earlier in the day and her usual waxed canvas bag of tricks…

Down the steps slowly, cautiously, she walks out and up Summit Road on her way home. The snow is coming down furiously, the wind is howling up and down the road in giant swirls of cold air. The snowflakes hit her face and eyes and melt, making it a bit tricky to see, but up the road she goes, clutching this giant houseplant and making sure not to slip on the steadily more slippery ground. A car passes as, for a minute or two, she stands in the middle of the road not exactly sure how she got to this exact present moment. She wonders if the people in the car are wondering the same thing. Continuing to walk, she gets home and finds a home for the giant fern; unpacked it expands to something like four feet across as it used to live in a huge summer house of someone much fancier than she. It dwarfs the floor next to the window and the antique brass lamp but she leaves it there anyway because it looks hilarious: like a giant, hairy green muppet or something. She makes cocoa, stares at the snow, and goes to sleep.

My new-to-me car has completely broken down and turns out was a bad, bad, bad investment of capital. I intend to go, today, to try to get that capital back….but of course, that is a gamble of a sort. Last night, I decided that if I am not meant to have a car for a while, perhaps I will just be the lady who walks.

Or maybe I will find a pony in a snowdrift?