The Year of Magical Thinking

I just started reading this book, by Joan Didion. She physically (and, as I read, emotionally/spiritually/whatever) reminds me of my friend Meredith, who I lost almost nine years ago. I was inspired to write to her, as I do often talk to her, in the garden, on the patio, gazing up at the stars and the clouds of Milky Way on dark, dark nights. Please bear with me as I write to her here, and no doubt jettison us off somewhere.

I was thinking about you just now, as I was reading the second chapter of “The Year of Magical Thinking”; have you read it? When I think of you, and of Joan Didion, I think of women very physically similar: tiny, thin like birds, blonde hair, great style, strong wit, indefatigable intelligence. But you were you and she is Joan Didion: after all, there is a Netflix biography on her, when, sadly, there is not one on Meredith Farmer. If I were to see Joan Didion at the supermarket, if I didn’t already know who she was, I would see someone like you: a middle-aged lady with simple elegance, beautifully-colored hair, probably looking with disdain at something in produce, ever in judgement of all the “normal” things.

You’ve been gone almost nine years, and life has ebbed and flowed and changed, moved around, wiggled, metamorphosized a wee bit (as my grandma would have said: she now gone 15 years, and that, another story). Ultimately, though, life is still the same: I am just more skilled at handling its curve balls due to experience and therapy and probably, my friendship with you.

There was a night about  6 years ago when I chatted with you off my front porch in Northeast Harbor, Maine, when I lived in the Dollhouse (or the Fishbowl, depending on who you asked) : the tiny house on the town parking lot in which my comings and goings were very public knowledge and everything in the house was so small. My closet was a pole that hung at the end of the bed, and the shower felt like I was hosing myself off on a dock somewhere with hot water. But, it was $650 a month and the landlords were dolls and I walked to work and to get breakfast sandwiches at Ben’s, and I had a wonderful, small garden of unruly morning glories that threatened to take over the house! I had many memorable conversations on that porch, on the picnic table that I stole from someone’s trash and Dan Bondo‘d so that it would survive, and I painted Seal Harbor Green after JRa and I put in the new path up to the front door, made from stone dust that we bought mostly drunk one day from the quarry in Trenton. That was where you and I talked, formally, the last time. Informally in between, many times. I don’t know what we talked about, but I am sure that I asked you questions and you laughed at me, in a loving way.

I remember, at your funeral, there was a slideshow of pictures of you. My favorite was a photo of you in college, cigarette in your right hand and an ERA button on your left lapel. Your hair was strawberry blonde and you looked so damned engaged. I feel, I wonder, do we lose those feelings as we get older? Do we blame husbands/partners/kids and is that bullshit? Is it just projecting like everything else: an excuse to disengage, to check out? What do you think?

I see you smiling. I feel like you are at the pool right now, but perhaps that’s just because I read a chapter in which Joan Didion describes her newly dead husband as having a daily routine of reading in the pool (reading “Sophie’s Choice“, no less) while she gardened, and of course that made me think of my small 8 foot cattle waterer pool that I bought after doing some work for the old lady next door and now I share with Cody almost every day, sometimes several times a day, despite his almost constant chagrin with me about how I let the leaves and flowers and bugs in, and he doesn’t.

Such is married life, to someone I am actually married to, rather than the first one, that you bore witness to, or to your 2nd, as I bore witness to. Marriages, men, children, time: rental houses and the houses we “own”. All the stuff within those houses, the boxes, the moving, the priority of sorting out the kitchen, the living room, the bedrooms. The conversations about Mama and Daddy and who built Mansfield Dam, what the role of all the boyfriends and husbands actually were. I look at your Carnival Glass dish, blue with a sheen of multi-color on it, as if it is coated with oil, all the time: I think of you wryly smiling at me, or of that day we went fishing on the dock of my neighbor’s house on the Croton River, when Steve and I lived with Brien and you came to visit and told me I was a witch because my garden grew so well!

I think, in the end, that the boyfriends and husbands are not as important as the memories of people as unique entities in and of themselves. I remember you as such: and think of you this way often. I find it funny, sweet, sad and ultimately, joyful, that you still are such a part of me: that we still talk. I wish you could see where I am now, as it is a very nice place (and the pool is pretty nice, too) and you would like Cody a lot. You would laugh at both of us, in a loving way.

Rest in peace: I miss you. Love, Patience

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Heart Shapes

I have been being a snoop today. I like being a snoop, and am one of those people who is guilty of looking in peoples’ medicine cabinets and awkwardly moving around homes at parties gazing intently at curios and especially, photographs.

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“Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.”
Brené Brown

 

This is what I did today; in the somewhat vain attempt at unpacking, I found myself snooping in one of Cody’s boxes that is full of old photo albums. Two baby books filled with sweet notes from his mother and photos in that classic 1970s sienna tone. The photos are of a blonde baby who looks remarkably like two of his nephews, Paul and Dominic. There is also a scrapbook of his first three years, filled with more photos and birthday cards. Then there are a few more photo albums. Two are of old family photos that range from baby Cody to teenage Cody, photos of his parents and grandparents. His mom had brown hair then, blonde now, cut in that poofy 70s/80s style that I think all of our moms wore. There are photos of his father cradling him as a newborn, in the exact same way that he later cradled his own son when River was born in 2004. In those photos, you actually couldn’t tell but for the age of the photographs that the man in the frame is his father and not Cody, for when River was born, Cody cut his hair short and clean in the same style as his father’s when he was born. Little Cody peeks out of photos, holding fish on fishing lines, dressed up in terrible Halloween costumes, sitting next to his father and mother and grandmother, posing on the trunk of a very old, silver Honda Civic. His father so young, and Cody so small: the family resemblance between the two is so strong. They share brows and shoulders, height and lankiness. Later, Teenage Cody begins to look as he does now: very tall, thin, with long-lashed eyes. Those long lashes show up in one photo from when he must have been about two.

There are also photo albums from later life, from when he moved to Austin in 1998. Cody out with friends, on the road to Albuquerque and Amarillo, and photos of the highways in between. Photos of him in Amsterdam with an old girlfriend who looks very sweet and very 90s in her baggy pants and oversized t-shirts. There is a photo of Cody from when he was building his first tattoo shop, when he was 25, and he looks almost exactly as he does today: glasses, beard and mustache, t-shirt, jeans, tattoos from tip to tail.

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Living with someone versus dating them and spending nights at each other’s houses is so different: all the cards are out on the table. All of each other’s strange little behaviors are on full display for each other to eke out over time; learn to tolerate, appreciate, and love. Cody puts a paper towel under the french press every morning while he makes coffee and it makes me crazy because it makes no sense. He apologizes almost constantly, seemingly just for moving around. I keep telling him he doesn’t have to do that. I wonder what things he notices about me that bug him, but he appreciates because they are mine, all the same.

In a set of the photographs, I saw the houses he lived in a tpwn in rural Louisiana, when he was learning to tattoo. There are photos of his first tattoo on an orange. There are photos of his Uncle and Aunt’s house, surrounded by potted plants and 5 gallon buckets of soil. This photo shows me why he collects so many plants and 5-gallon buckets of soil. This behavior of his ties back to the past, gives him some sense of continuity of time, perhaps. There is a photo of him in front of the school bus he lived in during his time in Louisiana, dressed up in the same leather coat he wears when it is cold, in front of a cook-fire. Cody loves cooking on an open fire. There are photos of his grandparents camp house in Center, Texas: an old, white trailer with a deck in the front. There are photos of the back porch with his mom and dad and grandmother. Little did I know that by looking at those photos on a quiet, rainy day in July (thanks be for the rain!) that I would learn so much about the man who I thought I knew the most about: the man who has become my best friend and my companion in this life.

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A few years ago, during the time when I was at the beginning of my “nervy b”, as I like to call it, I culled through hundreds of photos, scanning some and throwing away the rest. I used to have two photo albums but I don’t know where they are anymore. In some ways, during that time, I chose, albeit with a frame of mind that had a distinct lack of clarity, to literally throw out much of my past evidence. Today, I realized the sadness in that is that not that the things are gone, and neither the memories, but the signposts are no longer. Perhaps we hold on to objects not just because they are precious but because they help us re-establish that continuity of time in our own lives. Perhaps if I still had those photographs, I could remember better the times in my young life when I was friends with a boy named Eric, son of my mom’s best friend Pat. We used to do things all the time, dress up, ride horses, be really silly. Eric now has schizophrenia and lives in Florida: I wonder if he remembers anything from that time, at all?

I got rid of almost everything I owned, sold it to strangers and left it on a street in Philadelphia to be combed over by neighbors from countries near and far. I used to have a bag of my great-grandmother’s hand-made lace. Where is it now? Not that it matters much, really. I suppose I am mulling over my own rejection of my continuity of time. At that moment, in the years between 2012-2014, I was so ashamed of myself and my decisions that I threw all evidence of it away. No wedding photos, and all evidence of Steve is gone except a box from China his father once gave to me. Even my wedding ring is gone, and I stuffed my wedding dress into a trash can on the back porch of that house in Philadelphia.

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Here I am, today, in 2016, going through boxes of my own and of Cody’s, as we piece together a new life in a funky house in Dripping Springs, Texas. I grew really sad during my perusal of photographs today, realizing that whatever I had that was like these objects before me, I had destroyed in mad, sad intention. It’s true that my parents have a treasure trove of photographs, so I need not really worry about that specifically, but it’s like I am looking back at these last few years and wondering about putting together the events in a chain that makes sense and represents my memories. I suppose that is what this writing project is all about: a memoir, the establishment of the story after many years have passed.

I love Cody for many reasons, but one of the main ones is his ability to recognize his own painful life events and hold on the positives. He has a very good sense of perspective and being present. He isn’t perfect, and neither am I. This morning I hung a bamboo shade of his on the window in the living room. It has a giant batik of butterflies on it, and it used to hang in the front window of his first tattoo shop on Burleson Road in south Austin. I remember staring at it during the hours of talking and tattooing that were the beginning of our long-standing friendship. And now it hangs in our house: the home we are building together, doing our best, muddling through, baring it all to each other, every day, and every night.

“What happens when people open their hearts?”
“They get better.”
Haruki Murakami, Norwegian Wood

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There Is A Field

“Your task is not to seek for love, but merely to seek and find all the barriers within yourself that you have built against it.”
Rumi

 

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Kate Bush – This Woman’s Work

Doors open, and doors close. There is one door in my life that I seemingly have cared about over all others that occasionally peeks open, as if wedged outward upon its tight hinges and overly-secure lock. Light peeks out, love even, if only for a moment. And then, it inevitably closes, tightly, lips pursed, as if the opening never occurred. At this time in my life, it is the first time that I have felt that its closing is not my fault.

“Out beyond ideas of wrongdoing
and rightdoing there is a field.
I’ll meet you there.

When the soul lies down in that grass
the world is too full to talk about.”
Rumi

 

 

 

Snippets from Steepletop

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First Fig 

MY candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends–
It gives a lovely light!

Second Fig

SAFE upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!

The Singing Woman from the Woods-Edge

WHAT should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend’s god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave’s weedy ebb
As flashes in the meshes of a mer-mother’s web,

But there comes to birth no common spawn
From the love of a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all’s said and after all’s done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.

And there sit my Ma, her knees beneath her chin,
A-looking in his face and a-drinking of it in,
And a-marking in the moss some funny little saying
That would mean just the opposite of all that he was praying!

He taught me the holy-talk of Vesper and of Matin,
He heard me my Greek and he heard me my Latin,
He blessed me and crossed me to keep my soul from evil,
And we watched him out of sight, and we conjured up the devil!

Oh, the things I haven’t seen and the things I haven’t known,
What with hedges and ditches till after I was grown,
And yanked both ways by my mother and my father,
With a “Which would you better?” and a “Which would you rather?”

With him for a sire and her for a dam,
What should I be but just what I am?

The Prisoner

ALL right,
Go ahead!
What’s in a name?
I guess I’ll be locked into
As much as I’m locked out of!

The Edna St. Vincent Millay Society

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Reflections in Memory

We took a walk on the beach one day, in the summer. It must have been late summer because I remember the slanting sunshine: the warmth of it. We walked along the beach in Salisbury Cove: the part of the cove that would later be left behind for the quieter end, off Old Bar Harbor Road. My father and I, probably five or six years old, walked the beach.

The beach in that part of the world is gray with shale and rusty with ironstone. The stone forms in thin layers and is cracked into a thousand million pieces with the roots of trees. While they crack the stone, the root hairs also hold its myriad pieces in space, braving winter’s storms and the shrinking-expanding process of freeze and thaw. The beach itself is made of tiny to large pieces of stone, too many to count. There is no sand here; the closet thing is tiny pieces of basalt that have been tumbled and thrashed for eons. Here and there are pieces of kelp, ends of rope, bottles, a jellyfish or two, sea urchin skeletons and so many mussel shells. Mussel shells are demure on top: brown, black and white, but reveal indigo or lavender pearl inside. I have always loved them and they were my brother’s favorites when he was a little boy. I have many memories of Carew carrying mussel shells by the dozen back to our cottage.

On the day of the walk, my father and I sat on the top of what seemed like a very tall rock, out on the edge of the beach. I don’t know how long we sat there, only that it was warm. Over time, the tide came in and separated us from the beach. In reality, the water was probably 2 or 3 feet deep, but I couldn’t cross, and my dad hoisted me onto his shoulders and carried me to the beach, to safety.

My father has many stories. When I was studying for the GRE, which I never used for graduate school, I learned a word, legerdemain. Meaning slight of hand, I always thought it applied very well to my father. He is a gifted storyteller who holds his own cards tight to the chest. He plays no personal hand: very little is divulged. He is like the Wizard of Oz, hidden behind a curtain.

During the process that I related to readers here, I realized that I had held guilt as my definitive characteristic for twenty years. It took hard and heavy realizations to see that I had to let that go in order to be happy and be in my present reality. It took risk and resulted in reward, but the path was frightening and new. I think that guilt such as this is ultimately useless, and a barrier between ourselves and those who would really love us. Nothing anyone has done, save very few barbarous actions, could result in someone not being worthy of love from those who choose to do so.

When I think of my father and his life, I can see a life of a world traveler, an instructor, a bridge jumper, an oil man, a golf player, a Mercedes lover, an eldest son, a highly sensitive person, a Vietnam veteran, an alcoholic, a rage-oholic, and a depressive. But despite all of that, my father is worthy of love. However, it would seem that he believed he was not, and so acted out so intensely as if to prove that fact. My mother, my brother, myself, his friends and his family are here to prove that otherwise, despite his faults.

I gave myself and was given forgiveness by those who love me. Forgiveness, like commitment, is freeing and highly emotional. It is the letting go, of staring off into a space of love and friendship, and stepping out into the mystery. As my father sits in the television room of my parents house, on the quiet side of Salisbury Cove, staring down at a coastline that we once walked, I hope to say to him: “I love you. We all love you. You have done nothing to disappoint anyone. There are no mistakes. This is the time to think about all the stories, all the adventure, all the things you have to be thankful for. Let it go. You are loved.”

From Both Sides Now

It is a strange but comforting memory.

It is made of a wooden door with glass in the front, and squeaky stairs that go up, and then an old jukebox bathed in amber light, and lastly, an ice cream counter. It is a place in Galveston, a town about an hour south of Houston, where my family went together many times when I was a child.

There was a store there that sold imports, I think. It had wooden bins full of little things like beads. It had shelves on the walls with fabrics folded upon them. In this store, just after my grandfather died, I was wandering around and looked up to see a very white haired man in a button up, loose-fitting, short-sleeved shirt, wearing glasses and a camera hanging from his neck. It was my grandfather, and by the time I looked back at him, upon recognition, he had, of course, disappeared.

Galveston has a long, tall, cement wall that stretches along its seashore and was built to protect its citizens from damaging hurricanes, like the one in 1900. Some parts of it are painted with murals. Some parts of it are dotted with seashell shops, which sell lots of seashells not native to Texas at all, and many of those pretty shell chandelier-hanging lamp things. I always wanted one of those.

When we had the dog, Bear was his name, we would take him to the beach and he would run around. Once, my cousin Bruce came to visit from New Jersey, and he took Bear way out into the water. The dog panicked, and clawed Bruce’s back to bits trying to save himself in Bruce’s arms.

We used to stay in a beach house on the Bolivar Peninsula that belonged to our family’s lawyer. It was a brown house, made of wood, on stilts, and, at night, you could go out to the dunes with a flashlight and hunt ghost crabs. One visit, we discovered that the house had been robbed and things tossed about, as if in a storm. The two policemen who came demonstrated to us, flabbergasted, how they thought two people had gotten into a fight and thrown each other around. My parents didn’t agree with the theory, but I don’t remember ever staying there after that.

When I look back at time, and try to piece the story together, as I have been wont to do of late, I have been looking back to see when the family functioned well and when there was evidence of happiness and contentment. I think it ended just before my grandfather died, when my parents lost their house, their car, and many of their possessions. We moved into a small rental house with a duck in stained glass on the door. I lived in a tiny room, which I loved, and I had curtains around my bed. I used to sneak out of the huge window and go and walk in the park, later whilst smoking cigarettes.

Today is the anniversary of the Oklahoma City Bombing, a time I only remember because I was in a Texas History class at Knox Junior High School when it happened. My teacher was not a good teacher, but did have a slight obsession with Dan Fogelberg of Creedence Clearwater Revival. The only three things I remember from her class were Dan Fogelberg, the Oklahoma City Bombing, and learning a computer software that, I think, was some precursor to PowerPoint.

During that time, I have very few memories of my parents together or apart. I remember being alone a lot. I remember my brother playing with all the kids in the street all the time, and that once we had a massive, neighborhood-wide pinecone war. I remember doing my homework on a blanket in the front yard, and waving every day to the same lady in the same car. After a bit of time, she stopped and introduced herself. She was Irish and lived down the road a bit. I went to her house for tea. She became a great friend to me and we would talk and have tea; I remember she had a wonderful tea towel collection. I remember my mom coming to pick me up there one evening.

That time is shrouded, and soon after, we moved into another house, the one in which we lived when I graduated from high school. Come to think of it, that was the house with the large window from which I snuck out. All I remember of that time, in the house with the duck on the door, is darkness (it was a dark house). I remember my dad being in the bedroom all the time, and I remember not understanding why there was no one home and it was hard and dark, scary and confusing. I remember buying groceries for the family at the grocery store, and coming home to put them away. I remember doing laundry, and making sure my brother was all right. I remember getting into wearing vintage corduroy mens’ jackets. I remember catching the bus. I remember that sweet old neighbor, whose name I have forgotten.

 

No More Leaving

No More Leaving
 
At
Some point
Your relationship
With God
Will
Become like this:
 
Next time you meet Him in the forest
Or on a crowded city street
 
There won’t be anymore
 
“Leaving.”
 
That is,
 
God will climb into
Your pocket.
 
You will simply just take
 
Yourself
 
Along!
– Hafiz

 

It has been a couple of weeks since my last post and since my discovery of what had been bothering me all these years. I feel as if some dark glasses or horse blinders were torn off my eyes and thrown across the street when that discovery hit me. It is so strange to me that we can tell ourselves these stories about ourselves for so many years without actually being forced, by our minds and hearts and new experiences, to reflect upon them in an active way.

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For the last several years, I have been looking into the effects of traumatic experiences on myself and on others. I have discovered that many of us, especially as we get older, in our mid-thirties for example, have developed elaborate defense mechanisms and intimate pitfalls. So many of these are not obvious to anyone, even ourselves, until, if we are lucky enough, our eyes are opened and we can re-open the Pandora’s box of emotions to see whether what is in there is serving us, anymore.

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When I think of the delicacy of the human heart, I like to think of the Egyptian mythology of, when one dies, that one’s heart is measured against the weight of a single feather. I do think that the human heart is just that light, just that easy to shatter. But, the other side of the coin is that we, too, are remarkably resilient, like the trees that I spend so much time gazing upon. Despite the myriad fractures and sometimes breaks in the surface of the heart, we keep on keepin’ on, living from day to day, month to month, year to year. Perhaps the scarification of those fractures are what the defense mechanisms are, the fears, the caginess, the aversion to risking one’s poor, suffering heart.

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It is like crystal, like the petals of a poppy: translucent, and easy to bruise.

I think the sadness of being out of touch with one’s emotional pitfalls comes from the realization that most people are genuinely good, and want to love and care and protect and enjoy one another’s company. It’s almost as if adults live in the center of a long, winding labyrinth with doors along the way. All the doors must open, eventually, and whatever obstacle that lays beyond them must be acknowledged and explored. For if not, I would imagine, you end up rather like someone whose fears have become her/himself, and the real person inside is just lost.

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An unexamined life is not worth living” – Socrates