My Odes to Grief

“I used to be a great and powerful man”, my father said to me the third-to-last time I saw him, in October of 2021. I walked into his room and he looked so old: white as a sheet, with slightly pink skin, hair all akimbo, eyes wet with tears. He spent those last few weeks crying so much of the time.

I said, “you ARE a great and powerful man, and you know as well as I do that strength comes from here” (pointing to his heart) “and here” (pointing to his head). He apologized for crying and I said, “well you know me, I am the most emotional person in the world and I cry all the time“.

He would die about 6 weeks later, about one week after speaking to me oh-so-clearly on the phone from his hospital bed in Bar Harbor, Maine for the last time.

I have had a hard time writing lately. I am not sure if it is the pandemic, the death of Cody’s grandmother who lived with us, teaching during the pandemic, graduate school, the nonstop droning length of COVID19, or my father’s death. But now, I am faced with two immediacies. I am gripped by grief: it is holding on to me something fierce and fast. It will not let go. People keep telling me just to “let it all out” but I am afraid to let it all out lest it consumes me and renders me a puddle of tears on the floor.

Those people who know me or my father, Michael Blythe, know that we had a very difficult relationship. He was a difficult person; he was highly intelligent in all areas except for emotions and communication. He was afraid of emotions and so diluted them, and he was afraid of communicating his emotions so he covered them with anger and rage. Ask his friends, the breakfast crew, about how much they loved him while recognizing the fierceness inside.

At the same time that my dad died and I came to understand the grief of a child for her parent, specifically the grief of a daughter for her father, especially a daughter who is so like her father minus the rage and anger, one of my best friends, my sister, really, has taken a turn in her cancer journey and now is in the hospital, breathing with the aid of oxygen, and worrying us all very much.

Death comes a-knocking. We must welcome it as an old friend, as one of the only guarantees of this life, and yet, we don’t talk about it because it is so frightening and so utterly sad.

I was speaking to a friend last night about my feelings of grief. She said, “you aren’t writing”. I said, “I know. I am afraid”. She encouraged me to start again.

I feel I am of two minds. One of them is rational and logical and understands that everyone dies and that it is ok. That brain says: everything in life is fine, and it is just sad that you can’t talk to your father anymore. The other mind is a tiny animal with gnashed teeth and sharp claws whose heart is outside her body. I had an internal analogy at first that I was a reverse pincushion; instead of the pearly ends facing out to protect hands and fingers, my sharp ends were facing out to catch me, gouge me deep, and feel the horrific bottomless pain that is losing your father.

The night that he died I stayed up so late, drinking a whole bottle of wine by myself over the course of a long evening (this was when I thought that alcohol would help: turns out, it makes everything much worse). I spent the evening looking at photos of me and my dad, especially of photos when I was little. I looked at photo after photo and I began to ask myself: what did we even fight about? I could not answer the question; I still do not know. I think it was that I was a headstrong teenager, and he was going through a crisis after losing his job, and those two storms met head-on and became thunderclouds that brewed for twenty years. I am so blessed that we smoothed those clouds out the last three years, he attended my wedding to Cody, and we talked all the time. I am so thankful to Cody for showing me the importance of healing my relationship with my dad, because he had lost his many years before, and was, like me now, always wishing he could call him.

The night he died I cried and cried. I felt like I was drowning under a heavy wave of water that would not let me up. I felt I was on a cliff’s edge about to fall. I felt a huge weight, like a stone, on my heart. It pushed deeper and deeper down and in, like what I imagine a black hole does to matter: I was collapsing. I went to bed at 2:30 and my mom woke me up at 4 to go to the hospital. I went downstairs and sat on her couch and said, “pull yourself together, kid. You have to drive your mother to the hospital where her husband has just died”. I said, “I am driving you to the hospital”. She said no. I said, “yes, I am” and she handed me the keys. We arrived at 4:25 and he had passed just a few minutes earlier at 4:19.

In that room, he was so peaceful, laying slightly to his side. His face was pink, pinker than it had been anytime over the last few months. When he finally was medicated for pain, he received so much medication that the nurses told us he must have been suffering for a long time. This was no surprise: he was always a pain in the ass about admitting anything was wrong. The nurses had cracked the window to let his soul slip out into the air, up to the mountains, out to the sea. He was so peaceful. He never had been so in his life. I sat next to him and smiled. In my mind, I said, “Daddy? Where are you? Are you on a plane? A ship? Traveling somewhere first class on an adventure?” I suspected so, and still do.

Grief is grabbing hold of me and won’t let go, and one of the only ways I have ever found to discover what I really feel and am thinking about is through writing. I also know that writing about death is hard for others to read, but perhaps that can change. Another friend and I were talking today about our friend in the hospital, and she told me that she envisions me as someone who writes and gardens, gardens and writes. In other words, she was the second angel to appear with the same message: write, Patience, write.

As I walk through the stages of grieving my father, experiencing an immense, tangible, and tragic shift in the public schools in which I have worked for 16 years, and support my friend who is also, perhaps, transitioning away from this reality into another one, I will write it all down. I hope you will join me.

Thanks for your patience.

Gloriousness & Wretchedness

Fear

“Once there was a young warrior. Her teacher told her that she had to do battle with fear. She didn’t want to do that. It seemed too aggressive; it was scary; it seemed unfriendly. But the teacher said she had to do it and gave her the instructions for the battle. The day arrived. The student warrior stood on one side, and fear stood on the other. The warrior was feeling very small, and fear was looking big and wrathful. They both had their weapons. The young warrior roused herself and went toward fear, prostrated three times, and asked, “May I have permission to go into battle with you?” Fear said, “Thank you for showing me so much respect that you ask permission.” Then the young warrior said, “How can I defeat you?” Fear replied, “My weapons are that I talk fast, and I get very close to your face. Then you get completely unnerved, and you do whatever I say. If you don’t do what I tell you, I have no power. You can listen to me, and you can have respect for me. You can even be convinced by me. But if you don’t do what I say, I have no power.” In that way, the student warrior learned how to defeat fear. ” 

Pema Chodron

Dandelion Flowers Wallpapers 05

Fear sat behind us on a beige couch as we ate dinner together at a short table. Fear sat and watched, and waited for us to notice its presence as we talked and laughed and touched.

Into the kitchen, it followed us as if it knew that one of us would look up and see it staring us in the face. It had been a glorious afternoon and evening. Fear stepped in and overtook a simple request, twisting it into something with a meaning it didn’t really have. Fear caused silence and a lack of joy: it caused confusion and awkwardness and a smidge of sorrow. Later, in bed, it caused us to turn away, and later still, to miss each other somehow, and to drift away.

What happens when fear drives the bus? What happens when it overtakes simple affections and communication and steers us away from each other? All too easily can this happen, and sometimes, only a couple of hours or days of clarity can help shed light on something so murky as those feelings of: Will s/he listen to me in the future? What is happening here? Is this meaningless, or meaningful?

I think the answer lies somewhere in the area of deep breaths and clear thoughts, of truly listening to the other and attempting to meet their needs even if it inconveniences our own momentary desires. There can be such anxiety in moments, as if the whole world hinges on a singular passing segment of time, when, with perspective, we of course can see and realize that we are all, after all, only living and acting out of our own beliefs and our own minds in that selfsame moment. It is so difficult not to ascribe deep meaning to things like the sweet words lovers speak to one another late on a fall afternoon, or to a feeling of uncertainty very early in the morning.

acb022327f27a15c43169e0a5fb05048

Time, in its passing, teaches us that although we may notice the moments and feel them intensely, that perhaps instead of acting based on reactive decisions made in those moments, that we should see the experience as a whole, and take a deep breath, a step back, and realize that…the only thing to fear, is Fear itself. And keep moving: understanding that the value of the whole outweighs momentary confusion or inconvenience or uncertainty or that dirtiest of dirty words, insecurity.

“The only reason we don’t open our hearts and minds to other people is that they trigger confusion in us that we don’t feel brave enough or sane enough to deal with. To the degree that we look clearly and compassionately at ourselves, we feel confident and fearless about looking into someone else’s eyes. ”

~ Pema Chodron

Yoga-For-An-Open-Heart

A Laborious Mosaic

 

“She was very aware that it was temporary. She was not defensive about it; she was offensive about it. She would say that it was an attribute. Everything was for the process–a moment in time, not meant to last.” Arthur C. Danto about Eva Hesse

I have been accused of being a perpetual boyfriend-chaser.

I have also been labeled a love addict.

Tis too true — I love falling in love, being in love, feeling love. Although, I must admit that I do not truly know what it is to be a participant in mutual, building, sustainable love. I love helping people and I love loving others. I love feeling them need me; I love attention.

owl-horizontal

That being said, I choose the wrong partners almost every single time. OK: every single time so far. I choose partners who are selfish, who cannot really love another person. I choose partners who are emotionally unavailable. I choose partners who are artistic and aloof. I choose partners who are needy and manipulative. I choose partners who see me as someone, as one someone, and I change into that person. I am a chameleon for men. I have written here earlier that I am the Queen of Running, and that I can adapt to almost every situation. Maybe my spirit animal should be the chameleon, or one of those amazing walking sticks that look like leaves, or a black panther or the moth that has cobra heads on its wings. I have changed for whomever comes across my path and shows interest in me. I am natural nurturer, and if someone lets me take care of them, I will. I will care and nurture and support until I am left, hollow and exhausted, usually about two years later.

5675513-md

The exception to the two year rule was my husband, who I was with for almost seven years. We made it those seven years for various reasons. We split because we had never learned to communicate, could not disagree in a productive way, he had no motivation to really be a partner to me, he depended almost entirely on his parents who were always going to be more important than me or us. We had become roommates, friends, not lovers. Our life had become routine, so routine. Our life was managed by me, nurtured by me, maintained by a series of expected movements and dependable, predictable routines cultivated over the years. I worked the stable job, I managed the money, I organized our life: I was the one that held it all together. We could have kept that life going for a little while longer, maybe another two years, but the progression of life was not there: we had stagnated. There is a saying about relationships that they are like sharks: they have to keep swimming or they die. Ours was a sleeping shark, drifting downward into the depths. I simply cut off its fins and forced it to sink faster when I asked, after months of painful deliberation, that we separate.

Camouflage - Find The Animals - 8

The other exceptional thing about my ex-husband is that he was easy-going and meek. He was artistic and creative, but not passionate. He didn’t possess the animation, the mad energy, the lust for life, that many other lovers have possessed. He didn’t spin in mental and rhetorical circles, or live in a house that was crumbling and had no refrigerator. He didn’t have long hair and love to go backpacking up the sides of mountains with no map, he didn’t write me poetry and weep in my arms, he didn’t ride bicycles until 7 in the morning and come home drunk and angry at something inside himself. He didn’t live in a foreign country in a beautiful house, separated  from what he really wanted but with enumerable possessions, and he didn’t pretend to be someone he was not by dulling himself with alcohol or drugs, spinning records on weeknights, using philosophy as a tool for avoiding people and experiences, but he was, in the end, like all the others, a liar.

When my friend asked my other friend if I was a perpetual boy-chaser, she was referring to my seemingly endless pursuit of the passionate man, the man whose madcap dash through life is something akin to a drug for me: something that I will seek and find, even unconsciously. Put me in a city of millions or an island of a few thousand, and I will still find this man. I find him everywhere, even when I am not looking. This spirit of chaos, this spirit of degradation, of manipulation, of skewed love, of lust, of power, of personal disaster will be rooted out, as if there is a magnet or a hidden sign emblazoned on my spirit, heart, or soul…..here I am, it says.

camouflage_animals_19

Another friend of mine says that it is like I have two minds: one that knows what I should do, and one that tricks me into torturing myself, into the painful place of this type of relationship. I can tell you where it comes from, but it doesn’t really matter, and you can probably guess, anyway. Many of us have these same issues, coming from that man that we grew up with. Suffice it to say, my father suffers cruelly from what David Foster Wallace called The Terrible Master, and I look or act or sound or remind him of someone from his past that recalls the painful terror that echoes through his inner dialogue. Since I was about thirteen, I was a fairly easy target for his frustration, his failure. I listened, I internalized, I began to question if what he said was true. And almost every person I choose as a partner reflects those questions back at me and I end up telling myself the same thing: if I can just stay here a bit longer, then he will get better/happier/more stable/more successful/more loving/more open/more motivated and will be able to show me what I need. I know he will. And of course, he never does because he was unable to, all the way at the beginning.

leopard-camouflage I read a beautiful article today about an artist named Eva Hesse, a woman that previous to today, I had never heard of.

“At this point,” Hesse wrote, “I feel a little guilty when people want to buy it. I think they know but I want to write them a letter and say it’s not going to last. I am not sure what my stand on lasting really is. Part of me feels that it’s superfluous, and if I need to use rubber that is more important. Life doesn’t last; art doesn’t last.” 

Born in Germany but who lived a short time, part of her short life, here in the United States, Hesse was a 1960s modern artist, a sculptor who sought to navigate through her world and interpret it through her sculptures of industrial materials, anatomical forms, and repetition. She named her pieces with coy names, or ones that reflected scientific discoveries of her age, or her opinions on the direction of the movement she participated within.

eva hesse

One of the things that I love about being a woman, and especially a woman artist, is our ability to craft work based on our experiences and our lives. All of us, man or woman, has a life whose path is fraught with pain and difficulty, as I said before, Life can be Suffering. (I have amended that Buddhist belief for my own devices.) Woman artists have a unique capacity, I think, to craft and exhibit that pain and make it remain beautiful. Look at Frida Kahlo‘s self portraits, or Georgia O’Keefe‘s flowers, or Eva Hesse‘s sculptures, Annie Leibovitz‘s portrait photography, Yoko Ono‘s drawings and sculptures, and, more simply, the huipils of women in Central America whose embroidery communicated the stories of their culture as the Spanish decimated their people with disease and domination.

frida

Traditionally, women are seen or expected to take on this role of nurturer as if that means that they are to bend, to be flexible, to be willing to support no matter what. I believe that one of the great gains of feminism is an understanding of how those roles can be both male and female, and that women, too, can be ambitious, business-like, healthily selfish, and strong. I believe that the women’s movement is about choice, and that men, too, can gain from an understanding that feminism helps men break out of their codified existences of cold, emotional distance or “strength” at any cost. Feminism is all-encompassing, if we let it be.

OKeeffe_Georgia_Rams_Head

To get back to my original point, of being the boyfriend chaser, the love addict who seeks the wrong sort of love in place of the real thing, I am seeking to combine the understanding that it is time to find self-love and then real love, it is time to create art out of the understanding and final comprehension of these experiences, to channel the spirit of other woman artists who have broken their patterns and found their inner artist. As one line from one of my favorite poems says: it is time to eat my last meal in my old neighborhood. In many ways, the tiger trap I found myself in lately, was a gift because all I had to do was look up, grab those pieces of bamboo, and begin climbing out.

Climbing out, for me, as a woman artist, as a person whose own experience and own Terrible Master has clouded her judgement for so long, involves speaking to other people, and sharing these experiences. Today I read this article, and found it gut-wrenching, so I am linking to it. Today I spoke at length with a new friend and she opened my eyes in ways that others had not been able. Today I recommitted to being a woman artist and making this journey work, whatever it ends up being, wherever it ends up going. When I get into that boat of my dreams, every morning as I wake up, and make the conscious decision to do this, to really do it, to being the artist that I am, it is about looking these fears and decisions and successes and challenges in the face and moving through them, slowly. It is about taking moments to savour the beauty of everyday experience, like ice-skating alone today down a creek bed. It is about standing up with a straight back and liberating the self from years of patterned behavior. It is about writing, and looking, and creating, and melting metal into new shapes and forms. It is about trusting others, but trusting oneself most of all.

Being a woman is being “of fierce delicacy and passionate fragility,” and of recognizing that those two aspects are not weaknesses, but beautiful pillars to share with the world through art, or writing, or speaking, or however else you choose to communicate.

“There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successful developments, cellularly, like a laborious mosaic.”

Anais Nin

crane heart