Leaves beginning to disintegrate in the waning sunlight…
“The first week of August hangs at the very top of the summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. “
And here we are, again, another ending to another season: summer.
Morning glories on parade!
Tonight I walked out of the restaurant with another week of summer under my belt. Summer, to me, has meant non-stop working: smiling, helping, bringing, doing, aquiesceing to peoples’ desires. Summer is a season of wants, sometimes fulfilled. Summer is a season when the population explodes: when your always sleepy town is transformed by people strolling in pistachio green or salmon pink trousers, people stopping in their cars or at least driving ever so slowly, as if creeping along a new road that has yet to be discovered.
Hidden views from Rockefeller Gardens
Whilst driving home, I noticed the outdoor temperature was 49 degrees: 49 degrees! Ever so cold for August; ever so cold for a girl who lived most of her life in a place when if it was less than 100 degrees in August, those types of low temperatures were considered a reprieve.
End of summer sunset from the Islesford dock
I have been writing here for almost a year: so much has happened over the last ten months. Most of the discoveries of the last almost-year have been reflective in nature: never before did I give myself the latitude of place to have time to think. This morning, when I woke, I noticed that the sun that daily streams through my front windows has bleached out my rendering of Shel Silverstein’s “Hector the Collector”, which is written in my slanting hand on the inside of a greeting card with the blazing emblem of “Let’s Get Drunk and Eat Waffles” on its cover.
Even lilies become caught in late afternoon misty rainstorms
My little house, so filled with light and creative projects, has been transformed from the tiny cottage it was when I moved in, to a jewelry studio with a small kitchen and bedroom. Everywhere, every surface indicates that an active artist lives here. The floor, messy, is covered with bits and bobs, the kitchen table-now-work-station is covered with silver wire, stones, pliers and projects halfway completed. On the counter lie Queen Anne’s Lace blossoms, drying in the salty air. On the floor below is a skateboard-cribbage board, now decorated with insects from the 1800s. In the window hangs an Egon Schiele print, some prisms, a steel block or two, a slide from a Magic Lantern, tins filled with magical objects of a lost art, a sea urchin skeleton, and some antique steel components that once belonged on the drawers or in the doors of someone, somewhere far away.
Stucco rusting, dripping, disintegrating
To the right is a tiny antique shelf from Germany, or maybe England, although its rendering of wildflowers makes me think of Heidi, up there in the mountains of Europe. On the shelf lies a strand of ivory: Indian, not African, brought to me by my father when I was a little girl, before ivory was entirely illegalized. Within the curves of the ivory necklace is a stone box, with a magnetic clasp. Inside the box is the surprise of cicada exoskeletons, their bodies green and wings a plastic, black, threaded delight of perfect cells, and the dessicated body of a hummingbird who once flew into the windows of the school in which I taught. He flew into the glass, hit his little head, and fell to the ground, dead. I put him in a tin of salt, and after a time, he became what he is now: an artifact, a beautiful, scary thing that will stay for all time. His feathers shine green and black and grey and brown: a miracle of suspended iridescence.
Gateway in the rain
One of the things to appreciate in this grand scheme of turning time, this period of peace and quiet and loneliness, for it is that to be sure, are the stars. Glorious and reaching, they spread from horizon to horizon on nights like this. Wherever you look, there are stars, and the backbone-like fuzz of another arm of the Milky Way Galaxy. A galaxy so far, far away, yet we are a part of it and see only the tiny fraction of what is ours, what is our own neighborhood, here from the surface of planet Earth. Tomorrow when I awake, again it will be sunny and the sunshine will glitter like shimmering pellets on the water’s surface. Again the water will be deep blue, and the sunshine gold upon it. Again will I wonder at the beauty of this place, the stillness coupled with unfathomable dynamism: this place of daily change, of growth, of beauty, of solitude, of trees, water, and earth.
Sleepy Lisianthus, reflecting cloud cover and covered with an afternoon dew